| Photos (See all 40 | slideshow) | Videos (see all 3) |
| Penélope Cruz | ... | Pelagia | |
| John Hurt | ... | Dr. Iannis | |
| Christian Bale | ... | Mandras | |
| Irene Papas | ... | Drosoula | |
| Gerasimos Skiadaressis | ... | Mr. Stamatis | |
| Aspasia Kralli | ... | Mrs. Stamatis | |
| Mihalis Giannatos | ... | Kokolios | |
| Dimitris Kaberidis | ... | Father Aresenios (as Dimitris Kamperidis) | |
| Pietro Sarubbi | ... | Velisarios, The Strongman (as Pedro Sarubbi) | |
| Viki Maragaki | ... | Eleni, Pelagia's Friend | |
| Joanna-Daria Adraktas | ... | Young Lemoni | |
| Ira Tavlaridis | ... | Older Lemoni | |
| Katerina Didaskalou | ... | Lemoni's Mother | |
| Emilios Chilakis | ... | Dimitris | |
| Nikos Karathanos | ... | Spiros | |
| Antonis Antoniou | ... | Recruiting Officer | |
| Yorgos Kotanidis | ... | Mayor (as George Kotanidis) | |
| Tasos Palatzidis | ... | Town Clerk (as Tasos Palantzidis) | |
| Kostas Philippoglou | ... | Trembling Man | |
| Froso Korrou | ... | Nun | |
| Maria-Louisa Papadopoulou | ... | Mad Person | |
| Dina Kafterani | ... | Mad Person | |
| Vlassis Zotis | ... | Mad Person | |
| Panos Thanassoulis | ... | Mad Person (as Panagiotis Thanassoulis) | |
| Alexia Bouloukou | ... | Mad Person | |
| Babis Artelaris | ... | Partisan | |
| Gerasimos Iakovatos | ... | Partisan | |
| Nikos Kalogiratos | ... | Partisan | |
| Dionysis Karlis | ... | Partisan | |
| Pavlos Lalis | ... | Partisan | |
| Angelos Liberatos | ... | Partisan | |
| Panagis Polichronatos | ... | Partisan | |
| Christos Rangas | ... | Partisan | |
| Dimitris Vandoros | ... | Partisan | |
| Gerasimos Xidias | ... | Partisan | |
| Dimitris Dimoulas | ... | Musician | |
| Pantelis Filipatos | ... | Musician | |
| Ilias Theofilatos | ... | Musician | |
| Makis Filipatos | ... | Musician | |
| Nicolas Cage | ... | Captain Antonio Corelli | |
| Piero Maggiò | ... | Carlo | |
| Vincent Riotta | ... | Quartermaster (as Vincenzo Ricotta) | |
| Roberto Citran | ... | General Gandin | |
| Federico Fioresi | ... | Soldier of La Scala | |
| Sandro Stefanini | ... | Soldier of La Scala | |
| Francesco Guzzo | ... | Soldier of La Scala | |
| Germano Di Mattia | ... | Soldier of La Scala | |
| Simone Spinazze | ... | Soldier of La Scala | |
| Sergio Albelli | ... | Soldier of La Scala | |
| Davide Quatraro | ... | Soldier of La Scala | |
| Paco Reconti | ... | Soldier of La Scala | |
| Nuccio Siano | ... | Soldier of La Scala | |
| Salvatore Lazzaro | ... | Soldier of La Scala | |
| Alessandro Repossi | ... | Soldier of La Scala | |
| Massimiliano Pazzaglia | ... | Captain | |
| Tim Hardy | ... | Colonel | |
| Francesco Cabras | ... | Soldier with Cigarette | |
| Nunzio Lombardo | ... | Soldier at Dance | |
| Irini Eleftheriou | ... | Prostitute | |
| Sofia Yannioti | ... | Prostitute | |
| Marina Corelli | ... | Prostitute | |
| Evi Tzortzi | ... | Prostitute | |
| Leticia Moustaki | ... | Prostitute | |
| Angeliki Lambri | ... | Prostitute (as Angelica Lambri) | |
| Maria Philipakopoulou | ... | Prostitute | |
| Irene Christidi | ... | Prostitute | |
| Giovanni Parricelli | ... | Waterfront Band | |
| Martin Robertson | ... | Waterfront Band | |
| Ben Gant | ... | Waterfront Band | |
| Paul Spong | ... | Waterfront Band | |
| Eddie Hession | ... | Waterfront Band | |
| Mike Pickering | ... | Waterfront Band | |
| Oren Marshall | ... | Waterfront Band | |
| David Morrissey | ... | Captain Gunther Weber | |
| Patrick Malahide | ... | Colonel Barge | |
| Martin Glyn Murray | ... | Officer | |
| Till Bahlmann | ... | Officer | |
| Renny Krupinski | ... | Officer | |
| Peter Stark | ... | Soldier | |
| rest of cast listed alphabetically: | |||
| Rhidian Bridge | ... | Soldier (uncredited) | |
| Lucy Christofi Christy | ... | Various (voice) (uncredited) | |
| Alex Zorbas | ... | Mad Person (uncredited) | |
Directed by | |||
| John Madden | |||
Writing credits | ||
| Shawn Slovo | (screenplay) | |
| Louis de Bernières | (novel "Captain Corelli's Mandolin") | |
Produced by | |||
| Tim Bevan | .... | producer | |
| Liza Chasin | .... | co-producer | |
| Eric Fellner | .... | producer | |
| Jane Frazer | .... | co-producer | |
| Debra Hayward | .... | co-producer | |
| Mark Huffam | .... | producer | |
| Kevin Loader | .... | producer | |
| Susie Pugh-Tasios | .... | associate producer (as Susie Tasios) | |
Original Music by | |||
| Stephen Warbeck | |||
Cinematography by | |||
| John Toll | |||
Film Editing by | |||
| Mick Audsley | |||
Casting by | |||
| Mary Selway | |||
Production Design by | |||
| Jim Clay | |||
Art Direction by | |||
| Gary Freeman | |||
| Chris Seagers | (supervising art director) | ||
Set Decoration by | |||
| John Bush | |||
Costume Design by | |||
| Alexandra Byrne | |||
Makeup Department | |||
| Jo Allen | .... | prosthetic makeup artist | |
| Massimiliano Battista | .... | hair stylist | |
| Lois Burwell | .... | makeup department head | |
| Joseph Coscia | .... | hairdresser: Mr. Cage | |
| Elisabetta De Leonardis | .... | assistant hair stylist | |
| Carol F. Doran | .... | wig maker | |
| Kay Georgiou | .... | hair stylist | |
| Sian Grigg | .... | makeup artist | |
| Jennifer Hegarty | .... | crowd makeup supervisor | |
| Catherine Heys | .... | makeup artist | |
| Pauline Heys | .... | key makeup artist | |
| Conor O'Sullivan | .... | prosthetic supervisor | |
| Lisa Tomblin | .... | chief hair designer | |
| Allen Weisinger | .... | makeup artist: Mr. Cage | |
| Roisin O'Reilly | .... | makeup artist (uncredited) | |
Production Management | |||
| Nigel Gostelow | .... | unit production manager | |
| Nikos Nikolettos | .... | unit production manager | |
| Lisa Rodgers | .... | post production executive | |
| Kathy Sykes | .... | production supervisor | |
| Michelle Wright | .... | executive in charge of production: Working Title Films | |
Art Department | |||
| Nicholas Barringer | .... | chargehand plasterer | |
| John Bohan | .... | construction coordinator | |
| Peter Bull | .... | stand-by art director | |
| Danny Burke | .... | stand-by props | |
| Roy Chapman | .... | dressing props | |
| Justin Chappell | .... | vehicle technician | |
| Jane Clark | .... | storyboard artist | |
| Dean Coldham | .... | supervising plasterer | |
| Robert Cowper | .... | draughtsman | |
| Michael Finlay | .... | painter | |
| Heidi Gibb | .... | junior draughtsman | |
| Barry Gibbs | .... | property master | |
| Alan Gilmore | .... | assistant art director | |
| Martin Kingsley | .... | supervising props | |
| Thomas Martin | .... | assistant construction manager | |
| Miraphora Mina | .... | graphic designer | |
| Steve Mitchell | .... | scenic artist | |
| Wesley Peppiatt | .... | props | |
| Chris Seddon | .... | drapes master | |
| Toby Shears | .... | armoury propmaking supervisor | |
| Bob Sherwood | .... | dressing prop | |
| Christine Vlachos | .... | assistant plasterer | |
| Clive Ward | .... | hod painter | |
| Alex Warder | .... | art department runner | |
| David Weller | .... | supervising rigger | |
| Dean Coldham | .... | plasterer (uncredited) | |
Sound Department | |||
| Paula Boram | .... | foley artist | |
| Nikos Bouyioukos | .... | boom operator | |
| Neil Collymore | .... | sound re-recording mixer | |
| Mark DeSimone | .... | adr engineer | |
| John Downer | .... | supervising sound editor | |
| Michael Feinberg | .... | foley editor | |
| Ken Galvin | .... | adr recordist | |
| Matthew Gough | .... | co-sound mixer | |
| Matthew Gough | .... | sound assistant | |
| Peter Lindsay | .... | production sound mixer | |
| Paul McFadden | .... | foley editor | |
| Michael Miller | .... | adr mixer | |
| Sarah Morton | .... | adr editor | |
| Sarah Morton | .... | dialogue editor | |
| Kath Pollard | .... | adr recordist | |
| Adrian Rhodes | .... | sound re-recording mixer | |
| Malcolm Rose | .... | sound maintenance | |
| Oliver Tarney | .... | sound effects editor | |
| Nick Watson | .... | sound consultant: Dolby | |
Special Effects by | |||
| Terry Bridle | .... | senior special effects technician | |
| Trevor Butterfield | .... | special effects technician | |
| Justin Chappell | .... | vehicle builder/propmaker | |
| Richard Conway | .... | special effects coordinator | |
| Sam Conway | .... | special effects technician | |
| Andrew Kelly | .... | senior special effects technician | |
| Scott McIntyre | .... | special effects | |
| Ceri Nicholls | .... | special effects technician | |
| Mirko Nied | .... | special effects technician | |
| Nigel Nixon | .... | special effects technician | |
| Michalis Samiotis | .... | senior special effects technician | |
| Mark White | .... | special effects | |
| Tim Willis | .... | senior special effects technician | |
Visual Effects by | |||
| Robin Aristorenas | .... | lead digital effects artist: Double Negative | |
| Robin Aristorenas | .... | technical director: Double Negative | |
| Adrian Banton | .... | digital compositor: Double Negative | |
| Lloyd Lee Barnett | .... | digital compositor | |
| Pete Bebb | .... | visual effects artist | |
| Peter Chiang | .... | visual effects supervisor | |
| Ciaran Crowley | .... | digital artist | |
| Michael Bruce Ellis | .... | titles/digital compositor | |
| Paul J. Franklin | .... | 3D animator: Double Negative Ltd | |
| Gavin Graham | .... | scanning and recording: Double Negative | |
| Pete Hanson | .... | studio manager: Double Negative ltd | |
| Annick Harmel-Tourneur | .... | computer graphics artist | |
| Rudi Holzapfel | .... | compositor: Double Negative | |
| Garrett Honn | .... | digital compositor: Double Negative | |
| Elie Jamaa | .... | technical director | |
| Jody Johnson | .... | pre-visualisation | |
| Derek Ledbetter | .... | visual effects | |
| Rogan Macdonald | .... | visual effects artist | |
| Steve MacPherson | .... | technical operations manager: Double Negative | |
| Julian Mann | .... | technical director | |
| Fay McConkey | .... | visual effects producer | |
| Jake Mengers | .... | lead 3D animator: Double Negative | |
| Paul Riddle | .... | visual effects supervisor | |
| Sarah Soulsby | .... | digital artist | |
| Giuliano Dionisio Vigano | .... | rotoscope artist (as Giuliano Dionisio Vigano') | |
| Christopher Grandel | .... | trailer digital effects, Howard Anderson Company (uncredited) | |
Stunts | |||
| Marc Cass | .... | additional stunt coordinator | |
| Gary Connery | .... | stunts | |
| Ray De-Haan | .... | stunts | |
| Jim Dowdall | .... | stunt coordinator | |
| Neil Finnighan | .... | stunts | |
| Dave Fisher | .... | stunts | |
| Paul Herbert | .... | stunt double: John Hurt | |
| Nick Hobbs | .... | stunts | |
| Derek Lea | .... | stunts | |
| Tony Lucken | .... | stunts | |
| Seon Rogers | .... | stunts | |
| Lee Sheward | .... | stunts | |
| William Willoughby | .... | stunts | |
Camera and Electrical Department | |||
| Kenneth Atherfold | .... | key grip | |
| Matt Buchan | .... | best boy | |
| Ian Coffey | .... | clapper loader | |
| Steve Costello | .... | gaffer | |
| Chris Dale | .... | clapper loader | |
| Peter Field | .... | lighting camera operator: second unit | |
| John Gamble | .... | first assistant camera | |
| Alan Hall | .... | assistant camera | |
| Graham Hall | .... | assistant camera | |
| Scott Holland | .... | video operator | |
| Dimitris Kataliakos | .... | electrician | |
| Brad Larner | .... | additional focus puller | |
| Brad Larner | .... | assistant camera | |
| Ron Nicholls | .... | grip | |
| John Palmer | .... | camera operator | |
| Robert Palmer | .... | second assistant camera | |
| Eric Sagot | .... | lighting technician | |
| Simos Sarketzis | .... | assistant camera | |
| Simos Sarketzis | .... | clapper loader | |
| Chris Toll | .... | first assistant camera: "a" camera | |
| Jonathan Yates | .... | electrician | |
Casting Department | |||
| Kim Coleman | .... | casting associate | |
| Louis Elman | .... | adr voice casting | |
| Makis Gazis | .... | casting: Greece | |
| Kim Coleman | .... | casting: Los Angeles (uncredited) | |
| Chuck Douglas | .... | open casting call coordinator: UK (uncredited) | |
Costume and Wardrobe Department | |||
| Anabel Campbell | .... | wardrobe supervisor | |
| Mark Ferguson | .... | costume assistant | |
| Frank Gallacher | .... | costume assistant | |
| Steve Gell | .... | head textile artist | |
| Anna Lombardi | .... | costume assistant | |
| Sharon Long | .... | costume supervisor | |
| Jane Petrie | .... | assistant costume designer | |
| Sally Puttick | .... | costume assistant | |
| Sunny Rowley | .... | costume assistant | |
| Marion Weise | .... | crowd wardrobe coordinator | |
| Dominic Young | .... | costume cutter | |
| David Crossman | .... | costume assistant (uncredited) | |
Editorial Department | |||
| Mags Arnold | .... | first assistant editor | |
| Tania Blunden | .... | post-production (as Tania Windsor Blunden) | |
| Aggela Despotidou | .... | assistant editor | |
| Paul Elman | .... | assistant editor | |
| Steve Harrow | .... | post-production consultant | |
| Carmen Morrow | .... | trainee assistant editor | |
Music Department | |||
| James Bellamy | .... | assistant music editor | |
| Peter Davies | .... | musician | |
| Chris Dibble | .... | scoring mixer | |
| Andrew Glen | .... | music editor (as Andy Glen) | |
| Isobel Griffiths | .... | orchestra contractor | |
| Tony Lewis | .... | assistant music editor | |
| Nyree Pinder | .... | orchestra contractor | |
| Paul Kegg | .... | musician: cello (uncredited) | |
Thanks | |||
| Sebastian Born | .... | the producers wish to thank | |
| Peter Chiang | .... | the producers wish to thank | |
| Nick Garbis | .... | the producers wish to thank | |
| Roger Michell | .... | special thanks | |
| Anthony Minghella | .... | the producers wish to thank | |
| Tim Morley | .... | the producers wish to thank | |
| Sarah Owens | .... | the producers wish to thank | |
| Francesca Paduano | .... | the producers wish to thank | |
| Kostas Philippoglou | .... | the producers wish to thank | |
| Robyn Slovo | .... | thanks | |
| Andreas Theodosiou | .... | the producers wish to thank | |
| Lavinia Trevor | .... | the producers wish to thank | |
| Lilian Vergotis | .... | the producers wish to thank | |
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| Full cast and crew | Company credits | External reviews |
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I have to admit that I approached this movie with a sense of expectation and dread. Louis de Berniere's bestselling novel is one of my favourites and anyone who has read it will realise that there is no way in hell that any screen adaptation can be 100% faithful.
All the way through I found myself convincing myself that the movie was unsuccessful, and had stripped the book's plot back so far as to render it redundant. The ending, however, is much better than that in the novel, and I could not stop thinking about the movie afterwards. Still, the plusses (John Toll's magnificent cinematography, Stephen Warbeck's great score, etc) I felt did not outweigh my initial negatives (Cage's miscasting, a heavily diluted script).
But, two days later, I was queuing again to see Corelli, and although not perfect, I have to admit now that the movie is the best anyone could have expected. Cage is actually brilliant in a role that even de Berniere was concerned was not a fully rounded character: his carefree spirit which gives way to shattered remorse is spot on, and complements the superb double act of Penelope Cruz and John Hurt perfectly. David Morrissey is quietly effective as Weber, the Nazi officer trying to reconcile his feelings for his newfound Italian friends and his inbred superiority complex to those around him. And the fine Greco-Italian supporting cast bring de Berniere's sundrenched world of Cepholonia dazzlingly alive.
On leaving the cinema second time around, I finally let go my passion for the novel which prevented me from fully appreciating the story of WW2 Cepholonia in cinematic terms. My hat goes off to John Madden who, despite the almost expected critical drubbing he is receiving from the British critics (any director who has had a major success like Shakespeare in Love behind them is always a target for these moaning ninnies!),has managed to transfer a terrifically difficult book to the big screen with such heart, verve and humanity (the core virtues of the novel, in fact) that he has created another classic love story that will probably only be fully appreciated when the dust has settled a few years from now.
If you are a fan of the book, like me, it's hard, but try not to make the same mistake on your initial viewing. Try to erase the book from your mind for two hours, bathe yourself in the glorious Mediterranean atmosphere, and discover Corelli, Pelagia, Mandras, Dr Iannis, as if for the first time (pretend you're watching something made from an original screenplay), and I guarantee you won't be disappointed.
In fact, you'll be eagerly waiting to own your own copy of this delightful movie on video or DVD.
8/10