The film examines the plight of a group of widows forced into poverty at a temple in the holy city of Varanasi. It focuses on a relationship between one of the widows, who wants to escape the social restrictions imposed on widows, and a man who is from the highest caste and a follower of Mahatma Gandhi.
Ashok runs a family business that sells takeout food that also has a video rental store at the side. Ashok's extended family includes his wife Radha, his brother Jatin, their ailing mother ... See full summary »
It's 1947 and the borderlines between India and Pakistan are being drawn. A young girl bears witnesses to tragedy as her ayah is caught between the love of two men and the rising tide of political and religious violence.
The movie tells the story of the bandit queen Phoolan Devi who was sent to prison in 1983 and got free in 1994. During five years she was prosecuted by the Indian police and turned into a ... See full summary »
The boy Krishna is abandoned by his mother at the Apollo Circus and she tells him that he can only return home when he can afford 500 rupees to pay for the bicycle of his brother that he ... See full summary »
A thesis picture. In 1938, Gandhi's party is making inroads in women's rights. Chuyia, a child already married but living with her parents, becomes a widow. By tradition, she is unceremoniously left at a bare and impoverished widows' ashram, beside the Ganges during monsoon season. The ashram's leader pimps out Kalyani, a young and beautiful widow, for household funds. Narayan, a follower of Gandhi, falls in love with her. Can she break with tradition and religious teaching to marry him? The ashram's moral center is Shakuntala, deeply religious but conflicted about her fate. Can she protect Kalyani or Chuyia? Amid all this water, is rebirth possible or does tradition drown all? Written by
Deepa Mehta's mother saw John Abraham in the movie Jism (2003) and liked him so much that she asked Deepa to consider him for a role in this film. See more »
In the scene when Chuiya is first running up the steps after Kaalu, she is barefoot. When the camera switches perspectives, she has a pair of sandals on. In the next frame, she is barefoot again. See more »
I felt really really sad after watching this movie. After watching a movie like this one feels empathy towards the women. We know women and children are being treating worse than animals...by patriarchy.
Most women in the western world to not even know the meaning of this word. In North America what is the worse thing that happens to us...we encounter betrayal and gossip mostly by other women. We are too busy comparing ourselves to even appreciate our rights. Oprah (has said) that we are lucky just to be born in North America.
All the women in this movie were strong willful characters, like many Indian women they accepted their fate, BUT they still made choices. Lisa Ray's character still fell in love despite her destiny. Despite her circumstances she was so mentally, spiritually, emotionally and overall more evolved than John's character.
One even feels empathy towards him, as a man he is so out of touch with reality...he lives life according to his idealism. This is how he copes with struggles in his life. He choices are also constrained by circumstance From an outsiders point of view, John's character seems to have it all, respect, a sweet mom (Waheeda). I loved WR in Guide that is one of my favorites. His world shatters when he learns of his fathers secrets...
Lisa's character knows her fate, yet she takes the initiative to follow her heart. As a Canadian I am really proud of WATER, I usually do not watch these kinds of movies but sometimes a wake up call is necessary especially when we are wrapped up in our own selfish needs. Water is masterpiece...I am proud of Lisa Ray for taking the time and actually learning about the craft of acting.
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