Sensitive, somewhat effeminate farm-boy Duncan Mudge can barely cope with grim, since Ma's death even gloomier father Edgar's manly expectations, and seeks comfort in petting a chicken he ... See full summary »
Workaholic attorney Bob O'Hara (Asner) is devastated when his wife (Hartley) dies suddenly. She returns to "haunt" him, however, (a la "Topper") and her mission is to persuade him to slow ... See full summary »
Mark Harmon is a washed-up baseball player who is called back home to handle the ashes of his childhood sweetheart/ first love who had committed suicide. As he searches for what to do with ... See full summary »
WWII. In German occupied Paris, Helene is torn between the love for her boyfriend Jean, working for the resistance and the German administrator Bergmann, who will do anything to gain her ... See full summary »
A psychotic young man returns to his old neighborhood after release from prison. He seeks out the woman he previously tried to rape and the man who protected her, with twisted ideas of love for her and hate for him.
In mid-1970s Savannah, two bright but rebellious boys, Francis Doyle and Tim Sullivan, fight boredom, hormones and harsh teachers as they struggle to find something meaningful beyond the walls of their parish school. Francis, an exceptional artist whose imaginative forays into a fictional universe of good and evil fill his notebooks with comic-book imagery, creates a netherworld of superhero alter egos for the two boys. When the ultra-strict Sister Assumpta seizes their artwork one day, the boys embark upon an obsessed trail of revenge that ultimately changes their lives. Written by
Sujit R. Varma
The final shot in the scene where the boys find an injured dog was actually just footage shot of the actors "resetting" after a blown take. It was kept in since it so clearly shows their fatigue and frustration. See more »
A G.I. Joe comic book is seen in Sister Assumpta's drawer of confiscated items, but G.I. Joe comic books did not appear until 1983 (after the film was set). See more »
Group of Catholic schoolboys in the mid-1970s are obsessed with comic books, girls, and wreaking havoc on their most hated teacher, Sister Assumpta (Jodie Foster, in a nun's habit, somewhat uneasily cast but still quite good). A surprisingly rich, rewarding film about adolescence puts other, more popular films in this genre to shame. The scruffy, nostalgic era is captured nicely, and the young players really shine. Spiked with wonderful animated sequences, the film failed to catch on with its target audience yet is otherwise intelligently crafted and often very moving. Foster also served as co-producer. *** from ****
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