The film examines the plight of a group of widows forced into poverty at a temple in the holy city of Varanasi. It focuses on a relationship between one of the widows, who wants to escape the social restrictions imposed on widows, and a man who is from the highest caste and a follower of Mahatma Gandhi.
After Rahul's white pop-star fiancée dies in a bizarre levitation accident his mother insists he find another girl as soon as possible, preferably a Hindi one. As she backs this up by ... See full summary »
A story of love and enchantment set in the coldest of winters, it explores the issues, dilemmas and barriers facing the lucky and unlucky in love in the 21st Century, based on the novel of ... See full summary »
The boy Krishna is abandoned by his mother at the Apollo Circus and she tells him that he can only return home when he can afford 500 rupees to pay for the bicycle of his brother that he ... See full summary »
Ashok runs a family business that sells takeout food that also has a video rental store at the side. Ashok's extended family includes his wife Radha, his brother Jatin, their ailing mother ... See full summary »
After breaking up with his childhood sweetheart, a young man finds solace in drugs. Meanwhile, a teenage girl is caught in the world of prostitution. Will they be destroyed, or will they find redemption?
Thirty four year old Goyo, a former open water swimming champion, has been hiding out in the desert. Wrongly accused of doping in the Santa Fe-Coronda Marathon, a 57 kilometer river swim, ... See full summary »
It's 1947 and the borderlines between India and Pakistan are being drawn. A young girl bears witnesses to tragedy as her ayah is caught between the love of two men and the rising tide of political and religious violence.
A thesis picture. In 1938, Gandhi's party is making inroads in women's rights. Chuyia, a child already married but living with her parents, becomes a widow. By tradition, she is unceremoniously left at a bare and impoverished widows' ashram, beside the Ganges during monsoon season. The ashram's leader pimps out Kalyani, a young and beautiful widow, for household funds. Narayan, a follower of Gandhi, falls in love with her. Can she break with tradition and religious teaching to marry him? The ashram's moral center is Shakuntala, deeply religious but conflicted about her fate. Can she protect Kalyani or Chuyia? Amid all this water, is rebirth possible or does tradition drown all? Written by
'Sarala' was cast in Sri Lanka and did not speak a word of Hindi or English. She worked hard on the script to memorize the lines of a language very new to her. See more »
In the scene when Chuiya is first running up the steps after Kaalu, she is barefoot. When the camera switches perspectives, she has a pair of sandals on. In the next frame, she is barefoot again. See more »
Water is certainly an excellent film by an excellent director. She has crafted a drama that blends a love story with social commentary, humour and the challenges of faith. The characterizations are subtle yet complex. The cinematography is outstanding.
However, what I wonder about arises from the plot outline and film description posted on the IMDb, which describe Narayana (John Abraham's character) as being of lower caste and his father's home as being a "hovel". Did I see a different version of Water? In the film I saw Narayana and his family are high caste Brahmans and the "hovel" is a mansion. Perhaps someone can explain this to me.
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