| Photos (See all 15 | slideshow) | Videos (see all 4) |
| Penny Balfour | ... | Young Hooker | |
| Edward Burns | ... | Tommy | |
| Michael Leydon Campbell | ... | Gio / Harry | |
| Nadia Dajani | ... | Hilary | |
| Rosario Dawson | ... | Maria | |
| Kathleen Doyle | ... | Katy | |
| Dennis Farina | ... | Carpo | |
| Heather Graham | ... | Annie | |
| Leah Gray | ... | Dental Hygienist | |
| Timothy Jerome | ... | Dr. Lance (as Tim Jerome) | |
| David Krumholtz | ... | Ben | |
| Libby Langdon | ... | Make-up Girl | |
| Alicia Meer | ... | Elevator Girl | |
| Brittany Murphy | ... | Ashley | |
| Ted Neustadt | ... | Doctor | |
| Callie Thorne | ... | Sue | |
| Stanley Tucci | ... | Griffin | |
| Aida Turturro | ... | Shari | |
| rest of cast listed alphabetically: | |||
| Sara Colton | ... | Fantasy woman (uncredited) | |
| Brooke Marie Procida | ... | Drunk Girl (uncredited) | |
Directed by | |||
| Edward Burns | |||
Writing credits(WGA) | ||
| Edward Burns | (written by) | |
Produced by | |||
| Margot Bridger | .... | producer | |
| Brian Burns | .... | associate producer | |
| Edward Burns | .... | producer | |
| Aaron Lubin | .... | associate producer | |
| Richard Patrick | .... | co-producer | |
| Frank Prinzi | .... | co-producer | |
| Cathy Schulman | .... | producer | |
| Rick Yorn | .... | producer | |
Cinematography by | |||
| Frank Prinzi | (director of photography) | ||
Film Editing by | |||
| David Greenwald | |||
Casting by | |||
| Ali Farrell | |||
| Laura Rosenthal | |||
Costume Design by | |||
| Catherine Marie Thomas | (as Catherine Thomas) | ||
Makeup Department | |||
| Nicki Ledermann | .... | hair designer | |
| Nicki Ledermann | .... | makeup designer | |
Production Management | |||
| Jennifer Lane | .... | post-production supervisor | |
| George Paaswell | .... | production supervisor | |
| Richard Patrick | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Richard Patrick | .... | first assistant director | |
| Danielle Rigby | .... | second assistant director | |
Art Department | |||
| Elizabeth Schlitten | .... | prop master | |
| Richard Tedesco | .... | product placement | |
Sound Department | |||
| Benjamin Cheah | .... | sound supervisor (as Ben Cheah) | |
| Marko A. Costanzo | .... | foley artist (as Marko Costanzo) | |
| Paul Koronkiewicz | .... | boom operator | |
| George A. Lara | .... | foley supervisor | |
| Skip Lievsay | .... | sound re-recording mixer | |
| Marissa Littlefield | .... | adr editor | |
| Kimberly R. McCord-Wilson | .... | dialogue editor (as Kimberly McCord) | |
| Jamie Morris | .... | apprentice sound editor | |
| Igor Nikolic | .... | assistant sound editor | |
| Mathew Price | .... | production sound mixer | |
| Paul Urmson | .... | sound effects editor | |
| James Ziegler | .... | stereo sound consultant: Dolby | |
| Jesse Ehredt | .... | sound recordist (uncredited) | |
Camera and Electrical Department | |||
| Paul Candrilli | .... | additional key grip | |
| John Clifford | .... | still photographer | |
| Fred Cohen | .... | best boy | |
| Scott Fleischer | .... | lighting and grip equipment: Panavision New York | |
| Andrew Priestley | .... | first assistant camera (as Andrew Priestly) | |
| Kurt Rimmel | .... | key grip | |
| Marc Rogers | .... | gaffer | |
| Arthur Szefer | .... | second assistant camera | |
Costume and Wardrobe Department | |||
| Mickey Carleton | .... | wardrobe supervisor | |
Editorial Department | |||
| Don Ciana | .... | color timer | |
| Stan Sztaba | .... | negative cutter: World Cinevision | |
| Joe Violante | .... | dailies advisor | |
| Kenneth Wachtel | .... | assistant editor | |
| Patricia Sztaba | .... | negative cutter (uncredited) | |
Music Department | |||
| Monica Ciafardini | .... | additional music clearances | |
| Patrick Mullins | .... | music editor | |
| Laura Ziffren | .... | music consultant | |
| Aaron Kant | .... | musician: drums (uncredited) | |
Transportation Department | |||
| Jim Buckman | .... | transportation coordinator | |
| Kerry Clark | .... | parking coordinator | |
| Billy McFadden | .... | driver | |
Other crew | |||
| Leslie Angle | .... | assistant: Ms. Graham | |
| Joshua A. Bell | .... | accountant | |
| Andrea F. Cannistraci | .... | production legal services: Epstein, Levinsohn, Bodine, Hurwitz & Weinstein LLP (as Andrea Cannistraci) | |
| Armando Fente | .... | film conform assistant | |
| Christine Gee | .... | script supervisor | |
| Maria Goretti | .... | production intern | |
| Delphine Hou | .... | production intern | |
| Victoria Kuhne | .... | production intern | |
| Christine Leaman | .... | location assistant | |
| Rafael Lopez-Ivern | .... | production intern | |
| Patrick McDonald | .... | craft service production assistant | |
| Ross Miller | .... | production insurance: D.R. Reiff | |
| Kip Myers | .... | production intern | |
| Stuart Nicolai | .... | additional assistant location manager | |
| Diana Norwood | .... | location manager | |
| Murphy Occhino | .... | set production assistant | |
| Evan Perazzo | .... | assistant location manager | |
| Alexandra Raby | .... | assistant: Mr. Burns | |
| Alexandra Raby | .... | production coordinator | |
| Lisa Rico | .... | coordinator: Ms. Ziffren | |
| Phil Rodowsky | .... | continuity and spotting | |
| Todd Rodowsky | .... | continuity and spotting | |
| Robert Stulberg | .... | legal services: Armstrong Hirsch Jackoway Tyerman & Wertheimer | |
| Amy Sultan | .... | assistant: Avenger Entertainment | |
| Maddy Ungar | .... | office assistant | |
| Doug Webster | .... | set production assistant | |
| Andrew Weisblum | .... | film conform assistant | |
Thanks | |||
| Cynthia Biamon | .... | thanks (as Cynthia Diamon) | |
| Constantin Costa | .... | thanks (as Dr. Constantin Costa) | |
| Kristie Fitts | .... | thanks (as Kristi Fitts) | |
| Jere Hausfater | .... | thanks | |
| Jud Hudgins | .... | thanks | |
| Kevin Loew | .... | thanks | |
| Colette Malouf | .... | thanks | |
| Peter Muldavin | .... | thanks: Metro Weather Service | |
| Paige Novick | .... | thanks | |
| Karen Parvino | .... | thanks: Laminique | |
| Benny Perkins | .... | thanks | |
| Jim Price | .... | thanks | |
| Gina Rankin | .... | thanks | |
| Brad Slater | .... | thanks | |
|
|
|
|
|
| Closer | Little City | New York, I Love You | Feast of Love | Broken Flowers |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
....I went to SIDEWALKS OF NEW YORK looking for a masochistic
fix. And there aren't many actor-writer-director-producers who
generate the kind of pain that Edward Burns can. I stayed,
however, to be surprised by this sweet and upbeat knockoff of
Woody Allen's HUSBANDS AND WIVES, which uses the same wobbly hand-held camera, some of the same plot contrivances,
and even some nicked Woody dialogue. (At one point, the
philandering dentist played by Stanley Tucci asks a loudly
accusatory colleage, "Ya wanna yell it a little louder? I think the
patient in the last room didn't quite make it out!")
Superbly cast and engagingly enough written, the movie is mild as
a neck rub, but the conviction of the actors makes it fun. Rosario
Dawson blocks her yearning with an implacable toughness as a
lonely grade-school teacher, and there is a fantastic couple of
sweet dumb lugs in Brittany Murphy and David Krimholz--two
dim-bulb sweeties whose kisses on the nose take you back to an
earlier period of movies. Burns somehow has evoked an absolutely Woodyesque performance by the usually greasy but
here right-on-the-money Tucci, and a bizarrely Mia Farrowish one
from a frumped-down, supposedly Ivy League Heather Graham.
The oddity of seeing this picture is that a day or two ago I saw
DONNIE DARKO, which is filled to brimming with visual ambitions,
film-history commentary, straight-from-the-id surrealism and
snarky subversion. And yet this conservative and plainspoken
picture, unoriginal in almost every sense, is utterly fascinating,
humanly and aesthetically, where DONNIE DARKO is an utter
snore. Does this mean that American filmmakers have ceased to
know how to jolt the audience...or merely that I have grown old and
square?