| Michel Serrault | ... | Adrien | |
| Mathilde Seigner | ... | Sandrine Dumez | |
| Jean-Paul Roussillon | ... | Jean | |
| Frédéric Pierrot | ... | Gérard | |
| Marc Berman | ... | Stéphane | |
| Françoise Bette | ... | La mère de Sandrine | |
| Christophe Rossignon | ... | L'exploitant | |
| Roland Chalosse | ... | Le barman | |
| Achiles Francisco Varas dell'Aquila | ... | Barfly | |
| Henri Pasquale | ... | Card player | |
| Paul Courat | ... | Card player | |
| Bernard Gerland | ... | Card player | |
| Ramon Bertrand | ... | Card player | |
| Grazziela Horens | ... | Dark-haired girl | |
| Vincent Borei | ... | Dark-haired boy | |
| Nathalie Villard | ... | Fair-haired girl | |
| Joel Paparella | ... | Fair-haired boy | |
| Stephanie Ittel | ... | School teacher | |
| Noël Martin | ... | Priest | |
| Christian Carion | ... | Man with portable | |
| Mickey Dedaj | ... | Man with walkman | |
| Yves Rochas | ... | Pig breeder | |
| Eric Rochas | ... | Pig breeder | |
| rest of cast listed alphabetically: | |||
| Joëlle Ruzin | |||
Directed by | |||
| Christian Carion | |||
Writing credits | ||
| Christian Carion | and | |
| Eric Assous | ||
Produced by | |||
| Christophe Rossignon | .... | producer | |
Original Music by | |||
| Philippe Rombi | |||
Cinematography by | |||
| Antoine Héberlé | |||
Film Editing by | |||
| Andrea Sedlácková | |||
Casting by | |||
| Richard Rousseau | |||
Production Design by | |||
| Jean-Michel Simonet | |||
Set Decoration by | |||
| Eric Molitor | |||
| Florence Rivière | |||
Costume Design by | |||
| Françoise Dubois | |||
| Virginie Montel | |||
Makeup Department | |||
| Sylvie Aid | .... | makeup artist | |
| Delphine Jaffart | .... | makeup artist | |
| Michel Vautier | .... | hair stylist | |
Production Management | |||
| Julien Azoulay | .... | assistant production manager | |
| Julien Greco | .... | unit manager trainee | |
| Jean-Marc Gullino | .... | unit manager | |
| Olivier Jacob | .... | unit manager | |
| Ève Machuel | .... | production manager | |
| Cécile Rémy-Boutang | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Nicolas Cambois | .... | first assistant director | |
| Olivier Desagnat | .... | assistant director | |
| Sébastien Gardet | .... | assistant director | |
Art Department | |||
| Anthony Baron | .... | head painter | |
| Nicolas Chick | .... | property master (as Nicolas Chik) | |
| Christophe Colomer | .... | first assistant decorator | |
| Bernhard Crozas | .... | construction crew | |
| Jacques Freydier | .... | construction coordinator | |
| Denis Janon | .... | painter | |
| Thierry Litou | .... | assistant decorator | |
| Pascal Mollet | .... | construction crew | |
| Valérie Moy | .... | painter | |
| Florence Rivière | .... | set dresser | |
| Yann Roslagadec | .... | construction crew | |
| Jocelyn Sémavoine | .... | construction crew | |
| Philippe Tarricone | .... | construction crew | |
| Anne Tô | .... | painter | |
| Michael Zanella | .... | construction crew | |
Sound Department | |||
| Nicolas Becker | .... | foley artist | |
| Etienne Curchod | .... | sound editor | |
| Assia Dnednia | .... | assistant foley editor (as Assia Zipper) | |
| Thomas Gauder | .... | sound mixer | |
| Pascal Jasmes | .... | boom operator | |
| Florent Lavallée | .... | additional sound mixer | |
| Valène Leroy | .... | dialogue editor | |
| Pierre Mertens | .... | sound | |
| Antoine Rigaud | .... | assistant sound editor | |
| Michel Schillings | .... | sound recordist | |
| Jean-Noël Yven | .... | sound effects editor | |
Special Effects by | |||
| Luc Augereau | .... | visual effects producer | |
| Alexandre Martin Dupont | .... | special effects | |
| Christophe Huchot | .... | special effects supervisor | |
| Gilles Piéri | .... | special effects | |
| Christian Renaud | .... | special effects | |
| Philippe Teissier | .... | special effects | |
| Jean-Francois Theault | .... | special effects technician | |
| Guy Vanderplaetsen | .... | special effects supervisor | |
| Michel Vialla | .... | special effects | |
Visual Effects by | |||
| Luc Augereau | .... | visual effects producer | |
| Kevin Berger | .... | digital compositor | |
| Agnès Sébenne | .... | visual effects supervisor | |
Camera and Electrical Department | |||
| Laurent Bourlier | .... | additional grip | |
| Thierry Debove | .... | gaffer | |
| Dominique Degand | .... | grip | |
| Pascal Doyen | .... | electrician | |
| Clement Gharini | .... | camera operator: flying camera | |
| Olivier Goelen | .... | key grip | |
| Marc Kahlouche | .... | additional electrician | |
| Elin Kirschfink | .... | first assistant camera | |
| Jérémie Nassif | .... | still photographer | |
| Laurent Pauty | .... | second assistant camera | |
| Marie Sorribas | .... | first assistant camera | |
| Hervé Traini | .... | additional electrician | |
| Laurence Trémolet | .... | still photographer | |
| Emmanuel Van Wambeke | .... | key grip | |
| Oliver Verdoot | .... | assistant camera: aerial camera | |
Costume and Wardrobe Department | |||
| Agathe Laemmel | .... | costumer | |
| Virginie Montel | .... | costumer | |
| Isabelle Pannetier | .... | costumer | |
Editorial Department | |||
| Maya Cypel | .... | assistant editor | |
| Isabelle Manquillet | .... | assistant editor trainee | |
| Juliette Urbain | .... | additional editor | |
| David Vincent | .... | color timer | |
Music Department | |||
| Valérie Lindon | .... | music producer | |
| Stéphane Reichart | .... | music mixer | |
| Rodolphe Sampieri | .... | assistant music mixer | |
Other crew | |||
| Dominique Baron | .... | production administrator | |
| Patrick Bruneton | .... | travelling car | |
| Eric Dupressoir | .... | groupman | |
| Claudia Neubern | .... | script supervisor | |
| Cécile Rémy-Boutang | .... | assistant to producer | |
| Isabelle Sauvanon | .... | press attache: FR2 | |
| Pascal Villanueva | .... | groupman | |
Thanks | |||
| François Aubé | .... | thanks | |
| Recent Posts (updated daily) | User |
|---|---|
| Ambiguous Ending | valis1949 |
| The hanglider? | Chuffin |
| Possible romance between Adrien and the farm owner | missjamiekitty86 |
| Song | sandycastle |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb France section |
It's formulaic, of course, but the trick with formulas is to act as if they're NOT formulaic and play it as if it were the most original story that ever came down the Pike. And that's what we get here, a charming, dazzling and ultimately Moving film that explores as if for the first time age-old concerns. Serrault has been here before in Nelly and Monsieur Arnaud so this is a good time to deal with the six degrees of separation aspect. In 'Nelly' Serrault was the older man and Manu Beart the younger woman; in Manon des Source Manu Beart tended goats and here Mathilde Seigneur does the same thing. So much for trivia. They really put more than the usual five minutes thought into this one because the credits come up over breathtaking aeriel shots of the Vercours and you can see why so many English people are inspired to buy second homes in France or even move there entirely. This is reinforced when in the first sequence we cut to Sandrine (Seigneur) caught up in a traffic jam in Paris and looking thoughtfully at a travel poster of Vercours on a bus in front of her. This is economical storytelling and in the very next scene she is telling her mother of her decision to move to the Vercours - in the Rhone Alps - and become a goat-farmer. The mother can't understand, natch, why a girl born and bred in Paris and a successful computer instructor would want to give it all up to become a sort of recluse about town. So we get the argument out of the way in the first reel. Sandrine is a gifted student, one of the best in Agricultural school and soon she is ready to invest 450,000 Francs in a remote goat farm. The farm belongs to old Adrien (Michel Serrault) and he comes with it, at least til he can move into his new flat in Grenoble some 18 months away. We are now ready for the classic battle of Old versus New, Young versus Old, initial antagonism giving way to mutual affection. Like I said, we've seen it all before. But what we HAVEN'T seen before is two Class Acts like Serrault and Seigneur and what they serve up is pure DELIGHT. We are spared nothing, this isn't a Travelogue because after an idyllic Summer comes the Winter of Discontent, so bad that Seigneur seriously considers throwing in the towel. Essentially a two-hander that stands or falls by the the quality of the two pricipals it is also fleshed out with really strong support in the shape of Adrien's neighbor and contemporary, Sandrine's colleague from Paris and sometime lover, and her mother. This is the kind of movie that Hollywood has completely forgotten how to make and which the accountants who run the place wouldn't sanction anyway. Thank God the French and other European countries can still turn them out like this. 10/10