Claudia has lived all her life in a small, seaside, blue-collar town, hanging out with the same group of friends since grade school. Now she's waiting tables in a greasy spoon to help ... See full summary »
Johnny Rizzo, is about to trade his dream job in talk radio for some snooze-ville gig that'll pay enough to please his fiancée. Enter Uncle Terry, a rascally womanizer set on turning a ... See full summary »
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Six New Yorkers have an interrelated series of relationships. TV producer Tommy, who's just broken up with his girlfriend, has a short relationship with commitment-phobe Maria, who he meets in a video store, and also hooks up with married real-estate agent Annie, who he meets while apartment hunting. Annie is open to a relationship because her husband, Griffin, is cheating on her, which she slowly comes to realize through talking to her friend/co-worker who's gone through the same thing. Griffin, a 39-year-old dentist, is cheating with 19-year-old waitress Ashley, who he picked up in a park; she realizes she can do better when Ben, a hotel doorman and aspiring musician, tries to pick her up, in a belated attempt to recover from his divorce a year ago from schoolteacher Maria (the same Maria from the video store). Most of these relationships seem driven more by a desperate need to be in a relationship than actual love. Written by
Jon Reeves <firstname.lastname@example.org>
Edward Burns is the kind of writer/director whose movies make you feel like you definitely could be one of the characters.
The feelings, insecurities, confidence, etc. of the characters you can see and make connections throughout the movie because of the way it was filmed, as if it were a documentary. It gave the audience a more unique perspective than most romantic films. There was much less of the "meant for each other" bull that you see in most romantic comedies. The characters were believable without tending towards cynical. The best facet of the movie is that it allows the audience to draw their own conclusions about love, sex, and these relationships without pushing too hard the director/writer's ideals.
A good film, refreshingly real, but without the big important moments (transformation, change, when characters learn something, etc.) it is ultimately forgettable. This movie doesn't teach an audience anything it doesn't already know, it simply confirms/denies our own viewpoints on relationships. Edward Burns seemingly takes a camera to real life people and shows the all encompassing exterior of their relationships with their lovers.
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