Director Johan Grimonprez casts Alfred Hitchcock as a paranoid history professor, unwittingly caught up in a double take on the cold war period. Subverting a meticulous array of TV footage ... See full summary »
Eddie Griffin is Miles Waise, a fast rising nightclub comedian. His life is made difficult by his manager, who wants him to sell out for big bucks, and his brother Fifty Dollah, a scheming ... See full summary »
A successful artist looks back with loving memories on the summer of his defining year, 1974. A talented but troubled 18-year-old aspiring artist befriends a brilliant elderly alcoholic ... See full summary »
Malcolm McGee is a responsible and sensible 20-something who ends up sharing a Kansas City apartment and a business venture with relentlessly enthusiastic tow truck owner Eddie Sherman. A ... See full summary »
Karen Malina White
Frank Pesce is the luckiest man alive in spite of his bad luck. Based on a true story, a man growing up in a tough New York neighborhood has a gift for finding himself in the worst possible... See full summary »
The governor of a Mexican state is assassinated. Soon after, junior executive Daryl Chase's life turns upside down: after he flags a huge transfer of funds from a Mexican account as probably illegal, he's attacked in his apartment, rescued by a CIA agent, finds his secretary shot dead, and witnesses two cops get killed. He calls the CIA guy who tells him to grab the next train to Mexico. Leaving Manhattan, Daryl can't shake a jive-talking street punk named Freddy, and soon he's traded clothes with Freddy to escape the police. Within days, his girlfriend, his boss, his client, Freddy, the FBI, and the dead governor's dog are tangled in a web of deceit and danger. Who's who? Written by
When Daryl crosses the border after the shootout, the bullet holes in the windshield of the truck are different. See more »
[Freddy is walking through the desert, and sees a vulture]
How's your mama? We went out. You know, you'd make a nice 9-piece. You know we black people like chicken! You see any flies on me?
[the vulture starts flying toward Freddy]
I'm just playin!
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At the end of the movie, after the credits roll and fade out ..the hotel clerk from the Hotel El Emu says, "Thank y'all. Thank y'all for coming and y'all drive home safe. Bye.". See more »
I wasn't expecting a whole lot from this movie. The trailers that I'd remembered seeing were pretty funny, but I'd assumed that those were the best parts of Double Take. Anyway, I watched it nonetheless and didn't think it was half bad. There were several parts not included in the trailer that were laugh-out-loud funny. Some might be offended by the fact that Griffen's character is (in the filmic sense) a "coon." Although nowhere near as good a comedy as Blazing Saddles, it is comparable in certain aspects. Double Take could be considered racist, but like Blazing Saddles, it uses racial stereotypes to emphasize the stupidity of their existence. Here, instead of black vs. white, we see upper-class African-Americans ashamed of the Sambo stereotype, and thus not associating with other African-Americans with lower social status. I'm not sure if this message was intentional in Double Take, but it was there nonetheless. Orlando Jones had a pretty good performance and Griffen was a convincing character (some might say he was over-the-top, but again I'd say this was essential). One problem was that the movie quite suddenly switched gears from a comedy to a somewhat serious action/suspense flick. I felt the heavy emphasis upon the latter took away from its comic moral message and made the movie shallower. So, it had potential. They could have recruited a few more writers to add in funnier jokes. All in all, a 6 out of 10.
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