The film examines the plight of a group of widows forced into poverty at a temple in the holy city of Varanasi. It focuses on a relationship between one of the widows, who wants to escape the social restrictions imposed on widows, and a man who is from the highest caste and a follower of Mahatma Gandhi.
A thesis picture. In 1938, Gandhi's party is making inroads in women's rights. Chuyia, a child already married but living with her parents, becomes a widow. By tradition, she is unceremoniously left at a bare and impoverished widows' ashram, beside the Ganges during monsoon season. The ashram's leader pimps out Kalyani, a young and beautiful widow, for household funds. Narayan, a follower of Gandhi, falls in love with her. Can she break with tradition and religious teaching to marry him? The ashram's moral center is Shakuntala, deeply religious but conflicted about her fate. Can she protect Kalyani or Chuyia? Amid all this water, is rebirth possible or does tradition drown all?
Written by <jhailey@hotmail.com>
'Sarala' was cast in Sri Lanka and did not speak a word of Hindi or English. She worked hard on the script to memorize the lines of a language very new to her.
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Goofs
Continuity:
Kalyani's dog appears older in the scene in which it escapes than the next time it is shown.
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Quotes
[from trailer]
Narayana:
All the old traditions are dying out. Kalyani:
But what is good should not die out. Narayana:
And who will decide what is good and what is not? Kalyani:
You! See more »