A couple checks into a suite in Las Vegas. In flashbacks we see that he's a computer whiz on the verge of becoming a dot.com millionaire, she's a lap dancer at a club. He's depressed, ... See full summary »
Ben Sanderson, an alcoholic Hollywood screenwriter who lost everything because of his drinking, arrives in Las Vegas to drink himself to death. There, he meets and forms an uneasy friendship and non-interference pact with prostitute Sera.
Young nurse Sissi lives a secluded life, seemingly entirely devoted to her patients at Birkenhof asylum. Her first encounter with ex-soldier and drifter Bodo has a lasting impact. He causes... See full summary »
On a rainy London night in 1946, novelist Maurice Bendrix has a chance meeting with Henry Miles, husband of his ex-mistress Sarah, who abruptly ended their affair two years before. ... See full summary »
They recount their impressions to the Interviewer. They met through a magazine ad, She and He. They corresponded through the Internet. He responded to her ad seeking someone to fulfil her ... See full summary »
A couple checks into a suite in Las Vegas. In flashbacks we see that he's a computer whiz on the verge of becoming a dot.com millionaire, she's a lap dancer at a club. He's depressed, withdrawing from work, missing meetings with investors. He wants a connection, so he offers her $10,000 to spend three nights with him in Vegas, and she accepts with conditions: four hours per night of erotic play, and no penetration. During the days in Vegas, they get to know each other, have fun, meet a friend of hers; at night, at least after the first night, things seem to get complicated. Is mutual attraction stirring? Will they play by their rules? Can it be about more than money? Written by
An extremely articulate and well-observed film from Wayne Wang, about what it means to have power - financial power, sexual power - and how shallow this power truly is, especially when it's detached from anything resembling true involvement, genuine passion. Both characters are obsessed with The Game, and they are both very good at it. Peter Sarsgaard and Molly Parker are both superb, letting us see enough of their characters' inner workings to completely understand them without showing too much, losing the edge. Each has what the other thinks he/she needs, and the film is basically a discourse on negotiation - what you will give up to get what you desire? Issues of control are central to the theme, and the cool thing is, both characters know it and they get off on that more than the actual sex itself.
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