Strange events happen in a small village in the north of Germany during the years just before World War I, which seem to be ritual punishment. The abused and suppressed children of the villagers seem to be at the heart of this mystery.
A strange visitor in a wealthy family. He seduces the maid, the son, the mother, the daughter and finally the father before leaving a few days after. After he's gone, none of them can ... See full summary »
When an 11-year-old girl is brutally raped and murdered in a quiet French village, a police detective who has forgotten how to feel emotions--because of the death of his own family in some kind of accident--investigates the crime, which turns out to ask more questions than it answers.
A group of middle-class friends travel from Tehran to spend the weekend at the seaside. Sepideh invites Elly, who is her daughter's teacher, to travel with the three families in order to ... See full summary »
Bennie travels to Buenos Aires to find his long-missing older brother, a once-promising writer who is now a remnant of his former self. Bennie's discovery of his brother's near-finished play might hold the answer to understanding their shared past and renewing their bond.
Francis Ford Coppola
Marie, a professor of English literature in a Paris university, has been happily married to Jean for 25 years, although they have no children. During their summer vacations in the southwest of France, Jean leaves Marie sunbathing on the beach and goes to swim in the sea. When Marie turns back, she cannot find Jean. Has he left her? commited suicide? drowned? With no clue and no body to mourn over, Marie acts as her husband was still alive. Written by
A surprising change of pace for (up to that stage in his directorial career) shock auteur François Ozon in the wake of bourgeois facade-ripping as REGARDE LA MER and SITCOM, this minimalist masterpiece deals with love, loss and grief yet never becomes heavy-handed.
Middle-aged Marie (luminous Charlotte Rampling making a belated but extremely welcome return to leading roles), an English literature professor at a Parisian university, quite literally loses her husband (hauntingly sad-eyed Bruno Cremer) while on seaside holiday. She takes a nap on the beach as he's out swimming. When she wakes up, he has disappeared. Accidentally or voluntarily drowned ? Hiding perhaps from a stifling marriage ? Ozon offers no solid answers but focuses but focuses on Marie's stubborn denial of her husband's departure as she resumes her professional and social life as if nothing had happened. While those around her assume she's slipping from sanity, the truth proves considerably less tangible and far more nuanced. A tentative affair with the friend of a friend seems doomed from the start, leading to the shattering final scene, all the more heartbreaking for being open to any number of interpretations, none of them particularly cheerful.
Even though the filmmaker has reigned in his wicked humor and morality-defying shock tactics, this fortunately doesn't mean he has gone all solemn on us. The general lightness of tone might indeed startle in light of the subject matter, plus there's even an astonishingly erotic moment when Marie imagines herself being groped by both husband and lover in an elegant masturbatory fantasy. Ultimately, this is very much Rampling's show and clearly intended as such. Rarely out of frame for more than an instant here, she delivers the type of performance both subtle and sensuous that has been her stock in trade since she started enchanting movie audiences worldwide back in the '60s, her mysterious beauty undiminished (if anything, augmented more like) by the passing years. Contrary to her personal code of conduct (she will rarely work more than once with the same director, always looking for new experiences to further her craft and personal growth), she went on to star in Ozon's deceptively upbeat SWIMMING POOL and took a supporting role in his first failure to date, the atrocious ANGEL.
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