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The Periwig-Maker (2000)

7.0
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Europe; the plague years. A wigmaker, locked in his shop, observes the events and writes about them in his journal. Mostly, we see shrouded bodies, and a young girl who lives in the tavern ... See full summary »

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Nominated for 1 Oscar. Another 17 wins & 1 nomination. See more awards »
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Cast

Cast overview:
...
Periwig-maker (voice)
Alice Fairhall ...
Additional Voices (voice)
Roger Law ...
Additional Voices (voice)
Daren C. Evans ...
Additional Voices (voice)
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Storyline

Europe; the plague years. A wigmaker, locked in his shop, observes the events and writes about them in his journal. Mostly, we see shrouded bodies, and a young girl who lives in the tavern across the way that gets progressively sicker. When she dies, the wigmaker goes to the mass grave where she's buried and cuts off her luxurious red hair; he makes himself a wig from it, and soon dies. Written by Jon Reeves <jreeves@imdb.com>

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plague | writer | vision | orphan | medical | See more »

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Short | Animation | Drama

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18 October 2000 (Sweden)  »

Also Known As:

A parókakészítő  »

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Did You Know?

Crazy Credits

And it is a wonder what will be the fashion after the plague is done as to periwigs, for nobody will dare to buy any haire for fear of the infection - that it had been cut off of the heads of people dead of the plague. Samuel Pepys, 3.9.1665 See more »

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Edited into Short6 (2001) See more »

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User Reviews

 
A thoughtful rendering of a classic Daniel Defoe novel.
26 March 2001 | by (Antwerp, Belgium) – See all my reviews

Siblings Anette (producer)and Steffen (director) Schaffler have created a mesmerizing version of Daniel Defoe's take on the great plague of 1664 in London. Its macabre yet romantic story lends itself perfectly to the extraordinary visuals which wouldn't be out of place in a Tim Burton film. Given that it took the Schafflers 5 years to make their 15 minute animated short (of which 2,5 pre-production) one can imagine how much trouble they took to create their quite astonishing sets. They even went so far as to actually build sets with miniature bricks! In this age of Computer Generated Images it is satisfying to see what effect sheer manual craftsmanship can have on the look of a film. For a great part the sets are responsible for the authenticity of the production. The story handling is sober and the drama never heavy handed. Its rather thoughtful handling of the material might be an obstacle for some of the younger persons in the audience, but I for one enjoyed it very much. I hope Anette and Steffen come up with something new in the near future and hope they take their time producing it!


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