| Lyssa Aruda | ... | Alden Girl | |
| Kris Andersson | ... | Desk Clerk | |
| Orson Bean | ... | Mr. Bowen | |
| Al Berman | ... | Corpse | |
| Regan Burns | ... | Mr. Alden | |
| John Patrick Clerkin | ... | Doctor | |
| Barry Corbin | ... | Senator Dorm | |
| George Czarnecki | ... | Caucasian Bar Patron (as George Cznarecki) | |
| Isabelle Dahlin | ... | Smooth White Boys Girlfriend | |
| Michael Dorn | ... | Tar | |
| Evan Ellingson | ... | Alden Boy (as Evan Ellison) | |
| Kyle Gates | ... | Smooth White Boy | |
| Ernie Grunwald | ... | Jukebox Guy | |
| Rachael Harris | ... | Mrs. Alden | |
| Tomica S. Jenkins | ... | Charlene (as Tomica Jenkins) | |
| Leslie Jordan | ... | Jake Bennett | |
| Adoni Maropis | ... | Louis | |
| Michael McLafferty | ... | Bush | |
| Carsten Norgaard | ... | Race | |
| Dwayne Perkins | ... | African-American Bar Patron | |
| Richard Riehle | ... | Starnes | |
| Valente Rodriguez | ... | Simone | |
| Geno Taylor | ... | Deacon (as Eugene 'Geno' Taylor) | |
| Ian Spencer | ... | Policeman | |
| Sven-Ole Thorsen | ... | Butcher Boy | |
| Mychal Wilson | ... | Prince | |
| rest of cast listed alphabetically: | |||
| Blair Underwood | ... | Himself (uncredited) | |
Directed by | |||
| David Portlock | |||
Produced by | |||
| Carsten Norgaard | .... | co-producer | |
| Jill Silverthorne | .... | co-producer | |
| Jill Silverthorne | .... | line producer | |
| Geno Taylor | .... | producer | |
| Mychal Wilson | .... | producer | |
Film Editing by | |||
| Ryan Folsey | |||
Casting by | |||
| Justine Hempe | |||
| Kevin Scott | |||
| Sherry Thomas | |||
Production Design by | |||
| John Shea | |||
Costume Design by | |||
| Ernesto Martinez | |||
Makeup Department | |||
| Vera Zay | .... | key makeup artist | |
Production Management | |||
| Dave Zimmermann | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Terri Carsley | .... | second assistant director | |
| Bettina Godi | .... | first assistant director | |
| Cory Paulos | .... | second second assistant director | |
Art Department | |||
| Terri Carsley | .... | second assistant decorator | |
| Dave Zimmermann | .... | property master | |
Camera and Electrical Department | |||
| Thomas Bango | .... | first assistant camera | |
| Lance Dickinson | .... | lighting technician | |
| Pauline Edwards | .... | camera loader | |
| Terry Meadows | .... | gaffer | |
Costume and Wardrobe Department | |||
| Lily Scott | .... | wardrobe supervisor | |
Music Department | |||
| Brad Colerick | .... | music supervisor | |
| Dave Curtin | .... | music supervisor | |
Transportation Department | |||
| Joseph E. Jones | .... | driver | |
| Sonny Martinez | .... | transportation coordinator | |
Other crew | |||
| Karen Paulos | .... | production assistant | |
| Mychal Wilson | .... | entertainment attorney | |
| Mychal Wilson | .... | producer's representative | |
| Recent Posts (updated daily) | User |
|---|---|
| OFF THE HOOK MOVIE | chuck_chill_out |
| Plot not listed here. Is this the movie where..... | ca0695 |
| I saw this film on cable and it reeked. | telex1-1 |
| Saw it | hectorf |
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| River's Edge | The Black Widow | Stir of Echoes | John Q | Flightplan |
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IMDb User Rating: |
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| Full cast and crew | Company credits | External reviews |
| IMDb USA section |
I watched "Gristle" primarily for the presence of Michael Dorn, as I enjoyed his Worf portrayal on Star Trek TNG, but had never seen him out of his makeup. Dorn appears to have a nice presence, and probably has the potential for a profitable acting career. This movie, however, gave him little dramatic challenge, except to prove that he can, indeed, use the "F" word.
It appears that this movie was made by someone who fancied himself as a forward-thinking type, with a social conscience. Yeah--- for 1965. Today, the themes are so belabored and sophomoric and cornball that even Spike Lee's dreadful "Bamboozled" looks good in comparison.
This crime-caper flick has an intricate labrynth of double-, triple-, and quadruple-crosses, but the plot scheme is so convoluted that it collapses upon itself within the first 30 minutes. Mostly, after that point, I simply watched out of momentum, and a mild curiosity about how each scene would play out. There is a great cast here-- you will recognize virtually everyone as a character actor from much better movies. Why are they all in this? I suspect it was 1) The work, and some money, even if modest. 2) Perhaps the director knows all these actors from acting classes and social connections around LA--- you know, perhaps they participated to support him, as a fellow struggling movie guy on the third and fourth tiers of the Hollywood scene. Dunno... but the movie was half-baked--- not really "finished." I gave it a 3, although my affection for the actors involved was undiminished from my admiration of their previous work. Let's hope everybody has moved on to more professional, more carefully done, and more thorough projects since.