Max and Eddy are washed up pro snowboarders from the '90s who ruined their careers with reckless behavior. Working as lift operators at Stubby Peaks, they decide to start a snowboard camp/... See full summary »
Gordon, 28, an aspiring animator, leaves his home in Oregon to sell his ideas to Hollywood. After being told, correctly, that they are quite possibly the most stupid ideas ever and that he needs to spend time rethinking them, he moves back home. But his father, never a kind man, escalates his mean treatment of his rather unconventional son. Meanwhile, Gord has fallen for Betty, an attractive doctor at the hospital where his friend is staying; she happens to use a wheelchair, and to delight in having her paralyzed legs beaten with a bamboo cane; her sexual aggression intimidates him. Gord's family goes to a psychiatrist, and he lies to her that his father molests Gord's brother, Freddy; Gord neglects to mention that Freddy is 25. Soon, Gordon has the house to himself, and comes up with a winning animated series, "Zebras in America" based on his own family. All this is really a framework on which Tom Green hangs his usual crazy stunts. Written by
Jon Reeves <email@example.com>
Freddy Got Fingered may not be the "laughiest" picture of the year, but it is surely the most original. It remindes me more of the challenging work of Godard or Bunuel than of the slew of recent "gross out" comedies that stink up our screens. Illogical and abusurd, ridiculous, funny, and disturbing, I guarantee it is unlike any film you've ever seen.
I sat in the theater, amazed, as Gord Brody (Green) leaves home in a rush on his skateboard...to meet up with his parents at the bus depot. Why is he meeting them there, if they all live together? There at the depot, his dad presents him with a car. Why bother going to the depot if his dad's going to give him a car? Then, after clearly establishing that Gord is going to Hollywood to sell his "cartoons" and after a close up on his new license plate reveals their location to be Oregon...a superimposed map of the coast shows us (ala Raiders of the Lost Arc) Gord's path from Oregon to Hollywood.
Redundant? Of course. And hillarious. Green makes a mockery of tired film cliches and crap mise-en-scene. Then, ten minutes into the movie, it brilliantly deconstructs itself. Anthony Michael Hall (as cartoon mogul Dave Davidson) gripes that Gord's drawings aren't bad...but they just don't make sense, they're not funny, they're stupid, and entertainment needs to be inspirational. Oh does it?
Kudos, Mr. Green, for your uncompromising debut.
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