Using the Dragonfly's practice weekend, Lorelai gets her parents to admit they've separated. Meanwhile Luke, doing everything by the book, feels like an idiot when it looks like Jason and Lorelai are...
Rory gets a job following the presidential campaign of one of the candidates running for president. While she prepares to leave in a mere three days, Lorelai adjusts to the idea that she may not see ...
New Yorker and new doctor Zoe Hart accepts an offer from a stranger, Dr. Harley Wilkes, to work in his medical practice in Bluebell, Alabama. She arrives to find he has died and left half the practice to her in his will.
Lorelai Gilmore, 32, has such a close relationship with her daughter Rory that they are often mistaken for sisters. Between Lorelai's relationship with her parents, Rory's new prep school, and both of their romantic entanglements, there's plenty of drama to go around. Written by
Alexis Bledel was 19 years old when she began portraying 15-year old Rory. See more »
The iconic last cut in the opening credits for each and every season is an external shot of Luke's diner (we can see Lorelai, Rory, and Luke inside). This cut is from the last scene of the pilot. However, in the pilot, Luke's diner is a stand-alone building in the middle of a block on a busy street rather than a corner unit adjacent to the town square with windows facing in two directions and a door set in from the corner. The shot pulls back so that we can see the door and address. It can't be the Luke's we know from every episode after the pilot. The interior is a bit different as well. See more »
Every day that you breathe you make my life harder.
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"Gilmore Girls" (like Leonard Maltin, I usually like to use the title as it appears on screen, but we'll forego the nomenclature "Gilmore girls") is one of those shows that positive word of mouth and the "You know, this does seem like a good show" vibe from hearing about it made me want to get a look at; the series has finally started UK airings on Nickelodeon, a strange choice for the channel - it's certainly comedic, but it's more of a comedy-drama than the usual stuff that's on Nick. (Plus, unlike all its regular shows it's an hour series.)
My rule of thumb is that if a series doesn't encourage me to keep watching by its third episode, it won't do so after its thirtieth; Amy Sherman-Palladino's series passed by the end of the first one. A number of viewers have commented that the dialogue isn't too realistic, and Lorelei Gilmore is certainly so quick with the witty repartee you wonder why she's not a stand-up comic instead of managing an inn (possibly a clue as to why one of the companies involved is called Dorothy Parker Drank Here Productions?), but it does have the saving grace of actually being funny... something that can't be said for a lot of official comedies.
What helps the series work so far, apart from the dialogue, is the characters - just as "M*A*S*H"'s laugh track was kept out of the operating room even in the American broadcasts (it was initially broadcast in the UK sans track), the relationships between Lorelei and Lorelei (that's Rory - in the pilot we learned that she was named after her mother) aren't actually played for gags endlessly, and her mother's certainly strong but not a bitch, the way the makers could have easily done. No one in the show so far is truly bad or good, which bodes well, and the bond between mother and daughter is a rare thing for TV - they're both relatives and true friends without making you want to vomit, not a common thing in family dramas.
We're about three years behind the WB, and I'm looking forward to catching up with the Gilmores and their friends (it's impossible not to symapthise with Rory's best friend in particular, what with her health-food-obsessed/antique-selling mother). And on a purely shallow note, Lauren Graham and Alexis Bledel must be the most attractive mother-daughter pairing in recent television history. Beautiful and funny? Who needs Madonna kissing Britney?
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