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Nominated for 1 Primetime Emmy. See more awards »
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Cast

Episode credited cast:
Roy Aitken ...
Himself (archive footage)
...
Narrator
...
Himself
Evelyn Baldwin ...
Herself - Griffith's Ex-Wife (as Evelyn Baldwin Kunze)
...
Himself (archive footage)
Nellie Battipaglia ...
Herself - Extra
Lord Beaverbrook ...
Himself (archive footage)
G.W. Bitzer ...
Himself (archive footage)
Eileen Bowser ...
Herself - Film Curator
Karl Brown ...
Himself (archive footage)
...
Himself (archive footage)
...
Himself (archive footage)
...
(archive footage)
Stanley Cortez ...
Himself
James Crane ...
Himself - Extra
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Storyline

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Details

Country:

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Release Date:

24 March 1993 (USA)  »

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Technical Specs

Runtime:

(3 parts)

Sound Mix:

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

For this documentary, Kevin Brownlow and David Gill reused footage from their documentary series Hollywood (1980). The visual presentation of the premiere of The Birth of a Nation (1915), bearing a different caption font from that earlier series, is an example. See more »

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User Reviews

 
Brownlow and Gill Do It Again!
23 June 2011 | by (United States) – See all my reviews

This IS a good documentary, about an elementary figure in the history of cinema. Any student of the motion picture, or of American culture, would do well to view it.

However, the main reason I'm posting is to comment on an observation by one of the reviewers here regarding the reputation of Abraham Lincoln in the American South. In THE BIRTH OF A NATION (1915) and in his later ABRAHAM LINCOLN (1930), Griffith echoed the prevailing view among white Southerners in 1865 (the year the Civil War ended) that Lincoln would exact no vengeance on the former Confederacy and would administer a gentle peace. Lincoln's assassination was viewed by many Southerners, certainly in hindsight, as a tragedy for the South, because Lincoln's successor lacked the political clout and popular support to hold vindictive "Radical Republicans" in check. Had Lincoln lived, many Southerners believed, the years of Reconstruction would have been a lot more productive (for whites, at least). Lincoln was certainly no "hero" to most white Southerners during the Civil War itself -- his election in November 1860 was the event that sparked secession and the Civil War -- but after 1865, white Southerners adopted the "martyred" Lincoln as the Hero Who Would Have Saved the White South, and that's the way Griffith portrayed him in his films.


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