In a future century, after the apocalypse, Gui Dao dynasty controls continental Asia. Zhuai and his younger brother Mian are captured and sent to "Prosperity Camp" for reeducation. They ... See full summary »
Adele's life is changed when she meets Emma, a young woman with blue hair, who will allow her to discover desire, to assert herself as a woman and as an adult. In front of others, Adele grows, seeks herself, loses herself and ultimately finds herself through love and loss.
Lucile, 25, is the beautiful mistress of Charles, a rich, good-hearted businessman. Being a kept woman suits her as she refuses to work. She is grateful to Charles for that but she does not... See full summary »
Roger Van Hool
A young 15 year old girl, Lamia, lives in a southern Lebanese village on the border with Israel. She is given in marriage to her cousin on the other side of the border. As Lamia crosses the... See full summary »
In a game of hide-and-seek with his wife, Mao suddenly decides to leave home. He moves in with Xiao Ri, an acquaintance living in the small town of Liaocheng and the two of them embark on a... See full summary »
This film was very poorly received in it's native country and it's easy to guess why. It highlights many of the less attractive characteristics of the French and their attitudes towards those living on the more uncomfortable edges of their society. Watching the film, it is impossible not to reflect with shame upon any time you have avoided eye contact with a begger or street vendor. Not exactly the sort of feeling you hope to get for your 45 Franc entrance fee. Discomfiting his viewers is not the only way in which Kechiche breaks the rules. The basic film formula is completely abandoned in favour of a realistic story - an almost unprecedented approach to film making. One of the major characters disappears without trace halfway through the film. This sort of thing happens in everyone's life - you break up with your boyfriend and never hear from him again - but filmmaking rules stipulate that such departures should be neatly explained and followed up. It seems Kechiche never learnt the rules, or indeed that he's completely uninterested in making a commercially successful or at least critically acclaimed film. But that's his business - whatever his motives were, I'm glad I stumbled into the cinema when I did, as la Faute a Voltaire, one of the most touching and impressive films I've seen in years, only got ran for a few weeks in Paris cinemas.
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