Originally a 30 minute portion for an anthology film, Impostor was retooled into a full length feature film. Based on the Philip K. Dick short story of the same name, it follows the lead ... See full summary »
When terrorists threaten nuclear catastrophe, the world's only hope is to reactivate decommissioned Universal Soldier Luc Deveraux. Rearmed and reprogrammed, Deveraux must take on his ... See full summary »
Jean-Claude Van Damme,
Set in the near future when artificial organs can be bought on credit, it revolves around a man who struggles to make the payments on a heart he has purchased. He must therefore go on the run before said ticker is repossessed.
In a futuristic world, a strict regime has eliminated war by suppressing emotions: books, art and music are strictly forbidden and feeling is a crime punishable by death. Cleric John Preston (Bale) is a top ranking government agent responsible for destroying those who resist the rules. When he misses a dose of Prozium, a mind-altering drug that hinders emotion, Preston, who has been trained to enforce the strict laws of the new regime, suddenly becomes the only person capable of overthrowing it. Written by
The film's fight choreographer Jim Vickers and Kurt Wimmer had some slight disagreement on how the martial art Gun Kata should be performed on screen. You can see little friendly jabs to the choreographer in the film. When Kurt Wimmer performs the Gun Kata at the beginning, you see it's very fluid and smooth. The way it's actually used in the film is very rigid with a few flowing moves thrown in. Also, in Angus Macfadyen's speech to the Clerics in training, he says "each fluid position", slightly stressing the word "fluid". Wimmer wanted Gun Kata to be smooth and soft-style. Vickers, trained in hard-style karate among other things, modified the original Gun Kata slightly, and because of budgetary restraints, that's the version we see in the final film. Wimmer has said his own vision of Gun Kata can be seen in most of its glory in his next film, Ultraviolet. See more »
In the katana fight Preston jabs into one of the men, and it's clearly visible the sword misses the torso, and the actor's actually holding it between his arm and against his chest. In normal playback the move looks nevertheless convincing. See more »
In the first years of the 21st century, a third World War broke out. Those of us who survived knew mankind could never survive a fourth; that our own volatile natures could simply no longer be risked. So we have created a new arm of the law: The Grammaton Cleric, whose sole task it is to seek out and eradicate the true source of man's inhumanity to man - his ability to feel.
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Worth seeing twice in two consecutive days (which I did.)
I went in to see "Equilibrium" with no knowledge of the movie other than a two line synopsis from a local newspaper and the movie poster in the theater lobby. As usual, I was practicing my theory of "lowered expectations." I expect a movie to be horribly awful ahead of time, so I can not be disappointed. I was not disappointed. At the end of the film I could not sit still in my seat. I felt the urge to go out into the world and proclaim the utter awesomeness of "Equilibrium." Such words as "Sweet," "Crazy," and "Righteous" sprang forth from my lips in rapid succession when I talked about the movie with my friends. Not since the "Fellowship of the Ring" have I desired to sing a movie's praises. And I mean literally SING. "Equilibrium" could, and should, be the sleeper hit of the year. The film's action sequences stir up the blood and pump the adrenaline as if you were riding a roller-coaster. The art style, while minimalistic, and thus maybe confused for low-budget by some, is actually quite successful in portraying a totalitarian and emotionless society. The acting is excellent as well, and quite possibly the best I have seen in an action film in long time. While the nay-sayers will say that the film is too unoriginal, borrowing elements of its story and premise from "Fahrenheit 451" and "Brave New World," these complaints can be disregarded as the movie adds enough of its own style and story to make the comparisons plausible in basic premise only. In the end, like any movie, "Equilibrium" is meant as entertainment. And entertain it does. It does it so very well. It mixes action and with substantial plot and original style to make an excellent whole. Go see it. Go see it twice. Go see "Equilibrium," Cleric.
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