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The Lady and the Duke (2001)
"L'anglaise et le duc" (original title)

6.9
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Ratings: 6.9/10 from 1,902 users   Metascore: 72/100
Reviews: 33 user | 60 critic | 28 from Metacritic.com

During the French Revolution, a Scottish aristocrat and her former lover, the Duke of Orleans, find themselves on opposite sides of the conflict.

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(memoir "Ma vie sous la révolution"), (adaptation)
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Cast

Cast overview, first billed only:
...
Le duc d'Orléans
...
Grace Elliott
Alain Libolt ...
Charlotte Véry ...
Pulcherie the Cook
Rosette ...
Fanchette
Léonard Cobiant ...
Champcenetz
François Marthouret ...
Dumouriez
Caroline Morin ...
Nanon
Héléna Dubiel ...
Madame Meyler
Laurent Le Doyen ...
Section Miromesnil: Officer
Georges Benoît ...
Section Miromesnil: President
Serge Wolfsperger ...
Section Miromesnil: Aide
Daniel Tarrare ...
Justin the Doorman
...
Madame Laurent
Michel Demierre ...
Chabot
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Storyline

An episodic look at Grace Elliott (1760-1823) and Philippe, the Duke of Orleans, during the French Revolution. In 1790, they are friends, no longer lovers. He suggests she leave France, she warns him to quit the Revolution. In 1792, she must escape Paris on foot. Less than a month later, she returns on an errand of mercy and shows great courage saving the governor of Tuileries. The Duke in turn steps in to protect Grace. In early 1793, she demands a promise from the Duke that he vote to spare Louis's life; he does not, and Grace is furious. In April, he warns her of a search; she is arrested and brought before the committee. Orleans, too, is suspect. The guillotine awaits. Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Genres:

Drama | History | War

Motion Picture Rating (MPAA)

Rated PG-13 for some violent images | See all certifications »
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Details

Country:

Language:

Release Date:

7 September 2001 (France)  »

Also Known As:

The Lady and the Duke  »

Box Office

Budget:

FRF 39,000,000 (estimated)

Opening Weekend:

$25,804 (USA) (10 May 2002)

Gross:

$329,845 (USA) (4 October 2002)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

|

Sound Mix:

|

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Chosen by "Les Cahiers du cinéma" (France) as one of the 10 best pictures of 2001 (#02) See more »

Connections

References The Far Country (1954) See more »

Soundtracks

La Carmagnole
(trad.) 1792
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User Reviews

 
A Riveting Historical Drama by a True Master
17 August 2003 | by (Columbia, South Carolina, USA) – See all my reviews

Anyone who finds this film boring is a hopeless bonehead who should stick to car chase movies and romantic comedies. This film is riveting and doesn't have a boring moment. Why? Because it is comprised largely of intelligent dialogue between real people in a moment of crisis and details their efforts to survive that crisis. I repeat--intelligent dialogue! That is what characterizes nearly all of Rohmer's films, and that is why a lot of people don't like them. They prefer action. Fine, let them spend the rest of their lives watching action films, while those of us with taste and discrimination will continue to seek out films like this.

Rohmer has always been accused of being "talky." Well, he is, but to me that's a compliment, not a criticism. Shakespeare was talky, too. Is there a talkier play than "Hamlet?" Whenever the subject, or theme, of a work of art consists of ideas and conflicts over values, there must of necessity be a discussion of these ideas and values, an that is largely what this film is all about. Aristocracy and noble birth vs. egalitarianism; loyalty to old friends that is put to the ultimate test when that friend takes what we believe to be a wrong path; the value of human life and the responsibility to help save that life, even if the person possessing that life is not so nice, or even despicable. (Anyone ever hear of Dostoyevsky, or "Crime and Punishment?") These are what this film is all about.

The two leads in this film are impeccable, as if they were born to play these roles. Lucy Russell, who is English and speaks French as her second language, is especially brilliant. Do yourself a favor and see this riveting film. It may be the last film by this screen Master.


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