| Julie Link | ... | Woman in Yard (as Julia Link) | |
| Mike Wilson | ... | Mr. Fulton | |
| David A.R. White | ... | Adam Riley (as David White) | |
| Kevin Downes | ... | Charles Baker | |
| Greg Davis | ... | Young Man | |
| Brad Heller | ... | Jacob Krause | |
| D. David Morin | ... | Special Agent Thomas (as David Morin) | |
| Brian C. Bennetts | ... | Agent #1 (as Brian Bennetts) | |
| Amanda Llewellyn | ... | Mrs. Fulton | |
| Kevin Indio Copeland | ... | John | |
| John Gilbert | ... | Peter McCollum (as John Rawling) | |
| Manney Beldaire | ... | Dr. Claire Holt | |
| Gregg Binkley | ... | Dr. Jason Hersch (as Gregg Alex) | |
| Paul R. Jones | ... | Dr. Edward Wilkins | |
| David Darus | ... | Census Boy | |
| Dominique D'Amato | ... | Census Girl | |
| Patrick G. Ingram | ... | Census Man (as Patrick Ingram) | |
| Julie Ingram | ... | Census Woman | |
| Angela Francis | ... | Marsha Lopez | |
| Judith Peterson | ... | Peggy | |
| Marianne Faucher | ... | Martha | |
| Mel Faucher | ... | Don | |
| Joanne Busch | ... | Psych. Nurse | |
| Angela Robinson-Witherspoon | ... | Catherine Harris (as Angela Robinson) | |
| Troy Winbush | ... | George Harris | |
| Dewayne Coleman | ... | Troy | |
| Dree Coleman | ... | Tanya | |
| Ana Gatchell | ... | Nurse | |
| Julie Socash | ... | Doctor | |
| Erin Johnson | ... | Rebecca Baker | |
| Ray Hornblower | ... | Bureaucrat | |
| Lucy O'Bryan | ... | Administrator | |
| Don Parker Decker | ... | President of the United States | |
| Larry Holmes | ... | Pawn Shop Man | |
| Jessica McWilliams | ... | Young Girl | |
| David Kallaway | ... | Soldier #1 | |
| Calvin Scott | ... | Soldier #2 | |
| Geoff Ludlow | ... | Soldier #3 | |
| David Zovac | ... | Soldier #4 | |
| Monte Rex Perlin | ... | Lt. Fredricks (as Monte Perlin) | |
| Rodney Wright | ... | Officer #1 | |
| Dan Wells | ... | Officer #2 | |
| Adam Sbraiga | ... | Clerk | |
| Lory Bennetts | ... | Man at Gas Pump | |
| Wes Llewellyn | ... | Guard | |
| Jeff Peterson | |||
| Jeremy Thomas | |||
| Tyrell Harris | |||
| Dan Moore | (as Daniel Moore) | ||
| Tim McFadden |
Directed by | |||
| Wes Llewellyn | |||
Writing credits(in alphabetical order) | ||
| Kevin Downes | writer | |
| Amanda Llewellyn | writer | |
| Wes Llewellyn | writer | |
Produced by | |||
| Lory Bennetts | .... | associate producer | |
| Bobby Downes | .... | co-producer | |
| Kevin Downes | .... | producer | |
| Brad Heller | .... | producer | |
| Amanda Llewellyn | .... | associate producer | |
| Wes Llewellyn | .... | producer | |
| David A.R. White | .... | producer (as David White) | |
Original Music by | |||
| Marc Fantini | |||
Cinematography by | |||
| Philip Hurn | |||
Film Editing by | |||
| Wes Llewellyn | |||
Makeup Department | |||
| Amanda Llewellyn | .... | hair stylist | |
| Amanda Llewellyn | .... | makeup artist | |
| Alex Proctor | .... | additional makeup artist | |
Production Management | |||
| Kevin Downes | .... | production manager | |
| D. Gunther Tarampi | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Carlos Rodriguez | .... | first assistant director | |
Sound Department | |||
| Hayden Clement | .... | supervising sound editor | |
| Sean Flood | .... | sound editor | |
| Willie Franco | .... | production sound (as William Franco) | |
| Ana Gatchell | .... | boom operator | |
| Erick Jolley | .... | adr engineer | |
| Michael Lyle | .... | foley artist | |
| Steve Weiss | .... | production sound | |
Camera and Electrical Department | |||
| John Ames | .... | electrician | |
| John Ames | .... | grip | |
| Michelle Baker | .... | second assistant camera | |
| Ron Baldwin | .... | Steadicam operator | |
| Robert L. Benavides | .... | electrician | |
| Robert L. Benavides | .... | grip | |
| Eric S. Boland | .... | gaffer (as Eric Boland) | |
| Ohio Dave Darus | .... | electrician | |
| Ohio Dave Darus | .... | grip | |
| Brian Davis | .... | first assistant camera | |
| Greg Davis | .... | best boy | |
| Ana Gatchell | .... | still photographer | |
| Jeffrey M. Hoffman | .... | camera operator (as Jeff Hoffman) | |
| Marshall Nord | .... | videographer | |
| Lucy O'Bryan | .... | still photographer | |
| Drew Olsen | .... | key dolly grip | |
| Dennis Wong | .... | electrician | |
| Dennis Wong | .... | grip | |
Costume and Wardrobe Department | |||
| Jo Ella Cox | .... | wardrobe | |
Transportation Department | |||
| Kitty West | .... | additional transportation | |
Other crew | |||
| Lory Bennetts | .... | location assistant | |
| Nancy Bennetts | .... | caterer | |
| Paul Bright | .... | consultant: biblical and eschatology | |
| Burgess Crim | .... | script supervisor | |
| Bill Downes | .... | caterer | |
| Bobby Downes | .... | production assistant | |
| Catherine Downes | .... | craft service | |
| Layne Downes | .... | production assistant | |
| Tina Downes | .... | caterer | |
| Erin Johnson | .... | production assistant | |
| Julie Link | .... | production coordinator | |
| Chad Luck | .... | coordinator: military Jeep | |
| Hugo Mendez | .... | caterer | |
| Larry O'Brien | .... | caterer | |
| Robert Lyon Rasner | .... | adr artist | |
| Christine Rossetti | .... | production assistant | |
| Dave Van Gronigen | .... | coordinator: military Jeep | |
| Dan Wells | .... | technical advisor: military | |
Thanks | |||
| Ruben Madera | .... | special thanks | |
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| The Moment After II: The Awakening | Revelation | Six: The Mark Unleashed | Left Behind | Tribulation Force |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb USA section |
This film is a police movie set after a rapture and is about two cops investigating the disappearances for the FBI. The film is a evangelsim tool and is set after a rapture. The film looks good and is well acted. The film stops short of going into action adventure terroritory but is i suppose good clean cut wholseome christian fun. My problem with these types of movies is academic, it's essentially the same scenario with each movie. Like a bad cliche'. My problem is with all these rapture movies and tv shows if it actually ever happend. I find it hard to beleive no one would know what it was that happend. This is a good film if you like that genre and should be viewed as church service viewing material. The film does stray off the beaten path a little and does tell a story and puts a unsusal human face on it. Much of the dialouge is well written, yet this isn't BULLIT. THE MOMENT AFTER succeeds in doing somethings these other movies don't and stears clear of alot of the doom and gloom of other films. The film deals with the rapture phenomenom recognized bvy theologians as one vairant to revelation. i would love to see them tackle another angle, the unpleasant one to all of this. What if there was no rapture up until the end. there is nothign wrong with these films yet they need new scenarios. Relifgious films need to be redefined. You can tell a story without preaching ye tthe purpose of this film was a supplement to a pastors sermon. Purpose noted. There is a group who views these films as the answer to hollywood i doubt this. However, if they want to clean up movies why not use their own production house to do it and let DIE HARD 4 roll un opposed along with art like 2001 or the GODFATHER. In closing there is somehting unusual in some of the attributes of this movie.a quality not seen in this genre in along time.