Early Errol Morris documentary intersplices random chatter he captured on film of the genuinely eccentric residents of Vernon, Florida. A few examples? The preacher giving a sermon on the ... See full summary »
Bob, an old gangster and gambler is almost broke, so he decides in spite of the warnings of a friend, a high official from the police, to rob a gambling casino in Dauville. Everything is ... See full summary »
"I, a Negro" depicts young Nigerien immigrants who left their country to find work in the Ivory Coast, in the Treichville quarter of Abidjan, the capital. These immigrants live in squalor ... See full summary »
A 4-year-old child is the element from and around which the action develops, and brings sentiments and emotions to light. The French word "révélateur"/developper describes the product to develop or "reveal" film negatives.)
A must seen. Debord's anti cinema statement might be considered repellent in his first film (when it is extremist innovation); but in this one, the use of stills upon which the discourse progresses from the evocation of the mechanisms of the society of the spectacle, the alienation by consumption, the oppression of modern society to the deception of imbecile propaganda cinema, transmitting falsehood, to considerations about Paris, the loss of its true spirit and about himself, Guy Debord, is not only an illustration of détournement. It is a beautiful work in which the relation between the image and the narration is incessantly questioned; the two expressions interfere enigmatically, in a secret game of analogies, they collide, complete each others, combine to produce a third element that a linear use of cinematic images produced for the narration would fail to achieve. Not only the political content is pretty up to date but it is simply a beautiful work of modern visual poetry.
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