A woman living in Dallas discovers that her husband, from New Zealand, is actually a crazed serial killer who murders prostitutes. She helps the authorities arrest him, and he is sent to a ... See full summary »

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Cast

Cast overview:
...
Cathy Wills
Kit Taylor ...
Joe
Grigor Taylor ...
Rick
...
Sheriff Virgil Baker
John Warnock ...
Phillip
Susan Stenmark ...
Gwen
Richard Morgan ...
Ted
...
Hooker (as Debi Sue Voorhees)
Karen Radcliffe ...
Casey
...
Jim Gardner
...
Billy Joe
Harlan Jordan ...
Riley
...
Fletcher
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Storyline

A woman living in Dallas discovers that her husband, from New Zealand, is actually a crazed serial killer who murders prostitutes. She helps the authorities arrest him, and he is sent to a hospital for the criminally insane. Just when she's starting to get her life back together, she learns that he's escaped from the institution and is after her. She flees to Australia and winds up staying in a house owned by a wealthy young man, who turns out to have dark secrets of his own. Written by frankfob2@yahoo.com

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Horror | Thriller

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Release Date:

8 August 1991 (USA)  »

Also Known As:

Eida to dolofono  »

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This film is considered an "Ozploitation" (Australian exploitation) picture. See more »

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User Reviews

 
Don't be the innocent prey of this stinker
3 April 2013 | by (Australia) – See all my reviews

Would you believe P.J.Sole's luck, not just starring in this stinker of a film, but with the men she falls in love with. She doesn't give a half bad performance (remember, she was one of those bitches from Carrie) as a Dallas girl, whose Aussie man, murders prostitutes. This insane Aussie guy, a successful oil worker, as I remember, is arrested, put in a hospital for the criminally insane, but escapes. A scared Soles flees to New Zealand, falls for a new guy, Mr Perfect (Grigor Taylor) who at the end, also turns out to be a nut, as is the young and little backward handy man, who works on this wealthy guys estate. If you can believe it, the only good thing to come out of this is Soles, not a major American import, but without her quite impressive performance, as a naive young lass, who's taste in men, is obviously terrible, this could of sunk much lower. An inane ridiculous film, honestly, although Taylor's last line of dialogue, serves as a classic and humorous one liner. Apart from that. PHOOOOOR!


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