The film examines the plight of a group of widows forced into poverty at a temple in the holy city of Varanasi. It focuses on a relationship between one of the widows, who wants to escape the social restrictions imposed on widows, and a man who is from the highest caste and a follower of Mahatma Gandhi.
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Ashok runs a family business that sells takeout food that also has a video rental store at the side. Ashok's extended family includes his wife Radha, his brother Jatin, their ailing mother ... See full summary »
A thesis picture. In 1938, Gandhi's party is making inroads in women's rights. Chuyia, a child already married but living with her parents, becomes a widow. By tradition, she is unceremoniously left at a bare and impoverished widows' ashram, beside the Ganges during monsoon season. The ashram's leader pimps out Kalyani, a young and beautiful widow, for household funds. Narayan, a follower of Gandhi, falls in love with her. Can she break with tradition and religious teaching to marry him? The ashram's moral center is Shakuntala, deeply religious but conflicted about her fate. Can she protect Kalyani or Chuyia? Amid all this water, is rebirth possible or does tradition drown all? Written by
Was shot back to back in both Hindi and English. Only the Hindi Version was released in theaters, but the English version can be seen on the 2-Disc Special Edition DVD set. See more »
In the scene when Chuiya is first running up the steps after Kaalu, she is barefoot. When the camera switches perspectives, she has a pair of sandals on. In the next frame, she is barefoot again. See more »
I saw this film on a Saturday afternoon in a theater with about 40 other people, split about 60/40, females to males. All ages although the younger viewers were mainly female. (late teens) Towards the end, as I was choking back tears and grabbing at Kleenex's, I looked around as there was total silence from the audience. It was AWED SILENCE, people! Every woman was bawling her eyes out and the men, without exception, were scrunched down into their collars, staring intently, holding back tears. This is Deepa's finest hour. She can retire now knowing she has made a worthy film. I would have voted 10 but there were a few technical glitches such as one moment were the color/lighting changed for about 3 seconds in an important scene and then snapped back. No blame to Deepa, though. I have sent several to see the film and all have raved about it, Can hardly wait to buy the DVD and see it again. The criticisms were political and should not be considered. Any film that criticizes aspects of a religion gets blasted from fundamentalists. This film is NOT a political statement. It is entertainment based on a political statement. It should not be missed. Brava!!!
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