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Under the Sand (2000)
"Sous le sable" (original title)

 -  Drama | Mystery  -  4 May 2001 (USA)
7.2
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Ratings: 7.2/10 from 6,167 users   Metascore: 86/100
Reviews: 66 user | 78 critic | 24 from Metacritic.com

When her husband goes missing at the beach, a female professor begins to mentally disintegrate as her denial of his disappearance becomes delusional.

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(scenario and dialogue), (collaboration), 2 more credits »
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Title: Under the Sand (2000)

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Cast

Cast overview, first billed only:
...
Bruno Cremer ...
Jean Drillon
...
Vincent
Alexandra Stewart ...
Amanda
Pierre Vernier ...
Gérard
Andrée Tainsy ...
Suzanne
Maya Gaugler ...
German woman
Damien Abbou ...
Chief lifeguard
David Portugais ...
Young lifeguard
Pierre Soubestre ...
Policeman
Agathe Teyssier ...
In charge of luxury store
Laurence Martin ...
Apartment seller
Jean-François Lapalus ...
Paris doctor
Laurence Mercier ...
Paris doctor's secretary
Fabienne Luchetti ...
Pharmacist
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Storyline

Marie, a professor of English literature in a Paris university, has been happily married to Jean for 25 years, although they have no children. During their summer vacations in the southwest of France, Jean leaves Marie sunbathing on the beach and goes to swim in the sea. When Marie turns back, she cannot find Jean. Has he left her? commited suicide? drowned? With no clue and no body to mourn over, Marie acts as her husband was still alive. Written by Loic Henry-Greard

Plot Summary | Add Synopsis

Taglines:

Can love vanish without a trace?

Genres:

Drama | Mystery

Certificate:

Unrated | See all certifications »
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Details

Country:

|

Language:

|

Release Date:

4 May 2001 (USA)  »

Also Known As:

Under the Sand  »

Filming Locations:

 »

Box Office

Opening Weekend:

$32,657 (USA) (4 May 2001)

Gross:

$1,450,106 (USA) (8 March 2002)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Quotes

Marie Drillon: I am his wife, and I'm telling you, this is *not* him!
See more »

Connections

Referenced in Searching for Debra Winger (2002) See more »

Soundtracks

Septembre (Quel joli temps)
By Barbara - Sophie Makhno
Performed by Barbara
© Les Editions Métropolitaines
Avec l'aimable autorisation des Editions Métropolitaines
(p) 1965 Mercury France
Avec l'aimable autorisation de Universal Music Projets Sepésiaux
See more »

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User Reviews

 
A Lesson in Not Getting Real
18 January 2002 | by (Studio City) – See all my reviews

Probably the best thing about director Francois Ozon's Sous le Sable (Under the Sand) is the re-emergence of sultry British actress Charlotte Rampling in the film's lead role. Having started out in the mid-60s, Rampling was beginning to appear in some rather offbeat, kinky films by the early 70s, such as the incestuous "Tis Pity She's a Whore" and the sado-masochistic "Night Porter." And though she's worked steadily since that time in various film and television roles, to my knowledge, Rampling hasn't had a lead role in a film for quite a few years. And it's good to see her in such fine form. She has always been a competent, attractive actress with an air of intrigue about her. So, here she is as Marie Drillon, a deluded widow who takes living in denial to new heights. Overwhelming evidence suggests that Marie's husband has drowned while swimming, yet she continues to speak of him as if he were alive and has conversations with him when he frequently appears in her apartment. It's a moderately interesting premise, though the pace of the film is a bit slow. As the story progresses, figuring out whether Mr. Drillon committed suicide or died accidentally becomes the focus of the plot. And for a while, it keeps you guessing by revealing small pieces of the puzzle. But the real matter at hand is Marie herself and the outcome of her delusional condition. She seems to make progress at times, especially when she starts dating a gentleman whom her best friend has recommended; yet she continues to struggle emotionally and psychologically.

Ultimately, one is most likely left with an uneasy feeling about poor Marie, and the film would have been more positive and probably stronger if her character could have fostered or conveyed a greater sense of growth. Even so, the film is above average, and Rampling turns in an excellent performance. And if nothing else, one is reminded that not all things in life can be neatly resolved or easily accepted; we choose either to grow, overcome the blows and take responsibility for the quality of our lives or we suffer the consequences.


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