Own the rights?
What about the girls? The film does at least ask the question, for which credit should no doubt be duly given, but answer comes there none. Except 'I promise we'll think of something'. Assuming that Cécile is as choosy as René is in the first instance (and why shouldn't she be?) what chance has she got? Perhaps the only answer is that the question's unanswerable, and as such it casts a shadow.Otherwise, the good-natured comedy treatment of a serious theme works well, although Florèle is a living cliché and she doesn't seem to me to be quite alone in that. The point that the problems with sexuality are not all, and maybe not even principally, where you'd expect is well made, Julie's first date with the psy is hilarious, and the last scene is a stroke of genius. The wandering camera can be a bit irritating though - style isn't systematically in the forefront (as e.g. with the Dogma films) so that when the frame moves and shakes as if the operator had forgotten they were still filming it can occasionally look amateurish rather than original. Little gripe, good film.
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