| Joel McNichol | ... | Zac | |
| Emma Campbell | ... | Laura | |
| Michael Cera | ... | Young Zac | |
| Emma Taylor-Isherwood | ... | Young Laura | |
| Frayne McCarthy | ... | Carl | |
| Natalie Hamel-Roy | ... | Zac's Mother | |
| Steve Adams | ... | Zac's Father | |
| Tod Fennell | ... | Young Carl |
Directed by | |||
| Keith Melton | |||
Writing credits(in alphabetical order) | ||
| Jean Bergeron | ||
Produced by | |||
| Carl Deschenes | .... | associate producer | |
| Carl Samson | .... | producer | |
Original Music by | |||
| Benoit Jutras | (as Benoît Jutras) | ||
Cinematography by | |||
| Peter Anderson | |||
Production Design by | |||
| Jean-Andre Carriere | |||
Costume Design by | |||
| Brigitte Desroches | |||
Production Management | |||
| Rick Gordon | .... | post-production supervisor | |
| Gilles Legare | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Jean Bergeron | .... | director: aerial sequences | |
Art Department | |||
| Asuka Sugiyama | .... | art department coordinator | |
| Martin Chalifoux | .... | head carpenter (uncredited) | |
Sound Department | |||
| Simon Goulet | .... | sound mixer | |
Visual Effects by | |||
| Peter Anderson | .... | visual effects supervisor | |
| Alan G. Markowitz | .... | visual effects supervisor: Imagica USA | |
| Louis Paré | .... | digital artist | |
| Sebastien Tessier | .... | cg supervisor | |
Camera and Electrical Department | |||
| David Penner | .... | camera operator | |
| Mehran Salamati | .... | aerial director of photography | |
Costume and Wardrobe Department | |||
| Pascal Gauthier | .... | key dresser | |
Editorial Department | |||
| Annie Toth | .... | post-production coordinator | |
Music Department | |||
| Gavin Fernandes | .... | scoring mixer | |
| Michael Picton | .... | orchestrator | |
Other crew | |||
| Caroline Mireault | .... | production coordinator | |
| Danny Turgeon | .... | set production assistant | |
| Full cast and crew | Company credits | External reviews |
| IMDb Short section | IMDb Canada section |
I work in the 3D business so I see a lot of content. I started watching this one on a 17" TV using 3D shutter glasses. My intent was to watch a few minutes to see how good the effects are. I sat through the whole thing and loved it. The 3D effects are stunning but it's the story that carries it, a nice combination. Highly recommended.