The Girl from Paris
(2001)
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The Girl from Paris
(2001)
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| Cast overview, first billed only: | |||
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Michel Serrault | ... |
Adrien
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| Mathilde Seigner | ... |
Sandrine Dumez
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Jean-Paul Roussillon | ... |
Jean
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| Frédéric Pierrot | ... |
Gérard
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Marc Berman | ... |
Stéphane
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Françoise Bette | ... |
La mère de Sandrine
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Christophe Rossignon | ... |
L'exploitant
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Roland Chalosse | ... |
Le barman
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Achiles Francisco Varas dell'Aquila | ... |
Barfly
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Henri Pasquale | ... |
Card player
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Paul Courat | ... |
Card player
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Bernard Gerland | ... |
Card player
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Ramon Bertrand | ... |
Card player
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Grazziela Horens | ... |
Dark-haired girl
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Vincent Borei | ... |
Dark-haired boy
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Sandrine, a woman in her thirties gets tired of life in Paris and decides to leave her work in computers and become a farmer. She takes the required practice for two years, and after that she buys an isolated farm from Adrien, an old farmer who decides it's time to retire. However, Adrien wants to stay a few more months before moving away from the farm, and the rough winter finds them together... Written by Chris Makrozahopoulos <makzax@hotmail.com>
Greetings again from the darkness. Wonderful, subtle French film that displays the nuances of quiet desperation of the young and fear of loneliness and death of the elderly. Make no mistake, the venerable Michel Serrault MAKES this movie! He is downright remarkable as Adrien, the long time farmer, who sells is farm to the young city girl played well by Mathilde Seigner. Many excellent scenes including awkward moments for all. The ridiculous comments about cruelty to animals during the filming is not worthy of mention. This is a fact of life on a farm and obviously the cow scenes were real life - not created for the film. The pig scene, may be painful to watch, but effectively makes the point of life and death on a farm - just like the goat birth scene. As far as the rabbit, give me a break, we see a live bunny and then one being prepared for dinner. This can happen in any restaurant on a daily basis. Yes the hang glider was a bit too much, too often, but I loved the Volvo, the Weimeramer and the "dumb" goat. Very personal film with much insight into human nature at all ages.