At times comedic and at other times heartbreaking, the series follows the intertwining lives of three Manchester couples at different stages in their relationships. At the start, Adam ... See full summary »
Filmed in London and on location in New York's Lower East Side, NY-LON follows the troubled romance between a bohemian New York record store clerk, Edie, and London stock broker Michael, after their chance meeting in his city.
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Jonny Lee Miller
Archie MacDonald, carving out a life for himself as a restaurateur in London, finds himself called back to his home in the Scottish Highlands to assume his role as The Laird of Glenbogle and get the 40,000 acre estate back on its feet. No matter the romantic interest and all the emotional undercurrents as the young Laird Archie wrestles the Glenbogle estate into the 21st century. Justine, Archie's girlfriend has competition from local school Headmistress Katrina and cook Lexie battle for the Laird's heart. Whilst Archie has to cope with his eccentric parents Molly and Hector and their friend and neighbor Kilwillie. 5 years later, Archie's half-brother Paul Bowman comes to Glenbogle, and becomes Laird of Glenbogle, whilst Archie and his new wife Lexie leave for New Zealand. He has many romantic interests including farmer Isobel Anderson, neighbor Lucy Ford, brewery chairwoman Amanda MacLeish and shepherdess Iona Maclean. Paul has to control the wacky duo of Uncle Donald, the chef Ewan ... Written by
Lieke@the-friends-experience.zzn.com & tReynard Pictures
Two actresses had to quit "Monarch of the Glen" due to pregnancy. Lorraine Pilkington (Katrina Finlay) starred in series 1-2 but missed out on 3. Simone Lahbib (Isobel Anderson) starred in series 6 but missed out on 7. See more »
The details of Hector's history as a laird are altered throughout the series. For example, in the first episode of the series he claims to be the 14th laird of Glenbogle but in the 6th season he is referred to as the 23rd. See more »
Perhaps the required caveat for this program, for those who need it, is that it is not action, special effects, or, for the most part, reality-based. (Of course "reality" and "accuracy" are not the point of most television and cinema, so this isn't really saying much.)
That in mind, Monarch of the Glen has an original premise, lightly portraying the transition of a once aristocratic, landed-gentry family into modern times, replete with the struggle to keep a majestic, ancient and beautiful castle afloat and functioning in a modern, capitalist world.
The series opens with the intersecting of two generations--the current "laird" of the castle, patriarch Hector MacDonald, and his wife, Molly, who both embody the last generation to have enjoyed a life of noble leisure and privilege, and their son and laird-to-be, Archie. While technically also privileged, the young Archie will have to rely on imagination, skill and a lot of sweat equity to sustain what is essentially now a white elephant: the sprawling and extraordinarily picturesque estate of Glenbogle, whose far-reaching land still supports various tenants with lives and minds of their own.
As the series' seasons pass, the plot thickens, some characters go and some remain, and Glenbogle inches gracefully into the 21st Century, even as as the castle remains a bit frayed around the edges.
(The sixth season recently ended, with the seventh commencing sometime in Fall 2005.)
While this British "we must save the farm" angle is the background narrative, Monarch of the Glen's primary investment is in exploring the personal exploits of its charming and idiosyncratic characters: the MacDonald family and their various estate "employees" and caretakers, who are essentially extended family. Romance, intrigue, interpersonal conflict, self-revelation, and the bonds of family and friends are the essence of the show, played out in that inimitably understated, witty and appealing BBC way (which can be particularly alluring for viewers a little shell-shocked by regular, American TV).
I find the able cast mostly quite believable in their respective parts, not to mention appealing and likable--particularly the roles of Archie, Lexie, Golly, Molly and Paul. An hour in their company is like a wonderful, genteel (but far from stuffy), little reverie, which keeps you wondering what's up for them next.
For romantics and Brit-o-philes.
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