6.2/10
18,265
150 user 119 critic

Vanity Fair (2004)

PG-13 | | Drama | 1 September 2004 (USA)
Growing up poor in London, Becky Sharp defies her poverty-stricken background and ascends the social ladder alongside her best friend, Amelia.

Director:

Writers:

(screenplay), (screenplay) | 2 more credits »

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From $2.99 (SD) on Amazon Video

ON DISC
2 wins & 5 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Angelica Mandy ...
Young Becky
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Francis Sharp
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Miss Pinkerton
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Miss Pinkerton's Crone
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Ms. Green (as Lillette Dubey)
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John Franklyn-Robbins ...
Mr. Sedley
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Biju
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...
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Gambler
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Storyline

The British Empire flowers; exotic India colors English imaginations. Becky Sharp, the orphaned daughter of a painter and a singer, leaves a home for girls to be a governess, armed with pluck, a keen wit, good looks, fluent French, and an eye for social advancement. Society tries its best to keep her from climbing. An episodic narrative follows her for 20 years, through marriage, Napoleonic wars, a child, loyalty to a school friend, the vicissitudes of the family whose daughters she instructed, and attention from a bored marquess who collected her father's paintings. Honesty tempers her schemes. No aristocrat she, nor bourgeois, just spirited, intelligent, and irrepressible. Written by <jhailey@hotmail.com>

Plot Summary | Plot Synopsis

Taglines:

In a time of social climbers, Becky Sharp is a mountaineer. See more »

Genres:

Drama

Motion Picture Rating (MPAA)

Rated PG-13 for some sensuality/partial nudity and a brief violent image | See all certifications »
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Details

Country:

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Language:

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Release Date:

1 September 2004 (USA)  »

Also Known As:

Vanidad  »

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Box Office

Budget:

$23,000,000 (estimated)

Opening Weekend USA:

$6,268,925, 5 September 2004, Wide Release

Gross USA:

$16,136,476

Cumulative Worldwide Gross:

$3,111,020
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

In the early 1970s Stanley Kubrick wanted to direct an adaptation of this book, but found it to be too big to make it into a three-hour film. He instead made Barry Lyndon (1975). See more »

Goofs

When Becky and Rawdon have their final argument, Becky has dark makeup around her eyes and on her lips. When she runs down the stairs after him, the makeup is gone. See more »

Quotes

Maria Osborne: George is engaged. It's understood.
Mr. Osborne: And it can be un-understood.
See more »

Crazy Credits

Before the credits start rolling the word "Alvida" (goodbye) appears in Urdu script. Beneath it is the following dedication: for our beloved Ammy Kulsum Alibhai 1927-2003 See more »

Connections

Version of Vanity Fair (1911) See more »

Soundtracks

Now Sleeps the Crimson Petal
Lyrics by Alfred Lord Tennyson
Music by Mychael Danna
Produced by Mychael Danna
Performed by Custer LaRue
Custer LaRue appears courtesy of The Dorian Group, Ltd.
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User Reviews

 
Social climbing
12 January 2006 | by See all my reviews

William Thackerey's "Vanity Fair" has been adapted for the screen and television in numerous occasions. It is almost an impossible task to get a coherent take on a narrative that spans a lot of years and in which a lot happens.

This adaptation of the book by Mira Nair with the adaptation by Julian Fellowes, is sumptuously photographed by Declan Quinn, who captures the Regency period in the England at the beginning of the XIX century. Ms. Nair's touch is evident in the way the costumes have an Indian flair as they were brilliantly executed by designer Beatrix Aruna Pasztor. Maria Djurkovic's wonderful production design is also an asset.

If anything, this reincarnation of the Thackerey's novel is a joy for the eyes. The rich period in which the action takes place comes alive in the screen as a feast of colors, which in a way, compensate for the failings on the story and in the way Ms. Nair conceived the way she wanted to tell this tale about an ambitious young woman who is the epitome of social climbing. As a character puts in the film, Becky Sharp would be a perfect mountaineer.

Part of what is wrong with the film is Reese Witherspoon in the central role. Not that her interpretation is wrong, it's that she doesn't project the character of Becky Sharp with an intensity that another actress might have brought to the role. In part, this might not have been Ms. Witherspoon's fault, but the director's, in the way she guided the key performance.

The other failure of the film lies in the last scenes in which one finds Becky in Baden-Baden. Becky, Amelia, and Dobbins, haven't aged one iota. For the sake of realism, a bit of old age makeup should have been applied to these actors, or else, one might believe in the curative waters of that German spa. If it was true, we should be taking the next flight to Germany. After all, if that were the case, it would be the end of plastic surgery as we know it!

Some of the best actors of the English stage and screen are seen in various roles. Bob Hoskins, Eileen Atkins, Jim Broadbent, Gabriel Byrne, Barbara Leigh-Hunt, Rhys Ifan, Romola Garai, Jonathan Rhys-Meyer, James Purefoy, just to name a few, do an excellent job in the portrayal of their characters.

This "Vanity Fair", although flawed, is not a total failure. Mira Nair shows an amazing talent for being in command of such a large project.


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