| Maggie Cheung | ... | Ellen | |
| Leon Lai | ... | Mike | |
| Scott Leung | ... | Scott | |
| Saisie M. Jang | ... | Mel G | |
| AnnieScott Rogers | ... | Wealthy Lady | |
| rest of cast listed alphabetically: | |||
| Valerie Chow | ... | Virginia Chow | |
| Alan Draven | ... | Taxi driver | |
| Mark Hefti | ... | Tony | |
| Eric Kot | ... | Bob | |
| Suki Kwan | ... | Tina | |
| Jeffrey Lei | ... | Taxi Driver (as King Kong) | |
| Carl Ng | ... | Mike's friend | |
| Richard Ng | ... | Robert | |
| Jed Rowen | ... | Homeless Man (as Jed Low) | |
| Karl-Heinz Teuber | |||
| Theresa Walsh | ... | Hot girl in Bar | |
| Tamara Torres | ... | Bus Stop Patron (uncredited) | |
| Jude S. Walko | ... | Fillmore Groupie (uncredited) | |
Directed by | |||
| Wai-keung Lau | (as Andrew Lau) | ||
Produced by | |||
| Jessinta Liu | .... | producer | |
| Andrew Loo | .... | producer | |
| Jing Wong | .... | producer | |
Original Music by | |||
| Kwong Wing Chan | |||
Casting by | |||
| Ava Fang | |||
Art Direction by | |||
| Patrick Ludden | |||
Costume Design by | |||
| Karen Elsa Lee | |||
Production Management | |||
| Eric Blyler | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Second Chan | .... | second assistant director | |
| Nathan Richards | .... | second assistant director | |
| Eddy Yeung | .... | first assistant director | |
Art Department | |||
| Joe Acedillo | .... | art department production assistant | |
| Mercedes Bauer | .... | art department production assistant | |
| Jen Covens | .... | art department production assistant | |
| K.C. Ganzkow | .... | art department production assistant | |
| Sean House | .... | assistant art director | |
| Cindy Mah | .... | art department production assistant | |
Sound Department | |||
| Lori Dovi | .... | sound mixer | |
| Etina Hom | .... | boom operator | |
Visual Effects by | |||
| Eddy Wong | .... | visual effects supervisor | |
| Victor Wong | .... | visual effects supervisor | |
Camera and Electrical Department | |||
| Casey Alicino | .... | best boy grip | |
| John H.L. Baker | .... | film loader | |
| Christine Cannavo | .... | gaffer | |
| Sean Prichard | .... | key grip | |
| Andi Ruane | .... | electrician | |
| John Schweitzer | .... | best boy electric | |
| Marc Wall | .... | grip | |
Transportation Department | |||
| Bundy Chanock | .... | transportation coordinator | |
| Kimie Kimura-Heaney | .... | driver | |
| Kimie Kimura-Heaney | .... | transportation | |
Other crew | |||
| Donnell Barnes | .... | studio teacher | |
| Bundy Chanock | .... | set medic | |
| David Gainey | .... | production assistant | |
| Sean House | .... | puppet fabricator | |
| Saisie M. Jang | .... | production liaison | |
| Melissa Lekus | .... | key set production assistant | |
| Heather McCann | .... | set production assistant | |
| Eric Ringer | .... | location assistant | |
| Doug Wilson | .... | location manager | |
| Fei Wong | .... | script supervisor | |
| Ami Zins | .... | film commissioner | |
| Full cast and crew | Company credits | External reviews |
| IMDb Romance section | IMDb Hong Kong section |
It's rather nice occasionally to see a romantic movie that's not based on teenage puppy-love, and Sausalito falls right into this category.
Maggie Cheung plays Ellen, a single mother in her mid-30s and makes a living as a taxi driver in San Francisco. Meanwhile, Mike (Leon Lai) is the CEO of his successful internet start-up company. However, it's developing its own cash problems, and business problems are hitting his own personal life. On one night to get away from it all, Leon borrows someone he doesn't know, Maggie, for a trick to woo the chicks, but instead attracts the attention of Maggie. And so a bumpy taxi-ride lies ahead.
Sausalito is a feel-good movie about life in a world that you begin to realise are full of strangers. The story is well written, with some very good scenes that involve her son, Scott.
Although I wouldn't call this an outstanding film, there is a lot of good subtext in the film, and the story flows very well. The story also acknowledges San Francisco culture by including addressing many of the bigotries that people outside of San Francisco may not be readily accepting as yet, one of which is the inclusion a homosexual, multi-racial couple of contrasting ages.
This is definitely one to add to the 'To Watch' list.