| Photos (see all 2 | slideshow) |
| Andre Braugher | ... | Narrator (voice) | |
| rest of cast listed alphabetically: | |||
| Nesbitt Blaisdell | ... | Voices (voice) | |
| Sam Catlin | ... | Voices (voice) | |
| Jeffrey DeMunn | ... | Voices (voice) | |
| Frances McDormand | ... | Voices (voice) | |
| Daver Morrison | ... | Voices (voice) | |
| Stanley Tucci | ... | Voices (voice) | |
| Lee Wilkof | ... | Voices (voice) | |
| Harris Yulin | ... | Voices (voice) | |
Directed by | |||
| Daniel Anker | |||
| Barak Goodman | |||
Writing credits | ||
| Barak Goodman | (writer) | |
| Kay Boyle | (opening poem) | |
Produced by | |||
| Daniel Anker | .... | producer | |
| Margaret Drain | .... | executive producer | |
| Barak Goodman | .... | producer | |
| Trina Quagliaroli | .... | associate producer | |
| Mark Samels | .... | senior producer: American Experience | |
Original Music by | |||
| Edward Bilous | |||
Cinematography by | |||
| Buddy Squires | |||
Film Editing by | |||
| Jean Tsien | |||
Art Department | |||
| Clive Helfet | .... | graphic designer | |
Sound Department | |||
| Steven Dunlap | .... | additional sound | |
| Grant Maxwell | .... | sound re-recording mixer | |
| Roger Phenix | .... | additional sound | |
| Tony Pipitone | .... | sound editor | |
| Brenda Ray | .... | sound recordist | |
| Tony Slocum | .... | sound editor | |
Camera and Electrical Department | |||
| Glenn Ballard | .... | grip | |
| James Callanan | .... | additional cinematographer | |
| John Haydock | .... | assistant camera | |
| Tom Hurwitz | .... | additional cinematographer | |
| Sandra Isabelle Muller | .... | assistant camera | |
| Antonio Rossi | .... | assistant camera | |
| Anthony Savini | .... | assistant camera | |
| John Tanzer | .... | assistant camera | |
| Anna Useem | .... | assistant camera | |
Animation Department | |||
| Frank Ferrigno | .... | stills animation | |
| Glen Schauer | .... | stills animation | |
Editorial Department | |||
| John Rehberger | .... | on-line editor | |
| Bill Stokes | .... | colorist | |
Music Department | |||
| Amanda Harberg | .... | composer: additional music | |
| Greg Kalember | .... | music mixer | |
| Jen Scaturro | .... | composer: additional music | |
Other crew | |||
| Carol Berkin | .... | advisor (as Carol Ruth Berkin) | |
| Dan T. Carter | .... | advisor (as Dan Carter) | |
| James Goodman | .... | advisor | |
| Robin Kelley | .... | advisor | |
| Kwando Kinshasa | .... | advisor | |
| Conrad Lynn | .... | reader: opening poem | |
| J. Mills Thornton | .... | advisor (as Mills Thornton) | |
| Mick Caouette | .... | researcher (uncredited) | |
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| The Trials of Darryl Hunt | To Kill a Mockingbird | The Liberation of L.B. Jones | Judge Horton and the Scottsboro Boys | Heavens Fall |
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| Full cast and crew | Company credits | External reviews |
| IMDb Documentary section | IMDb USA section | Add this title to MyMovies |
Daniel Anker and Barak Goodman's penetrating documentary should have been renamed "Scottsboro: An American Outrage." The many injustices committed by Alabama's legal system and the American media against nine African-American young men for a 1931 crime (the rape of two white women, one of whom later admitted that consensual sex with their own boyfriends occurred the previous day,) a crime that the men did not commit, is recalled with sorrow and anguish by almost all of the documentary's participants.
As the viewer watches, the remembrance of one of many horrific "legal lynchings" of innocent African-Americans throughout the 1880's to the 1950's, and beyond, fuels a sadness, outrage and anger, particularly when one recalls similar circumstances today where scores of innocent (and non-prominent) Black men continue to be convicted of crimes against white females, when insisting their innocence. (For example, the Central Park Jogger case in 1990 New York -- arguably an eerie and disturbing parallel to 1931 Scottsboro case chronicled in the documentary -- and the recent case of Paris Drake, convicted in New York 2000, of brutally assaulting Nicole Barrett with a brick.)
"Scottsboro" looks at the racist attitudes exuded by Southern whites, attitudes responsible for the four-time convictions of each of the nine Black men in the case, in the face overwhelming evidence in the men's favor. The documentary balances this with some ironies, including that of avowed racist and segregationist Alabama governor George Wallace, who admitted that a wrong had been committed against the Scottsboro Nine. Wallace pardoned one of the Nine in 1976. Even some of those in the media who had called for the mens' convictions and executions later realized (too late however) that a terrible mistake had been made.
The political climate is documented, with Jewish New York lawyer Samuel Leibovitz, who (while encountering bigotry himself) steadfastly and doggedly defended all nine of the Scottsboro men until all were freed after serving long prison sentences and facing certain death. The legal battle took well over a decade. And the International Labor Defense, a communist group whose efforts helped internationalize the Scottsboro Nine case and gain large support of a moral and financial nature for the Nine, are given time in Anker and Goodman's documentary.
"Scottsboro: An American Tragedy" is narrated by actor Andre Braugher, and features the voices of several other actors, including Frances McDormand and Stanley Tucci. McDormand and Tucci effectively evoke the times, speaking the voices of some of the real-life participants during the documentary's courtroom scenes. Their work, and that of others places the viewer at the heart of the racial dynamics of the American South.
A wealth of important books on the Scottsboro Nine case exist (see amazon.com), and Barak and Goodman's documentary serves as a good start to a viewer's research on this disturbing injustice of the legal system, not an end.