Petra von Kant is a successful fashion designer -- arrogant, caustic, and self-satisfied. She mistreats Marlene (her secretary, maid, and co-designer). Enter Karin, a 23-year-old beauty who... See full summary »
Rainer Werner Fassbinder
Under the creative direction of Gael Garcia Bernal, ten award-winning directors tell the story of the high school dropout crisis in Latin America in an anthology of narrative and ... See full summary »
Chekhov in contemporary Argentina. Mecha and Gregorio are at their rundown country place near La Ciénaga with their teen children. It's hot. The adults drink constantly; Mecha cuts herself, engendering a trip to the hospital and a visit from her son José. A cousin, Tali, brings her children. The kids are on their own, sunbathing by the filthy pool, dancing in town, running in the hills with shotguns, driving cars without licenses. One of the teen girls loves Isabel, a family servant constantly accused of stealing. Mother and son, son and sisters, teen and Isabel are in each other's beds and bathrooms with a creepy intimacy. With no adults paying attention, who's at risk? Written by
The story of Mecha (Graciela Borges), a middle-aged woman in her 50s who has several teenagers. Her husband Gregorio (Martín Adjemián) wants to remain looking young, and both of them have to deal with their gloomy Amerindian servants, whom Mecha accuses of theft and laziness.
Stephen Holden wrote, "The steamy ambiance in which the characters fester is a metaphor for creeping social decay...La Ciénaga perspires from the screen, it creates a vision of social malaise that feels paradoxically familiar and new."
The best part is early on, where the clinking of glasses makes everything else soundless. What is being said about these people who do nothing all day but drink and lounge around a pool far too filthy to swim in?
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