Water (I) (2005)

PG-13  |   |  Drama, Romance  |  26 May 2006 (USA)
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Ratings: 7.8/10 from 12,051 users   Metascore: 77/100
Reviews: 145 user | 91 critic | 25 from Metacritic.com

The film examines the plight of a group of widows forced into poverty at a temple in the holy city of Varanasi. It focuses on a relationship between one of the widows, who wants to escape the social restrictions imposed on widows, and a man who is from the highest caste and a follower of Mahatma Gandhi.



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Nominated for 1 Oscar. Another 17 wins & 14 nominations. See more awards »



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Cast overview, first billed only:
Sarala Kariyawasam ...
Chuyia (as Sarala)
Buddhi Wickrama ...
Rinsly Weerarathne ...
Chuyia's Husband
Iranganie Serasinghe ...
Mother in Law (as Iranganee Serasinghe)
Hermantha Gamage ...
Ronica Sajnani ...
Manorama ...
Madhumati (as Manorma)
Meera Biswas ...
Vidula Javalgekar ...
'Auntie' Patiraji (as Dr. Vidula Javalgekar)
Sanoja Bibile ...
Woman Bather
Dolly Ahluwalia ...
Upset Woman (as Dolly Ahluwalia Tewari)


A thesis picture. In 1938, Gandhi's party is making inroads in women's rights. Chuyia, a child already married but living with her parents, becomes a widow. By tradition, she is unceremoniously left at a bare and impoverished widows' ashram, beside the Ganges during monsoon season. The ashram's leader pimps out Kalyani, a young and beautiful widow, for household funds. Narayan, a follower of Gandhi, falls in love with her. Can she break with tradition and religious teaching to marry him? The ashram's moral center is Shakuntala, deeply religious but conflicted about her fate. Can she protect Kalyani or Chuyia? Amid all this water, is rebirth possible or does tradition drown all? Written by <jhailey@hotmail.com>

Plot Summary | Plot Synopsis

Plot Keywords:

widow | tradition | love | ashram | india | See All (209) »


Drama | Romance

Motion Picture Rating (MPAA)

Rated PG-13 for mature thematic material involving sexual situations, and for brief drug use | See all certifications »

Parents Guide:







Release Date:

26 May 2006 (USA)  »

Also Known As:

Agua  »

Filming Locations:


Box Office

Opening Weekend:

$56,280 (USA) (28 April 2006)


$3,222,857 (USA) (1 September 2006)

Company Credits

Show detailed on  »

Technical Specs


Sound Mix:


Aspect Ratio:

2.35 : 1
See  »

Did You Know?


Although Lisa Ray speaks Hindi, it is not her mother tongue. She worked on her diction to perfect the dialog. See more »


In the scene when Chuiya is first running up the steps after Kaalu, she is barefoot. When the camera switches perspectives, she has a pair of sandals on. In the next frame, she is barefoot again. See more »


[from trailer]
Chuyia's Father: [to young Chuyia] Child. Do you remember getting married? Your husband is dead. You're a widow now.
See more »


Follows Fire (1996) See more »


Chan Chan
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User Reviews

Deep water for traditionalists
10 April 2006 | by (Sydney, Australia) – See all my reviews

This beautiful and poignant film also packs quite a punch; the sorry plight of Hindu widows in traditional Indian society is made evident. Deepa Mehta has clearly set out to make a film with a message but she lets the story carry the message and she does not demonize the supporters of ancient oppressive practices, some of whom are motivated by faith rather than self-interest. Strangely the film's beauty undercuts to some extent the political message: I can imagine a devout Hindu seeing it as supporting the traditional view.

As explained in the film, according to ancient texts a Hindu widow had three choices; she could join her husband on his funeral pyre, she could marry his younger brother (if available) or she could go into an Ashram (refuge) with other widows and live a life of self-denial to atone for the sin of having lost her husband.. It is the third option Chuyia (Sarala) takes on the death of her husband in 1938. Chuyia however is only nine years old and scarcely remembers getting married.

The Ashram is a poor place, self-supported by the proceeds of begging and prostitution, but there is camaraderie amongst the women (who are of all ages) and Chuyia, initially, is not badly treated. The focus shifts to Kalyani (Lisa Ray) the Ashram's "jewel" who becomes involved with a young political activist Narayana (John Abraham), a supporter of Gandhi.

The film is not so much an attack on religion as on particular beliefs. I've no doubt one could live the life of a devout Hindu without believing that widows are responsible for their husband's deaths just as one can be a devout Christian without believing in slavery, or that the earth is flat, or was created in 4004BC. Although the film is set just prior to World War 2 there are undoubtedly many supporters of the ancient texts still out there – Mehta was prevented from filming in India by some of them and "Water" was eventually filmed in Sri Lanka. I find it impossible to have any sympathy for their position because it really amounts to using the practices of a society which has long passed away to defend an economic interest, or rather to excuse the abandonment by her family of a woman who has had the ill-luck to lose her husband. As Chuyia asks, where is the Ashram for the widowers? Also, whatever could be said for child marriage on social or economic grounds 2000 years ago, there is no possible justification for it now.

It's a great pity the film was banned in India and Pakistan – it is a film for the citizens of those countries rather than me, but it is striking to watch and I suspect, not easy to forget.

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