The film examines the plight of a group of widows forced into poverty at a temple in the holy city of Varanasi. It focuses on a relationship between one of the widows, who wants to escape the social restrictions imposed on widows, and a man who is from the highest caste and a follower of Mahatma Gandhi.
It's 1947 and the borderlines between India and Pakistan are being drawn. A young girl bears witnesses to tragedy as her ayah is caught between the love of two men and the rising tide of political and religious violence.
After Rahul's white pop-star fiancée dies in a bizarre levitation accident his mother insists he find another girl as soon as possible, preferably a Hindi one. As she backs this up by ... See full summary »
A story of love and enchantment set in the coldest of winters, it explores the issues, dilemmas and barriers facing the lucky and unlucky in love in the 21st Century, based on the novel of ... See full summary »
The boy Krishna is abandoned by his mother at the Apollo Circus and she tells him that he can only return home when he can afford 500 rupees to pay for the bicycle of his brother that he ... See full summary »
Ashok runs a family business that sells takeout food that also has a video rental store at the side. Ashok's extended family includes his wife Radha, his brother Jatin, their ailing mother ... See full summary »
Thirty four year old Goyo, a former open water swimming champion, has been hiding out in the desert. Wrongly accused of doping in the Santa Fe-Coronda Marathon, a 57 kilometer river swim, ... See full summary »
A thesis picture. In 1938, Gandhi's party is making inroads in women's rights. Chuyia, a child already married but living with her parents, becomes a widow. By tradition, she is unceremoniously left at a bare and impoverished widows' ashram, beside the Ganges during monsoon season. The ashram's leader pimps out Kalyani, a young and beautiful widow, for household funds. Narayan, a follower of Gandhi, falls in love with her. Can she break with tradition and religious teaching to marry him? The ashram's moral center is Shakuntala, deeply religious but conflicted about her fate. Can she protect Kalyani or Chuyia? Amid all this water, is rebirth possible or does tradition drown all? Written by
I just wanted to say that the symbolism of water in this movie was incredible. There was rain and rivers as well as drinking water. You could really specify that it was in terms to purify the characters and wash away negativities that they had lived through. Water was really a wonderful movie by my favorite director of all time, Deepa Mehta. She is honestly brilliant and I was amazed by the beauty and cinematography of this movie. It surpassed that of any other movie shes done and it shows. However, I believe that Deepa Mehta really drew a lot of lines in the script because it was not her familiar work. Her first movie in the trilogy, Fire, was very controversial because she did not censor it at all. You can really tell that she took out some parts from fear of the idiotic fundamentalists and political parties. Though she did that, it still had a meaninful moral that was gracious and the entire movie really was a refreshing burst of water.
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