About a veterinarian and his family who travel to South Africa from England to a game reserve. The trip was to initially release a wild animal back into the wild but then the vet falls in ... See full summary »
Hamish Macbeth is a police constable in the small Scottish town of Lochdubh, who occasionally bends the rules when it suits him or when it can help some of his fellow eccentric townsfolk. ... See full summary »
A 1950s set, British drama series about life in the fictional Lancashire village of Ormston. The main focus of the series was the two doctors, father and son, who run the cottage hospital under the new National Health Service.
This Masterpiece Theatre production, set at the cusp of the Industrial Revolution, chronicles the life, loves, foibles and politics of the fictional English town of Middlemarch. Adapted ... See full summary »
The series follows the lives of both the family and the servants in the London townhouse at 165 Eaton Place. Richard Bellamy, the head of the household, is a member of Parliament, and his ... See full summary »
An adaptation of Flora Thompson's autobiographical novel "Lark Rise To Candleford", set in 19 century Oxfordshire, in which a young girl moves to the local market town to begin an apprenticeship as a postmistress.
SPOILER: Archie MacDonald, carving out a life for himself as a restaurateur in London, finds himself called back to his home in the Scottish Highlands to assume his role as The Laird of Glenbogle and get the 40,000 acre estate back on its feet. No matter the romantic interest and all the emotional undercurrents as the young Laird Archie wrestles the Glenbogle estate into the 21st century. Justine, Archie's girlfriend has competition from local school Headmistress Katrina and cook Lexie battle for the Laird's heart. Whilst Archie has to cope with his eccentric parents Molly and Hector and their friend and neighbor Kilwillie. 5 years later, Archie's half-brother Paul Bowman comes to Glenbogle, and becomes Laird of Glenbogle, whilst Archie and his new wife Lexie leave for New Zealand. He has many romantic interests including farmer Isobel Anderson, neighbor Lucy Ford, brewery chairwoman Amanda MacLeish and shepherdess Iona Maclean. Paul has to control the wacky duo of Uncle Donald, the ... Written by
Lieke@the-friends-experience.zzn.com & tReynard Pictures
Kirstin Smith rejected a part in "Monarch of the Glen" (presumably Amy MacDonald) because filming clashed with her university exams. See more »
When Hector is killed and his will is read Archie is told he is liable for 200,000 pounds in death duties because Hector had signed Glenbogle over to Archie less than 7 years before his death. Yet in the first episode Molly told Archie it was signed over 10 years prior. See more »
Listen, mush! I can boogie with the best, dance 'til dawn and drink 'til doomsday! So don't give me this old routine! Or I shall give you an injury from which you may never recover!
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Perhaps the required caveat for this program, for those who need it, is that it is not action, special effects, or, for the most part, reality-based. (Of course "reality" and "accuracy" are not the point of most television and cinema, so this isn't really saying much.)
That in mind, Monarch of the Glen has an original premise, lightly portraying the transition of a once aristocratic, landed-gentry family into modern times, replete with the struggle to keep a majestic, ancient and beautiful castle afloat and functioning in a modern, capitalist world.
The series opens with the intersecting of two generations--the current "laird" of the castle, patriarch Hector MacDonald, and his wife, Molly, who both embody the last generation to have enjoyed a life of noble leisure and privilege, and their son and laird-to-be, Archie. While technically also privileged, the young Archie will have to rely on imagination, skill and a lot of sweat equity to sustain what is essentially now a white elephant: the sprawling and extraordinarily picturesque estate of Glenbogle, whose far-reaching land still supports various tenants with lives and minds of their own.
As the series' seasons pass, the plot thickens, some characters go and some remain, and Glenbogle inches gracefully into the 21st Century, even as as the castle remains a bit frayed around the edges.
(The sixth season recently ended, with the seventh commencing sometime in Fall 2005.)
While this British "we must save the farm" angle is the background narrative, Monarch of the Glen's primary investment is in exploring the personal exploits of its charming and idiosyncratic characters: the MacDonald family and their various estate "employees" and caretakers, who are essentially extended family. Romance, intrigue, interpersonal conflict, self-revelation, and the bonds of family and friends are the essence of the show, played out in that inimitably understated, witty and appealing BBC way (which can be particularly alluring for viewers a little shell-shocked by regular, American TV).
I find the able cast mostly quite believable in their respective parts, not to mention appealing and likable--particularly the roles of Archie, Lexie, Golly, Molly and Paul. An hour in their company is like a wonderful, genteel (but far from stuffy), little reverie, which keeps you wondering what's up for them next.
For romantics and Brit-o-philes.
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