The film examines the plight of a group of widows forced into poverty at a temple in the holy city of Varanasi. It focuses on a relationship between one of the widows, who wants to escape the social restrictions imposed on widows, and a man who is from the highest caste and a follower of Mahatma Gandhi.
Ashok runs a family business that sells takeout food that also has a video rental store at the side. Ashok's extended family includes his wife Radha, his brother Jatin, their ailing mother ... See full summary »
A Mumbai teen who grew up in the slums, becomes a contestant on the Indian version of "Who Wants To Be A Millionaire?" He is arrested under suspicion of cheating, and while being interrogated, events from his life history are shown which explain why he knows the answers.
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A man coping with the institutionalization of his wife because of Alzheimer's disease faces an epiphany when she transfers her affections to another man, Aubrey, a wheelchair-bound mute who also is a patient at the nursing home.
A thesis picture. In 1938, Gandhi's party is making inroads in women's rights. Chuyia, a child already married but living with her parents, becomes a widow. By tradition, she is unceremoniously left at a bare and impoverished widows' ashram, beside the Ganges during monsoon season. The ashram's leader pimps out Kalyani, a young and beautiful widow, for household funds. Narayan, a follower of Gandhi, falls in love with her. Can she break with tradition and religious teaching to marry him? The ashram's moral center is Shakuntala, deeply religious but conflicted about her fate. Can she protect Kalyani or Chuyia? Amid all this water, is rebirth possible or does tradition drown all? Written by
George Lucas took out a full-page ad in "Variety" to support Deepa Mehta in her struggle to make this film when Indian authorities made clear their intentions to shut the production down. See more »
In the scene when Chuiya is first running up the steps after Kaalu, she is barefoot. When the camera switches perspectives, she has a pair of sandals on. In the next frame, she is barefoot again. See more »
One of the most powerful movies I have ever seen! The actors were fearless. The story was honest, raw and moving. I feel changed by it. Deepa Mehta' created something out of love, vision and fearlessness and it shows. I was brought to tears by the end of the film, not because of pity for the characters but rather out of pride. Though the film deals with heavy issues the actors carried it with dignity. The script articulates the tragedy and hypocrisy these women must bare but it also illustrates the quiet revolution we must all experience in order to grow, in order to change. I have seen Earth, Fire and now Water and Mehta has done justice to all of them.
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