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Directed by | |||
| Mira Nair | |||
Writing credits | ||
| Matthew Faulk | (screenplay) & | |
| Mark Skeet | (screenplay) and | |
| Julian Fellowes | (screenplay) | |
| William Makepeace Thackeray | (novel) | |
Original Music by | |||
| Mychael Danna | |||
Cinematography by | |||
| Declan Quinn | |||
Film Editing by | |||
| Allyson C. Johnson | |||
Casting by | |||
| Mary Selway | |||
| Loveleen Tandan | |||
Production Design by | |||
| Maria Djurkovic | |||
Art Direction by | |||
| Nick Palmer | |||
| Sam Stokes | |||
| Lucinda Thomson | |||
Set Decoration by | |||
| Kalpa Dave | |||
| Tatiana Macdonald | (as Tatiana Lund) | ||
Costume Design by | |||
| Beatrix Aruna Pasztor | |||
Makeup Department | |||
| Bee Archer | .... | additional hair stylist | |
| Bee Archer | .... | additional makeup artist | |
| Zoe Brown | .... | additional hair stylist | |
| Zoe Brown | .... | additional makeup artist | |
| Anita Burger | .... | makeup artist | |
| Blanka Dudas | .... | makeup artist | |
| Jon Henry Gordon | .... | additional hair stylist | |
| Jon Henry Gordon | .... | additional makeup artist | |
| Annabel Hill | .... | makeup artist | |
| Virginia Holmes | .... | assistant makeup: India | |
| Joe Hopker | .... | additional hair stylist | |
| Joe Hopker | .... | additional makeup artist | |
| Sue Ignatius | .... | additional hair stylist | |
| Sue Ignatius | .... | additional makeup artist | |
| Rebecca Lafford | .... | makeup artist: Ms. Witherspoon | |
| Mai Layton | .... | additional hair stylist | |
| Mai Layton | .... | additional makeup artist | |
| Sadie Lunn | .... | hair trainee | |
| Sadie Lunn | .... | makeup trainee | |
| Fran Needham | .... | hair stylist: crowd | |
| Fran Needham | .... | makeup artist: crowd | |
| Jacqueline Russon | .... | makeup artist | |
| Loulia Sheppard | .... | hairdresser: Ms. Witherspoon | |
| Jenny Shircore | .... | hair designer | |
| Jenny Shircore | .... | makeup designer | |
| Chang Su Chan Shiu | .... | assistant hair stylist: India | |
| Barbara Taylor | .... | crowd hair stylist | |
| Jeanette Redmond | .... | hair stylist (uncredited) | |
Production Management | |||
| Rupert Ryle-Hodges | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Matthew Baker | .... | second assistant director (as Matt Baker) | |
| Amy Coop | .... | additional third assistant director (as Adam Coop) | |
| Reema Kagti | .... | second assistant director: India | |
| Max Keene | .... | first assistant director | |
| Candy Marlowe | .... | second assistant director: crowd | |
| Danny McGrath | .... | third assistant director | |
| Jay Jay Odedra | .... | second unit director (as Jay J. Odedra) | |
| Stuart Renfrew | .... | first assistant director: India | |
| Akshay Roy | .... | third assistant director: India | |
Art Department | |||
| Chris Cull | .... | property master | |
| Belinda Cusmano | .... | assistant set decorator | |
| Richard Dalton | .... | props | |
| Amy Dewar | .... | art department runner | |
| Gill Farr | .... | production buyer | |
| Emily Lutyens | .... | graphic artist | |
| Suzanne Caplan Merwanji | .... | supervising designer: India | |
| Simon Riley | .... | stand-by props | |
| Adrian Start | .... | paint supervisor | |
| Tony Statham | .... | sign creator | |
| Hattie Storey | .... | art department assistant | |
| Sarah Stuart | .... | stand-by art director | |
| Chris Ulusele | .... | stand-by props | |
| Tom Whitehead | .... | draughtsman | |
| Billy Wilson | .... | lead dressing props | |
| Eddie Wolstencroft | .... | stand by painter | |
Sound Department | |||
| Marko A. Costanzo | .... | foley artist | |
| Dan Edelstein | .... | foley editor | |
| Robert Fernandez | .... | sound re-recording mixer | |
| Peter Gleaves | .... | adr mixer | |
| Dan Korintus | .... | dialogue editor | |
| Drew Kunin | .... | production sound mixer | |
| Marissa Littlefield | .... | adr editor | |
| Tony Martinez | .... | supervising sound editor | |
| Eric McAllister | .... | assistant sound editor | |
| Kate Morath | .... | boom operator | |
| Kate Morath | .... | sound maintenance | |
| Luke Neuman | .... | assistant sound | |
| Lowell Pickett | .... | digital media assistant | |
| Mary Ellen Porto | .... | sound effects editor | |
| Steve Schwartz | .... | assistant sound editor (as Stephen Schwartz) | |
| Warren Shaw | .... | supervising sound editor | |
| Jeffrey Stern | .... | dialogue editor | |
| Eric Strausser | .... | assistant sound editor | |
| Bill Sweeney | .... | foley editor (as William Sweeney) | |
| Dominick Tavella | .... | sound re-recording mixer | |
| Alexander Beddow | .... | adr recordist (uncredited) | |
Special Effects by | |||
| James Davis III | .... | special effects senior technician | |
| Hugh Goodbody | .... | special effects technician | |
| Mark Holt | .... | special effects supervisor | |
Visual Effects by | |||
| Ryan Beadle | .... | digital I/O | |
| R.J. Harbour | .... | digital compositor | |
| Mark Sawicki | .... | optical camera | |
| Brian Allan | .... | optical camera (uncredited) | |
Stunts | |||
| Andy Bradford | .... | stunt coordinator | |
| Nrinder Dhudwar | .... | stunt coordinator | |
| Levan Doran | .... | stunt double | |
Casting Department | |||
| Lucy Bevan | .... | casting assistant | |
| Louis Elman | .... | adr voice casting | |
Costume and Wardrobe Department | |||
| Arjun Bhasin | .... | costume designer: India | |
| Rosie Grant | .... | additional costume | |
| Jenny Hawkins | .... | costume set supervisor | |
| Amanda Keable | .... | costume supervisor | |
| Urmilla Lal Motwani | .... | wardrobe supervisor: India | |
| Jacqueline Mulligan | .... | costume maker (as Jacqueline Simpson) | |
| Sophie Norinder | .... | dresser: Ms. Witherspoon | |
| Julia Patkos | .... | costume design assistant | |
Editorial Department | |||
| Kenny Becker | .... | color timer | |
| Yana Collins Lehman | .... | post-production assistant | |
| Jack Lewars | .... | assistant color timer: Efilm | |
| James Nichols Jr. | .... | assistant editor | |
| David O. Rogers | .... | assistant editor | |
| David A. Smith | .... | assistant editor | |
| Shelly Westerman | .... | assistant film editor | |
| John Dowdell | .... | hd colorist (uncredited) | |
Music Department | |||
| Christine Bergren | .... | music legal and clearance | |
| Mychael Danna | .... | orchestrator | |
| Terry Davies | .... | composer: dance music | |
| Nicholas Dodd | .... | conductor | |
| Nicholas Dodd | .... | orchestrator | |
| Jennifer L. Dunnington | .... | music editor (as Jennifer Dunnington) | |
| Vic Fraser | .... | music copyist | |
| Brad Haehnel | .... | music mixer | |
| Paul Talkington | .... | musician contractor | |
Transportation Department | |||
| Peter Devlin | .... | transport coordinator | |
| Chris Hammond | .... | driver: minibus | |
| Darren Thackeray | .... | driver | |
| Dave Williams | .... | wardrobe truck driver | |
Thanks | |||
| Barry Alexander Brown | .... | special thanks | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
I was very disappointed with this adaptation of Thackeray's masterpiece. When this movie first came out I was very excited to see it and read the book in preparation. Now I wish I had just left it at the novel. Mira Nair's vision of Becky Sharp and the hypocrisy of Regency Britain is so far off the mark, she should be ashamed of herself for even using the title 'Vanity Fair.' All of Becky's backstabbing guiles have been down-graded to a form of pluckiness that completely fails to hit any mark of truth or irony... the two pillars of the original work. It saddens me to know that a generation of young people will watch this film and assume that Nair's vision of the story is a correct one. It also upsets me that several of the most entertaining scenes in the novel were altered or completely left out for the sake of forcing us to endure Reese Witherspoon's mediocre lip syncing in at least three separate musical numbers. Sure, in the novel, Becky could sing... but she was also a heartless sociopath who would do anything to get ahead. Out of the two personality traits, I believe Thackeray would rather us know the latter instead of the former. 'Vanity Fair,' the novel, is a sharp and often hilarious social commentary. 'Vanity Fair,' the 2004 movie, is a dull and often intellectually insulting piece of weepie dreck. Trust me, folks, spend your money on the book, or at least check out the far superior BBC version, which is twice as long but never quite as plodding as this mock-up of an adaptation.