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Ghostlight (2003)
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Overview
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This film portrait of modern dance legend Martha Graham examines the creative process, as well as important events in Martha's pioneering career...
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A unique look at an extraordinary life.
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Cast
(Credited cast)| Richard Move | ... | Martha Graham | |
| Ann Magnuson | ... | Barbara Rosen | |
| Deborah Harry | ... | Herself | |
| Mark Morris | ... | Himself | |
| rest of cast listed alphabetically: | |||
| Earnest Abuba | ... | Isamu Noguchi | |
| Nixon Beltran | ... | Dancer | |
| Rob Besserer | ... | Erick Hawkins | |
| Jennifer Binford | ... | Aphrodite | |
| Maryette Charlton | ... | Helen Keller | |
| Lisa Dalton | ... | Dancer | |
| Amy Day | ... | Dancer | |
| Kerry Elmore | ... | Dancer | |
| Connie Fleming | ... | Dancer | |
| Deborah Goodman | ... | Dancer - The Furies | |
| Reid Hutchins | ... | Dancer | |
| David Ilku | ... | Ron | |
| Donna Coney Island | ... | Liza Minnelli | |
| Kevin 'Flotilla DeBarge' Joseph | ... | Central Park Drag Queen (as Flotilla DeBarge) | |
| Rebecca Jung | ... | Dancer - The Furies | |
| Erick Kastel | ... | James (as Eric Kastel) | |
| Sandra Kaufman | ... | Dancer - The Furies | |
| Clete Larkey | ... | Dancer | |
| Eli McAfee | ... | Dancer | |
| Isaac Mizrahi | ... | Alex | |
| Tomoko Muneto | ... | Dancer | |
| Kevin Kean Murphy | ... | Halston | |
| Leslie Myers | ... | Dancer - The Furies | |
| Carrie Oleson | ... | Dancer | |
| Kittson O'Neill | ... | Linda | |
| Amy Piantaggini | ... | Aphrodite | |
| Tres Bien Pollard | ... | Dancer | |
| Antonio Ramos | |||
| Gita Reddy | ... | Barbara's Receptionist | |
| Clark Render | ... | Andy Warhol | |
| Carla Rigon | ... | Dancer - The Furies | |
| Sebastien Sabatier-Curial | ... | Phaedra's dancer | |
| Blakeley White-McGuire | ... | Dancer - The Furies | |
| Gila Zalon | ... | Peggy | |
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USA:80 min
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1.66 : 1 more
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To be honest, I was peripherally involved with this production early on. My initial reaction to the notion of a dance legend played in drag, a sumptuous life filmed on a shoestring, a crazy-quilt chronology that inexplicably shifts time and tempo, and more dance per frame than any film since The Red Shoes, was no way! This is never gonna work! Well, guess what kids? It does! And beautifully! Seeing it on the big screen with a tough, discerning New York audience dispelled all doubts. The laughs were hearty, the dance editing and music were powerful and my overall experience ran the gamut from genuine surprise to extreme satisfaction with the rich characterizations and compelling storytelling. Congratulations to all. Looking back on my initial negative prejudgement, I've never been so happy to be so wrong.