Mrs Erlynne, the mother of Lady Windermere - her daughter does not know about her - wants to be introduced in society, so that she can marry Lord Augustus Lorton. Lord Windermere, who ... See full summary »
Mr. Freedom is a pro-American Right superhero who fights for God and country by beating, robbing, raping, and killing anyone who looks like they might disagree with him. When he hears that ... See full summary »
A semi-autobiographical account of Makmahlbaf's experience as a teenager when, as a 17-year-old, he stabbed a policeman at a protest rally. Two decades later, he tracks down the policeman he injured in an attempt to make amends.
In this experimental film, Isidore Isou, the leader of the lettrist movement, lashes out at conventional cinema and offers a revolutionary form of movie-making: through scratching and ... See full summary »
Johnnie Byrne is a member of the British Parliament. In his 40s, he's feeling frustrated with his life and his personal as well as professional problems tower up over him. His desires to ... See full summary »
The movie's trailer contains a tongue-in-cheek typewritten phrase signed "God" which says "When I created the world, I knew there would be a movie as offensive as [this] that I would have preferred not to create the world." The trailer goes on the show the phrase being written forward and backward simultaneously on two lines to demonstrate its palindromic nature. See more »
A must seen. Debord's anti cinema statement might be considered repellent in his first film (when it is extremist innovation); but in this one, the use of stills upon which the discourse progresses from the evocation of the mechanisms of the society of the spectacle, the alienation by consumption, the oppression of modern society to the deception of imbecile propaganda cinema, transmitting falsehood, to considerations about Paris, the loss of its true spirit and about himself, Guy Debord, is not only an illustration of détournement. It is a beautiful work in which the relation between the image and the narration is incessantly questioned; the two expressions interfere enigmatically, in a secret game of analogies, they collide, complete each others, combine to produce a third element that a linear use of cinematic images produced for the narration would fail to achieve. Not only the political content is pretty up to date but it is simply a beautiful work of modern visual poetry.
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