A biopic about the actor James Dean, whose stardom of the ultimate teenage rebel as well as the premature death made him a legend. His roles are depicted having much in common with his ... See full summary »
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True story of Mary Griffith, gay rights crusader, whose teenage son committed suicide due to her religious intolerance. Based on the book of the same title by Leroy Aarons.
Director:
Russell Mulcahy
Stars:
Sigourney Weaver,
Henry Czerny,
Ryan Kelley
This film follows Norma Jean from her simple, ambitious youth to her sex star pinnacle and back down. She moves from lover to lover in order to further her career. She finds fame but never happiness, only knowing seduction but not love.
The story of Harvey Milk, and his struggles as an American gay activist who fought for gay rights and became California's first openly gay elected official.
A biopic about the actor James Dean, whose stardom of the ultimate teenage rebel as well as the premature death made him a legend. His roles are depicted having much in common with his personal life, most notably the difficult relationship with his father. Written by
Mario
James Franco became so immersed in playing James Dean that he went from being a non smoker to smoking two packs a day (he has since quit), as well as playing the guitar, the bongos, and learned to ride a motorcycle. See more »
Goofs
The label on the box James Dean sends, reads "Santa Monica, CA". In the late forties/early fifties it would have read "Santa Monica, Calif." because the two-letter state abbreviations weren't used yet. See more »
This film biography of 1950's Hollywood legend James Dean highlights his public life and the estranged relationship that he had with his father. Other aspects of his private life are merely hinted at, probably because to cover them honestly and forthrightly might have alienated some TV viewers. And so, the cinematic result here is shallow and superficial.
The film stars James Franco, as Dean. Most viewers adore Franco's performance. Certainly, he has Dean's mannerisms down pat. Franco does a good imitation of Dean. But Franco's acting is a little too affecting, a little too shallow, to be persuasive, in my opinion. In addition, Franco seems too young and innocent, compared to the real James Dean, a person who looked older than his years, and more sophisticated.
Actually, it is the secondary performances that lift the film's overall acting quality. Edward Herrmann, Mark Rydell, and especially Michael Moriarty are terrific in their roles. Other secondary performances are also quite good.
Despite a superficial, and sanitized, script, and despite Franco's mannered performance, the film is mildly entertaining, thanks to great production design, realistic costumes, excellent film editing, and the acting in secondary roles. The photographic stills of Hollywood and Manhattan, when combined with the jazzy background music, add authenticity to the story's settings, and therefore depth and texture to the film.
For viewers who know little or nothing about the real James Dean, this superficial flick is worth watching, with the proviso that the film touches only on the most obvious aspects of Dean's life. A lot is left out. A longer, more in-depth, script would have perhaps yielded a more realistic, and therefore satisfying, film.
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This film biography of 1950's Hollywood legend James Dean highlights his public life and the estranged relationship that he had with his father. Other aspects of his private life are merely hinted at, probably because to cover them honestly and forthrightly might have alienated some TV viewers. And so, the cinematic result here is shallow and superficial.
The film stars James Franco, as Dean. Most viewers adore Franco's performance. Certainly, he has Dean's mannerisms down pat. Franco does a good imitation of Dean. But Franco's acting is a little too affecting, a little too shallow, to be persuasive, in my opinion. In addition, Franco seems too young and innocent, compared to the real James Dean, a person who looked older than his years, and more sophisticated.
Actually, it is the secondary performances that lift the film's overall acting quality. Edward Herrmann, Mark Rydell, and especially Michael Moriarty are terrific in their roles. Other secondary performances are also quite good.
Despite a superficial, and sanitized, script, and despite Franco's mannered performance, the film is mildly entertaining, thanks to great production design, realistic costumes, excellent film editing, and the acting in secondary roles. The photographic stills of Hollywood and Manhattan, when combined with the jazzy background music, add authenticity to the story's settings, and therefore depth and texture to the film.
For viewers who know little or nothing about the real James Dean, this superficial flick is worth watching, with the proviso that the film touches only on the most obvious aspects of Dean's life. A lot is left out. A longer, more in-depth, script would have perhaps yielded a more realistic, and therefore satisfying, film.