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Equilibrium (2002)
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Overview
User Rating:
Your Rating:
Director:
Writer (WGA):
Kurt Wimmer (written by)
Release Date:
26 February 2003 (Belgium)
See more »
Tagline:
In a future where freedom is outlawed outlaws will become heroes. See more »
Plot:
In a Fascist future where all forms of feeling are illegal, a man in charge of enforcing the law rises to overthrow the system. Full summary » | Full synopsis »
Awards:
2 nominations
See more »
NewsDesk:
(159 articles)
Matthew Vaughn to Write and Direct New Language Thriller 'Lexicon'
(From FirstShowing.net. 31 May 2012, 10:24 AM, PDT)
First TV Spot for Total Recall with Colin Farrell
(From HeyUGuys. 23 May 2012, 10:00 AM, PDT)
New Image of Colin Farrell and Kate Beckinsale in Total Recall
(From HeyUGuys. 21 May 2012, 1:30 AM, PDT)
(From FirstShowing.net. 31 May 2012, 10:24 AM, PDT)
First TV Spot for Total Recall with Colin Farrell
(From HeyUGuys. 23 May 2012, 10:00 AM, PDT)
New Image of Colin Farrell and Kate Beckinsale in Total Recall
(From HeyUGuys. 21 May 2012, 1:30 AM, PDT)
User Reviews:
Cult movie extraordinaire?
See more (1065 total) »
Cast
(in credits order) (verified as complete)
Directed by | |||
| Kurt Wimmer | |||
Writing credits(WGA) | ||
| Kurt Wimmer | (written by) | |
Produced by | |||
| Sue Baden-Powell | .... | co-producer | |
| Jan de Bont | .... | producer (as Jan De Bont) | |
| Lucas Foster | .... | producer | |
| Andrew Rona | .... | executive producer | |
| Ninon Tantet | .... | associate producer | |
| Bob Weinstein | .... | executive producer | |
| Harvey Weinstein | .... | executive producer | |
Original Music by | |||
| Klaus Badelt | |||
Cinematography by | |||
| Dion Beebe | |||
Film Editing by | |||
| Tom Rolf | |||
| William Yeh | |||
Casting by | |||
| Juel Bestrop | |||
| Jeanne McCarthy | |||
Production Design by | |||
| Wolf Kroeger | |||
Art Direction by | |||
| Erik Olson | (supervising art director) | ||
| Justin Warburton-Brown | |||
Set Decoration by | |||
| Anne Kuljian | |||
Costume Design by | |||
| Joseph A. Porro | (as Joseph Porro) | ||
Makeup Department | |||
| Tanja Drewitz | .... | makeup artist | |
| Dorit Jux | .... | hair stylist: second unit | |
| Björn Rehbein | .... | hair stylist | |
| Luigi Rocchetti | .... | makeup artist: Italy | |
| Valeska Schitthelm | .... | makeup artist: second unit | |
| Carolin Spill | .... | makeup artist | |
| Mauro Tamagnini | .... | hair stylist: Italy | |
| Hasso von Hugo | .... | key hair stylist | |
| Hasso von Hugo | .... | key makeup artist | |
| Almut Gramer | .... | assistant makeup artist (uncredited) | |
Art Department | |||
| Pablo Alza | .... | on-set painter (as Pablo 'Picasso' Alza) | |
| Markus Bendler | .... | assistant property coordinator | |
| Ute Bergk | .... | assistant set decorator | |
| Mark Lambert Bristol | .... | storyboard artist (as Mark Bristol) | |
| Keith Charles | .... | supervising plasterer | |
| Michael Fechner | .... | property coordinator | |
| Antonio Fraulo | .... | stand-by props: Italy (as Tony Fraulo) | |
| Patrick Funk | .... | set dresser | |
| Carlo Gervasi | .... | set decorator: Italy | |
| Stephan O. Gessler | .... | draughtsperson (as Stephan Gessler) | |
| Mark Gleisberg | .... | stand-by props (as Mark 'Rambo' Gleisberg) | |
| Richard Gordon | .... | scenic artist | |
| Mario Grech | .... | on-set carpenter | |
| Brian Groves | .... | supervising painter | |
| Paul J. Hayes | .... | construction coordinator (as Paul Hayes) | |
| Frank Herzog | .... | set decorator production assistant | |
| Robert Hill | .... | paint department head | |
| Björn Holzhausen | .... | on-set dresser: second unit | |
| Björn Holzhausen | .... | on-set props: second unit | |
| Sarah Horton | .... | draughtsperson | |
| Margaret Hungerford | .... | buyer: U.S. | |
| Ulli Isfort | .... | buyer: Germany (as Uli Isfort) | |
| Peter King | .... | scenic artist | |
| John Kirsop | .... | construction department head | |
| Roxy Konrad | .... | art department coordinator | |
| Bruno Lamprecht | .... | set dresser | |
| Greg Lennox | .... | carpenter | |
| Michael Lindsay | .... | on-set props | |
| Jana List | .... | construction secretary | |
| Francis Livingston | .... | carpenter | |
| Ginger McCarthy | .... | rigging department head (as Steve 'Ginger' McCarthy) | |
| Caroline Meyers | .... | art department production assistant | |
| Bernadino Nardoni | .... | construction coordinator: Italy (as Dino Nardoni) | |
| Stefano Maria Ortolani | .... | production designer: Italy (as Stefano Ortolani) | |
| Giuliano Pannuti | .... | assistant production designer: Italy | |
| Robert G. Pearson | .... | carpenter (as Robert Pearson) | |
| George Richardson | .... | draughtsperson | |
| Jan Rott | .... | key set dresser | |
| Michael Schawaller | .... | laborer | |
| Alexander Stolle | .... | assistant props | |
| Rob Sutton | .... | supervising carpenter | |
| Paul Taggart | .... | plaster department head (as Paul Taggert) | |
| Steve Werblun | .... | storyboard artist (as Stephen Werblun) | |
| Steven Begg | .... | weapon concept designer (uncredited) | |
| Barbara Cicero | .... | assistant set decorator (uncredited) | |
| Joseph Conenna | .... | leadman (uncredited) | |
| Mauro Lucantoni | .... | carpenter (uncredited) | |
| Matthias Prange | .... | supervising carpenter (uncredited) | |
| Tobias Schroeter | .... | plasterer (uncredited) | |
| Greg Waddle | .... | swing gang (uncredited) | |
Special Effects by | |||
| Renato Agostini | .... | special effects foreman: Italy | |
| Karl-Heinz Bochnig | .... | special effects foreman: second unit (as Karl Heinz Bochnig) | |
| Danilo Bollettini | .... | senior special effects technician: Italy | |
| Rolf Hanke | .... | special effects production manager (as Rolfe Hanke) | |
| Till Hertrich | .... | senior special effects technician | |
| Torsten Knapp | .... | special effects assistant: second unit | |
| Stefan Knauer | .... | additional special effects construction | |
| Uwe Lehmann | .... | armourer assistant (as Uwe 'Püppi' Lehmann) | |
| Sylvio Lienert | .... | special effects assistant (as Silvio Lienert) | |
| Armin Moritz | .... | special effects technician | |
| Gerd Nefzer | .... | armourer department head (as Gerd Feuchter) | |
| Uli Nefzer | .... | special effects supervisor | |
| Daniel Olberg | .... | special effects assistant: second unit | |
| Peter Orthmaier | .... | special effects technician: second unit (as Peter Ortmaier) | |
| Franco Ragusa | .... | special effects technician: Italy | |
| Bernd Rautenberg | .... | armourer | |
| Jens Schmiedel | .... | senior special effects technician | |
| Uwe Sichtling | .... | armourer assistant | |
| Anke Teuber | .... | special effects production assistant | |
| Christoph von Lengerke | .... | senior special effects technician: second unit | |
| Roland Weder | .... | special effects technician | |
| Olaf Will | .... | special effects technician (as Olaf Wills) | |
Visual Effects by | |||
| Romulo Adriano Jr. | .... | visual effects coordinator: Pacific Title & Art Studio | |
| Jamie Baxter | .... | matte artist: 2d & 3d, Digital Firepower | |
| Bryce Brecheisen | .... | visual effects coordinator: Digital Firepower | |
| Melissa Brockman | .... | digital effects producer: R!OT | |
| Kelly Bumbarger | .... | digital compositor: R!OT (as Kelly Burnbarger) | |
| Bill Coffin | .... | lead inferno artist: Post Logic Studios | |
| Ken Dackermann | .... | digital compositor: Pacific Title & Art Studio | |
| Charles Darby | .... | digital matte supervisor: 2d & 3d, Digital Firepower | |
| Michael Degtjarewsky | .... | digital compositor: R!OT | |
| Chris Flynn | .... | digital compositor: Pacific Title & Art Studio | |
| Mark Freund | .... | digital supervisor: Pacific Title & Art Studio | |
| Joe Gareri | .... | visual effects producer: R!OT (as Joe Gerari) | |
| Rocco Gioffre | .... | senior matte painter: R!OT | |
| Brian Hanable | .... | senior inferno compositor: R!OT | |
| Max Harris | .... | inferno artist: Post Logic Studios | |
| Heather Hoyland | .... | digital compositor: Pacific Title & Art Studio | |
| Grant Janssen | .... | data manager: Post Logic Studios | |
| Ken Lam | .... | digital compositor: R!OT | |
| Kim Lavery | .... | visual effects producer: Digital Firepower | |
| Jennifer Law-Stump | .... | digital compositor: Pacific Title & Art Studio | |
| Don Lee | .... | inferno artist: Post Logic Studios | |
| Matt Linder | .... | animator: 3d, Pacific Title & Art Studio | |
| Erin May | .... | visual effects producer: Post Logic Studios | |
| Tim McGovern | .... | visual effects supervisor | |
| Scott McLain | .... | inferno artist: Post Logic Studios | |
| Mike Minkow | .... | opticals: Custom Film Effects Bipack | |
| Rodney Montague | .... | visual effects producer: Pacific Title & Art Studio | |
| Tim Norman | .... | inferno artist: Post Logic Studios | |
| Maureen O'Connor | .... | visual effects producer: Post Logic Studios | |
| Rob Ozaeta | .... | inferno artist: Post Logic Studios (as Robert Ozaeta) | |
| Patrick Phillips | .... | senior inferno compositor: R!OT | |
| Jean-Pierre Ron | .... | matte artist: 2d & 3d, Digital Firepower | |
| Adam Rote | .... | digital artist: 2d & 3d, Digital Firepower | |
| Rasha Shalaby | .... | matte painter: Pacific Title & Art Studio (as Rasha Shalaby Montague) | |
| Johanna Silverthorne | .... | digital artist: 2d & 3d, Digital Firepower | |
| David Sosalla | .... | visual effects supervisor: R!OT | |
| Lou Talamo | .... | matte artist: 2d & 3d: Digital Firepower (as Lou Talamo) | |
| Andrew Tucker | .... | tracker: 3d, Digital Firepower | |
| Mike Uguccioni | .... | compositor: Digital Firepower (as Michael Uguccioni) | |
| Kristian Coleman | .... | CG artist (uncredited) | |
| Edward Helmers | .... | digital artist (uncredited) | |
Casting Department | |||
| Annette Borgmann | .... | casting: Germany | |
| Iris Müller | .... | extras casting | |
| Lucinda Syson | .... | casting: Europe | |
Costume and Wardrobe Department | |||
| Costanza Bastanti | .... | wardrobe: Italy | |
| Jackie Cheng | .... | additional wardrobe | |
| Johanna Gartlgruber | .... | costume production assistant | |
| Nina Hess | .... | set costumer | |
| Barbara Jäger | .... | costume supervisor: Germany | |
| Najad Kirchberger | .... | wardrobe: second unit | |
| Barbara Koeppl | .... | additional wardrobe (as Barbara Köppe) | |
| Mirjam Muschel | .... | additional wardrobe (as Miriam Meuschel) | |
| Kara Owens | .... | additional wardrobe | |
| Jean Rosone | .... | costume supervisor | |
| Alex Rothe | .... | wardrobe: second unit | |
| Alex Rother | .... | costume production assistant | |
| Swenja Selphmann | .... | additional wardrobe | |
| Maurizio Torti | .... | assistant costume designer: Italy | |
| Lisa Wong | .... | key costumer | |
| Antje Schulze Zur Wiesche | .... | tailor | |
Editorial Department | |||
| Brian Addie | .... | apprentice editor (as Brian G. Addie) | |
| Timothy Alverson | .... | assistant editor: Lightworks | |
| Brian Day | .... | assistant editor | |
| Michael Hatzer | .... | color timer | |
| Simone Hofmann | .... | assistant editor | |
| Douglas Kunin | .... | first assistant editor | |
Music Department | |||
| Klaus Badelt | .... | score producer | |
| Ramin Djawadi | .... | composer: additional music | |
| Vicki Hiatt | .... | music editor | |
| Stephanie Lowry | .... | music editor | |
| Richie Nieto | .... | music editor | |
| Joe Rangel | .... | music coordinator | |
| Randy Spendlove | .... | executive in charge of music | |
| Geoff Zanelli | .... | composer: additional music | |
Transportation Department | |||
| Gabriella Di Santo | .... | transportation captain: Italy | |
| Ilias Grigoriou | .... | driver | |
| Susen Jarmuske | .... | driver | |
| Joerg Kraft | .... | trailer coordinator (as Jörg Kraft) | |
| Sebastian Leister | .... | assistant picture car coordinator | |
| Alexander Liebenthron | .... | driver: set department | |
| Paul Mason | .... | driver | |
| Daniel Mattig | .... | transportation coordinator | |
| Norbert Mentrop | .... | driver | |
| Joe Müller-Koepke | .... | driver | |
| Sebastian Neitsch | .... | car captain | |
| Martin Prestes | .... | driver | |
| Fabian Pöhlmann | .... | driver | |
| Stephan Schröter | .... | picture car coordinator | |
| Jüren Simson | .... | driver | |
Thanks | |||
| Linda A. Borgeson | .... | special thanks (as Linda Borgeson) | |
| Wolfgang Branoner | .... | special thanks: City of Berlin (as Senator Branoner) | |
| Brian Burkin | .... | special thanks | |
| Bettina Hagemann | .... | special thanks: Messe Berlin (as Mrs. Hagemann) | |
| Ralf Kleinhenz | .... | special thanks: Messe Berlin (as Dr. Kleinhenz) | |
| Michael E. Marshall | .... | special thanks | |
| Dieter Pasierbsky | .... | special thanks: Messe Berlin (as Mr. Pasierbsky) | |
| Dr. Reupke | .... | special thanks: City of Berlin | |
| Mr. Stachelscheid | .... | special thanks: City of Berlin | |
| Ignaz Walther | .... | special thanks: Walther Bau AG (as Mr. Walther) | |
| Mrs. Ignaz Walther | .... | special thanks: City of Berlin (as Mrs. Walther) | |
| Andrea Wertheim | .... | special thanks | |
| Hans-Wolf Zopfy | .... | special thanks: Walther Bau AG (as Mr. Zopfy) | |
Production CompaniesDistributors
- Miramax Films (2002) (USA) (all media)
- Dimension Films (2002) (USA) (theatrical)
- Amuse Pictures (2003) (Japan) (theatrical)
- Buena Vista International Italia (2003) (Italy) (theatrical)
- RCV Film Distribution (2003) (Belgium) (theatrical)
- RCV Film Distribution (2003) (Luxembourg) (theatrical)
- RCV Film Distribution (2003) (Netherlands) (theatrical)
- TFM Distribution (2003) (France) (theatrical)
- West (200?) (Russia) (theatrical)
- Buena Vista International (2004) (Argentina) (all media)
- Dimension Home Video (2003) (USA) (DVD) (VHS)
- Echo Bridge Home Entertainment (2011) (USA) (DVD)
- Gativideo (2004) (Argentina) (DVD)
- Gativideo (2004) (Argentina) (VHS)
- Highlight Film (2003) (Germany) (DVD)
- Imagem Filmes (2003) (Brazil) (DVD)
- Imagem Filmes (2003) (Brazil) (VHS)
- Momentum Pictures (2002) (UK) (all media)
- Nordisk Film (2003) (Sweden) (DVD)
- RCV Home Entertainment (2003) (Netherlands) (DVD) (VHS)
- Custom Film Effects
- Digital Firepower (digital cityscapes)
- FB-FX (costume props)
- Pacific Title and Art Studio
- Post Logic Studios
- Riot
- BiPack opticals
- Creative Cafe post sound editorial services
- Custom Film Effects opticals
- DeForest Research script clearance (as DeForrest)
- DeLuxe Laboratories color timing (as Deluxe)
- DeLuxe Laboratories dailies
- Electric Picture Solutions Lightworks
- Entertainment Partners Canada payroll services (as Bulloch Entertainment Services)
- Entertainment Partners payroll services
- Film Production Consultants production service
- Great Northern Brokerage Services insurance
- International Recording Co. sound re-recording facilities
- Kona Cutting negative cutting
- Media Ventures music services
- Olswang production legal services
- Panavision UK camera equipment
- Post Logic Studios main titles (as Post Logic)
- R.C. Baral & Company post-production accounting services
- Sony Pictures Studios foley recorded at
- Sony Pictures Studios post sound editorial services
- Sound Satisfaction foley recorded at
- Star's Dinner Express catering
Additional Details
Also Known As:
MPAA:
Rated R for violence
Parents Guide:
Runtime:
107 min
Country:
Language:
Color:
Aspect Ratio:
2.35 : 1 See more »
Sound Mix:
Certification:
Singapore:NC-16 | Netherlands:12 | Canada:13+ (Quebec) | Canada:14 (Nova Scotia) | Canada:14A (Alberta/British Columbia) | Iceland:16 | Canada:A (Ontario) | South Korea:15 | Philippines:R-18 | Sweden:15 (DVD rating) | Australia:M | Finland:K-15 | Germany:16 | UK:15 | USA:R
Filming Locations:
Company:
Did You Know?
Trivia:
The inspiration for the cityscapes and the design of Libria come mainly from the works of Hugh Ferriss, an early 20th century conceptual artist.See more »
Goofs:
Factual errors: In the beginning of the film, when they discover the Mona Lisa, the picture is actually several times larger than the real Mona Lisa, even though the scan shows that this is the authentic one. A canvas of the Mona Lisa is identified being "authentic" by a scanner. The real Mona Lisa is also painted on a poplar panel about an inch thick, not a canvas as shown in the movie.See more »
Quotes:
[first lines]
DuPont:In the first years of the 21st century, a third World War broke out. Those of us who survived knew mankind could never survive a fourth; that our own volatile natures could simply no longer be risked. So we have created a new arm of the law: The Grammaton Cleric, whose sole task it is to seek out and eradicate the true source of man's inhumanity to man - his ability to feel.
See more »
DuPont:In the first years of the 21st century, a third World War broke out. Those of us who survived knew mankind could never survive a fourth; that our own volatile natures could simply no longer be risked. So we have created a new arm of the law: The Grammaton Cleric, whose sole task it is to seek out and eradicate the true source of man's inhumanity to man - his ability to feel.
See more »
Movie Connections:
Referenced in "Bad Movie Beatdown: Seven Pounds (#2.4)" (2010)See more »
FAQ
What is the infamous "gun swap" plot hole? Can it be explained?See more »
See more (1065 total) »
Message Boards
Discuss this movie with other users on IMDb message board for Equilibrium (2002) See more »Recommendations
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I've seen this movie 5 times (it's the nature of satellite TV) within the past week and it's true...you catch something you've missed or see something new with every successive viewing. This movie is way ahead of its time, and much better than the over-rated Matrix. Bale is always exceptional, and so is his "Metroland" co-star, Emily Watson. Maybe it's the Anglophile or Brit-flick fan in me, but I must say that the added presence of Sean Bean and Angus MacFadyen all but confirms the pre-eminence of UK acting in quality films. Accompanied by very appropriate techno-musik, the action sequences are fast and Euro-flashy, heavily influenced by Jan De Bont--different from the weird, drawn-out, "suspended/string puppet" thing that apparently passes for martial arts these days. (I miss Bruce Lee)
Anyway, if you haven't seen it, give this a shot. If you already have & weren't impressed, take a look at it again. It will grow on you. See if you're inclined to show up to work the next day looking and acting very much a "Cleric" who missed a Prozium dose.