Having revolutionized film editing through such masterworks of montage as Potemkin and Strike, Soviet director Sergei Eisenstein emigrated west in hopes of testing the capabilities of the American film industry.
Sergei M. Eisenstein
The venerated filmmaker Eisenstein is comparable in talent, insight and wisdom, with the likes of Shakespeare or Beethoven; there are few - if any - directors who can be elevated to such ... See full summary »
A fiction film made with fragments of reality. An historical documentary made by cogging fictional elements. This is the odyssey of those who dared dreaming and were devoured by their ... See full summary »
The wealthy Edward (Haywood) sparks to Anna (Mckenzie), the lead voice in a choir that's raising money for an upcoming trip to China. He donates money to her choir, and she agrees to sit ... See full summary »
Matthew Barnes is a young exec on the move up who finds himself a pawn in corporate in-fighting when he's sent to London to oversee a merger. He's to replace John Gissing; Gissing's gotten ... See full summary »
A fanciful battle of the sexes ensues when the relationships of the staff and patrons of a quirky London café are unexpectedly turned upside down by sudden revelations of terribly ... See full summary »
A mystery man brings together a group of dead, gay artists to investigate a police response to the dilema of wash-room sex in Toronto. The artists have seven days in which to report on the ... See full summary »
Theoretically a biography of Rusiian director Sergei Eisenstein, an interesting interpretation of his life story with hints of his own style.
I have only seen one review of this movie posted to the IMDb, and it savages the film unfairly, I think. As a film, it is amusing, entertaining, intriguing, and startlingly beautiful at times -- as one find sometimes in Eisenstein's own films, the framing and composition on the oddest moments is striking. It has been said that this is not a faithful retelling of the life of Sergei Eisenstein, and perhaps that is true, but why should that matter? I don't think anyone would call Eisenstein's biography of Ivan the Terrible scrupulously accurate, but those who seem most eager for a "true" biography of Eisenstein would not hesitate to agree that it is a good film. I urge people considering watching "Eisenstein" to take it for what it is: an intriguing, sometimes beautiful, sometimes surreal, and often extremely human and affecting story.
I think it's a good film, anyway.
Besides, it has one of the cutest hats *ever*.
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