| Photos (See all 26 | slideshow) | Videos |
| Sarala Kariyawasam | ... | Chuyia (as Sarala) | |
| Buddhi Wickrama | ... | Baba | |
| Rinsly Weerarathne | ... | Chuyia's Husband | |
| Iranganie Serasinghe | ... | Mother in Law (as Iranganee Serasinghe) | |
| Hermantha Gamage | ... | Barber | |
| Ronica Sajnani | ... | Kunti | |
| Manorama | ... | Madhumati (as Manorma) | |
| Rishma Malik | ... | Snehalata | |
| Meera Biswas | ... | Gyanvati | |
| Vidula Javalgekar | ... | 'Auntie' Patiraji (as Dr. Vidula Javalgekar) | |
| Seema Biswas | ... | Shakuntala | |
| Lisa Ray | ... | Kalyani | |
| Sanoja Bibile | ... | Woman Bather | |
| Dolly Ahluwalia | ... | Upset Woman (as Dolly Ahluwalia Tewari) | |
| John Abraham | ... | Narayan | |
| Waheeda Rehman | ... | Bhagavati, Narayan's Mother | |
| Daya Alwis | ... | Saduram | |
| Raghuvir Yadav | ... | Gulabi | |
| Vinay Pathak | ... | Rabindra | |
| Kulbhushan Kharbanda | ... | Sadananda | |
| Delon Weerasinghe | ... | Priest | |
| Seema | ... | Bahu-Rani | |
| Francisca Mudannayake | ... | Little Girl | |
| Mulchand Dedhia | ... | Vendor | |
| Isuru Navodya | ... | Young Patiraji | |
| Niroshan Wijesinghe | ... | Patiraji's Groom | |
| Gerson Da Cunha | ... | Seth Dwarkanath | |
| Vasant Nath | ... | Young Gandhi Follower | |
| Mohan Jhangiani | ... | Mahatma Gandhi | |
| Zul Vilani | ... | Mahatma Gandhi (voice) | |
| Kumari Dissanayake | ... | Widow | |
| S. Thevanamma | ... | Widow | |
| Seelawathie Silva | ... | Widow | |
| Siththi Ummah | ... | Widow | |
| Fowzie Inaya | ... | Widow | |
| Mala Meenachchi | ... | Widow | |
| A.A. Premawathie | ... | Widow | |
| Nazeema Farlya | ... | Widow | |
| T. Mageswari | ... | Widow | |
| H. Pathiranage | ... | Widow | |
| S. Pooneswary | ... | Widow | |
| S. Parameshawari | ... | Widow | |
| S. Santhanam Mary | ... | Widow | |
| S. Rajeshwari | ... | Widow | |
| rest of cast listed alphabetically: | |||
| Deepa Mehta | ... | Special Appearance (uncredited) | |
Directed by | |||
| Deepa Mehta | |||
Writing credits(in alphabetical order) | ||
| Anurag Kashyap | dialogue | |
| Deepa Mehta | ||
Original Music by | |||
| Mychael Danna | |||
| A.R. Rahman | |||
Cinematography by | |||
| Giles Nuttgens | |||
Film Editing by | |||
| Colin Monie | |||
Casting by | |||
| Uma Da Cunha | |||
Production Design by | |||
| Errol Kelly | (Design Consultant - Sri Lanka) | ||
Art Direction by | |||
| Sumant Jayakrishnan | |||
Set Decoration by | |||
| Rumana Hamied | |||
| Lal Harindranath | |||
Costume Design by | |||
| Dolly Ahluwalia | |||
Makeup Department | |||
| Lalith Dharmawardena | .... | assistant hair stylist | |
| Hermantha Gamage | .... | daily makeup artist | |
| Liz Gruszka | .... | key makeup artist | |
| Regan Noble | .... | key hair stylist | |
| Regan Noble | .... | wig maker: Raghubir Yadav | |
| Ravi Wickramanayake | .... | hair stylist: Lisa Ray | |
| Ranjit Wickramasinghe | .... | assistant makeup artist (as Ranjith Wickremasinghe) | |
Special Effects by | |||
| R.R.B. Alphonso | .... | key special effects | |
| Gamini Mallawarachchi | .... | special effects coordinator | |
Visual Effects by | |||
| Rebecca Adams | .... | production coordinator: SOHO VFX | |
| Alan Bak | .... | technical supervisor | |
| Tom Bak | .... | senior production supervisor | |
| Jeff Baker | .... | technical supervisor | |
| Drake Conrad | .... | digital color timer | |
| Drake Conrad | .... | digital colorist | |
| Jason Giberson | .... | film scanning and recording | |
| Rick Hannigan | .... | project supervisor | |
| Felix Heeb | .... | film scanning and recording | |
| Anna Ivanova | .... | digital compositor: SOHO VFX | |
| Michael Kowalski | .... | producer: Soho vfx | |
| Wojciech Kufner | .... | 3D animator: Soho VFX | |
| Matthew Lynch | .... | producer: Soho VFX | |
| Diana Madureira | .... | production coordinator | |
| Allan Magled | .... | visual effects supervisor (as Alan Magled) | |
| Paul Mantler | .... | film scanning and recording | |
| Mike Mombourquette | .... | digital compositor: SOHO VFX | |
| Chris Ross | .... | digital optical effects | |
| Keith Sellers | .... | digital compositor: Soho VFX | |
| Michael Todd Smith | .... | systems administrator: SOHO VFX | |
| Derek Sunderland | .... | 3D animator: Soho VFX | |
| Mark Tureski | .... | digital opticals effects | |
Stunts | |||
| Teddy Vidyalankara | .... | stunt coordinator (as Teddy Widyalankara) | |
Camera and Electrical Department | |||
| Deepak Agarwal | .... | chief electrician | |
| Bob Davidson | .... | gaffer: Sri Lanka | |
| Mulchand Dedhia | .... | gaffer | |
| K.A. Dharshana | .... | grip | |
| Piyal Illeyaperuma | .... | best boy grip | |
| Melanie Jeffrey | .... | second assistant camera | |
| Surendra Kumar | .... | best boy electric | |
| Nihal Mallawarachchi | .... | generator operator | |
| Champilka Nilantha | .... | third assistant camera | |
| K.K.N. Palitha | .... | electrician | |
| Anura Perera | .... | grip | |
| Milton Philip | .... | facilities electrician | |
| Adhi Rutnam | .... | electrician | |
| Devyani Saltzman | .... | still photographer | |
| Eberhard Schedl | .... | Steadicam operator | |
| Lilia Sellami | .... | first assistant camera | |
| Kerry Smart | .... | first assistant camera | |
| I.G. Somaratne | .... | electrician | |
| L.E. Susantha Sudharshana | .... | electrician | |
| D. Van Gramberg | .... | key grip (as Denham Van Gramberg) | |
| Johnny Wersta | .... | dolly grip | |
Casting Department | |||
| Dinesh Anchan | .... | casting assistant | |
| Kate Chantler | .... | extras casting | |
| Moly Perera | .... | extras casting assistant | |
| Nimal Wijesirl | .... | extras casting | |
Costume and Wardrobe Department | |||
| Lucky Athauda | .... | assistant costumer | |
| Suraj Azmath | .... | assistant costumer | |
| Yusuf Khan | .... | wardrobe supervisor | |
| Hira Lol | .... | dresser | |
| Inoka Nilanthi Ruhunge | .... | assistant costumer | |
| Seema | .... | wardrobe assistant | |
| Narinder Singh | .... | costume assistant | |
| Viswa | .... | tailor | |
| Yusuf | .... | costume department manager | |
Editorial Department | |||
| Tom Mayclim | .... | negative cutter | |
| Arthur Montreuil | .... | color timer | |
| Ricardo Olivero | .... | color timer | |
| Paul Whitehead | .... | additional editor (uncredited) | |
Music Department | |||
| Raqueeb Alam | .... | playback singer | |
| Ulhas Bapat | .... | musician: santoor (as Ulhas Bhapat) | |
| Surjo Bhattacharya | .... | playback singer | |
| Peter Breiner | .... | conductor | |
| Ajoy Chakraborty | .... | playback singer (as Pandit Ajoy Chakraborty) | |
| Kaushiki Chakraborty | .... | playback singer | |
| Rakesh Chaurasia | .... | musician: bansuri | |
| Mychael Danna | .... | musician: tanpura | |
| V. Selva Ganesh | .... | musician: kanjiras (as Selva Ganesh) | |
| Ganga | .... | playback singer | |
| Elif Isikozlu | .... | musician: piano | |
| Madhu | .... | musician: shehenai | |
| Srinivas Murthy | .... | orchestral sounds | |
| G.S. Sachdev | .... | musician: bass bansui/raag khamaj | |
| Sadhana Sargam | .... | playback singer | |
| Anoushka Shankar | .... | musician: sitar | |
| Bravani Shanker | .... | musician: pakawaj, manjira, tabla | |
| Richa Sharma | .... | playback singer | |
| Rob Simonsen | .... | assistant to composer | |
| Sukhwinder Singh | .... | playback singer | |
| H. Sridhar | .... | additional music editor | |
Transportation Department | |||
| M.Z. Ahmeer | .... | transportation captain | |
| Tyrol Anderson | .... | driver | |
| Raj Anthony | .... | driver | |
| Gamini Dabare | .... | driver | |
| Nihal Dabare | .... | driver | |
| Sunil Jayakody | .... | driver | |
| Chandimal Kodituwakku | .... | transportation coordinator | |
| Nuwan Manju | .... | driver | |
| Vujitha Peiris | .... | driver | |
| Susil Premachandra | .... | driver | |
| Sunil Premaratne | .... | picture vehicle coordinator | |
| M. Premasiri | .... | driver | |
| Anura Priyantha | .... | driver | |
| R.M.V. Ratnayake | .... | safety driver | |
| Vidura Sampath | .... | driver | |
| P.A. Ajith Shantha | .... | driver | |
Thanks | |||
| George Lucas | .... | ultra thanks | |
| A.R. Rahman | .... | musical thanks | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Canada section |
In 2001, well-regarded Iranian director Majid Majidi came out with Baran, a film about a young girl forced to pretend to be a boy in order to bring money to her immigrant Afghani family, living illegally in Iran and not permitted to work. Baran means 'rain' in Farsi, and the allegory of water was a very important one thematically within the film.
Baran was later thematically pilfered by a less successful film, Osama, which dealt with the harsh reality of an anti-feminist Taliban in Afghanistan, where a girl is caught pretending to be a boy by the Taliban regime, and the horrible consequences of her actions - only committed for the purpose of survival.
Water is similar to both of these films on several thematic levels. Deepa Mehta finishes he trilogy on a powerful note. She gives us the story of two women, each trying to discover a sense of self-worth and purpose while trapped in a seemingly endless life of forced confinement. she also gives us the story of a woman who is not only trying to keep her faith but understand it, and a man who is looking for change in a world of stagnation and traditionalism.
The feminist ideal is a prominent one, as is survival against the harshest of odds. Inhumanity on one level contrasted against the theme of renewal, both physically and spiritually - the essence of water, the ever-moving, indispersable, and essential aspect of life itself. But Water succeeds on the level of Baran - unlike Osama, which preaches incessantly, hitting you over the head with its point until your concussed with what the director has to say. Water, like Baran, is subtle, preferring to let the human side of the story tell you what you need to know, and showing us the necessity for change, for hope, for unbroken faith, without holding our hands through the process.
Mehta has given us a very successful film. What struck me most about this film was that the subject matter is one that the Western world would likely exclaim as being incomprehensible - that of widows being thought of as untouchable, and spiritual pollution (as though it was their will that their husbands die on them...) - and yet so much of the Western World exists in this film. This is not merely an Eastern film that we should look at and cluck our tongues, saying 'those crazy Indians!' These issues exist in our back yards - the ill treatment of foreigners, of neighbours, of our own peoples.
This film is very heavy, but there is a light side to it - the message of Ghandi, and the promise of renewal of spirit. That faith is not something to twist to your own beliefs, but something for your beliefs to be twisted to. We are constantly reminded of Ghandi's teachings - but we are never preached to. Instead, Ghandi could almost be an absent narrator - his voice is only heard for a brief instant near the end of the film - instead we hear his voice through the voice of Narayan, who is the avatar of Ghandi in the film, and the avatar of change.
Water teaches us that problems exist, and that many are rooted in our own traditions and beliefs - often misinterpreted or twisted by us to fit our agendas. The British can't be scapegoats for THIS set of issues (though they were responsible for plenty of others). Change is hard to come by, but the one thing that is eternal is Water. Sure, there are a few moments of unsubtle prodding in the film, but the fine acting and smart writing overcame any moments of forced drama. And the heart-wrenching twists within the story were surprising in their finality, and not Disneyesque tear-jerking moments. Our faith (and not necessarily religious faith) must be like water - for without either, we cannot hope to survive. 9.5/10.