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The sudden reappearance of his best friend Toni, after ten years absence, causes Chris to remember his past, to question some of his lifestyle decisions and to re-evaluate his life and marriage to Marion.
New York City police detective John Shaft (nephew of the original 1970s detective) goes on a personal mission to make sure the son of a real estate tycoon is brought to justice after a racially-motivated murder.
Samuel L. Jackson,
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In 1941, Italy allies with Germany and ruthlessly conquers the much weaker country of Greece. On a remote Greek island, an Italian artillery garrison is established to maintain order. One Italian officer, Captain Corelli, adopts an attitude of mutual co-existence with the Greeks and engages in such activities as music festivals and courting the daughter of a local doctor. In 1943, however, after Italy surrenders to the Allies and changes sides in the war, Captain Corelli must defend the Greek island against a German invasion. Written by
Anthony Hughes <email@example.com>
Ok, it's a given that you cannot make a good movie from a good book. (Unless you make it a trilogy :-) But comparing the book Corelli's Mandolin to this movie it's clear how much has to be cut to fit a screenplay. The book is very funny in places, romantic (of course), dramatic. What's left of it in the film is inexplicable romance -- as other reviewers have remarked, it's unclear why she falls in love with the italian while her betrothed is still around, and I have no idea why this was changed from the book -- and some gratuitous gunning and bombing scenes, more than in the book which derives its power from not hammering on the obvious points. Whole characters are cut: Carlo has maybe 10 seconds screen time, while in the book he has a whole story line that runs several chapters.
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