| Photos (See all 30 | slideshow) | Videos (see all 3) |
| Pierce Brosnan | ... | Andrew 'Andy' Osnard | |
| Geoffrey Rush | ... | Harold 'Harry' Pendel | |
| Jamie Lee Curtis | ... | Louisa Pendel | |
| Leonor Varela | ... | Marta | |
| Brendan Gleeson | ... | Michelangelo 'Mickie' Abraxas | |
| Harold Pinter | ... | Uncle Benny | |
| Catherine McCormack | ... | Francesca Deane | |
| Daniel Radcliffe | ... | Mark Pendel | |
| Lola Boorman | ... | Sarah Pendel | |
| David Hayman | ... | Luxmore | |
| Mark Margolis | ... | Rafi Domingo | |
| Martin Ferrero | ... | Teddy, the Reporter | |
| John Fortune | ... | Maltby | |
| Martin Savage | ... | Stormont | |
| Edgardo Molino | ... | Juan-David | |
| Jon Polito | ... | Ramón Rudd, the Banker | |
| Jonathan Hyde | ... | Cavendish | |
| Dylan Baker | ... | General Dusenbaker | |
| Paul Birchard | ... | Joe | |
| Harry Ditson | ... | Elliot | |
| Ken Jenkins | ... | Morecombe | |
| Adolfo Arias Espinosa | ... | President | |
| Juan Carlos Adames | ... | Marco | |
| Luis Antonio Gotti | ... | Ernesto 'Ernie' Delgado (as Luis A. Goti) | |
| Vladimir Vega | ... | Customer | |
| Iris De Arco | ... | Palace Secretary | |
| César Sanjur | ... | Angelo, the Manager | |
| Heather Emmanuel | ... | Esmeralda | |
| Diomara De Ruiz | ... | Mrs. Delgado | |
| Doug Cockle | ... | Pentagon Aide | |
| Patrick Poletti | ... | Officer #1 | |
| Andrew French | ... | Officer #2 | |
| Frank Melia | ... | Official #1 | |
| Lisa Dwan | ... | Stewardess | |
| Paolo Tullio | ... | Panamanian Businessman | |
| Siraj Zaidi | ... | Official #2 | |
| rest of cast listed alphabetically: | |||
| Luigi Lescure | ... | Parent Taking Child to School (uncredited) | |
Directed by | |||
| John Boorman | |||
Writing credits(WGA) | ||
| John le Carré | (novel "The Tailor of Panama") | |
| Andrew Davies | (screenplay) and | |
| John le Carré | (screenplay) and | |
| John Boorman | (screenplay) | |
Produced by | |||
| Kevan Barker | .... | co-producer | |
| John Boorman | .... | producer | |
| John le Carré | .... | executive producer | |
Original Music by | |||
| Shaun Davey | |||
Cinematography by | |||
| Philippe Rousselot | |||
Film Editing by | |||
| Ron Davis | |||
Production Design by | |||
| Derek Wallace | |||
Art Direction by | |||
| Sarah Hauldren | (supervising art director) | ||
| Irene O'Brien | |||
| Lucinda Thomson | (as Lucinda Thompson) | ||
Set Decoration by | |||
| Laura Bowe | |||
Costume Design by | |||
| Maeve Paterson | (as Maeve Patterson) | ||
Makeup Department | |||
| Orla Carrol | .... | key hair stylist | |
| Lynn Johnson | .... | makeup artist (as Lynn Johnston) | |
| Tara McHugh | .... | assistant makeup artist | |
| Maire O'Sullivan | .... | key makeup artist | |
| Rick Provenzano | .... | hairdresser: Mr. Brosnan | |
| Bron Roylance | .... | makeup artist: Mr. Brosnan | |
| Deirdre Tormey | .... | assistant hairdresser | |
Second Unit Director or Assistant Director | |||
| Tommy Gormley | .... | first assistant director | |
| Jose Jimenez | .... | second second assistant director | |
| Anel E. Moreno | .... | assistant director | |
| Sarah Purser | .... | second assistant director | |
| Aoife Thunder | .... | third assistant director | |
| Genevieve Whitfield | .... | trainee assistant director | |
Art Department | |||
| June Connon | .... | props | |
| Neil Crawford | .... | rigger | |
| Manus Daly | .... | supervising carpenter | |
| Stephen Daly | .... | assistant art director | |
| Alan Dunne | .... | stand-by props | |
| Pascal Farrell | .... | assistant construction manager (as Paschal Farrell) | |
| Paul Hedges | .... | property master | |
| Shirley Henderson | .... | buyer | |
| Sarah Kingston | .... | prop buyer | |
| Paul McDonnell | .... | special props | |
| Owen Murnane | .... | master painter | |
| Des O'Neill | .... | master plasterer | |
| Laurence O'Toole | .... | scenic artist | |
| José Tuñón | .... | construction buyer | |
| Alexandra Walker | .... | draughtsman | |
| David Wallace | .... | stand-by props | |
| Dave Whelan | .... | construction manager | |
Sound Department | |||
| Mark Auguste | .... | sound editor | |
| Sam Auguste | .... | assistant sound editor | |
| Brendan Deasy | .... | sound mixer | |
| Joe Gilmore | .... | dialogue editor | |
| Pauline Griffiths | .... | foley artist | |
| Tom Johnson | .... | sound re-recording mixer | |
| Jenny Lee Wright | .... | foley artist (as Jenny Lee-Wright) | |
| Anthony Litton | .... | foley editor | |
| Steven McLoughlin | .... | sound trainee | |
| Eddie Quinn | .... | boom operator | |
| Fionn Seavers | .... | assistant sound editor | |
| Paul Drenning | .... | adr mixer (uncredited) | |
| Gerard Roche | .... | foley mixer (uncredited) | |
Special Effects by | |||
| Clive Beard | .... | special effects supervisor | |
| Jorge Cunningham | .... | effects assistant: Panama | |
| Mick Doyle | .... | senior effects technician: Ireland | |
| Maurice Foley | .... | special effects supervisor: Ireland | |
| Lee Kennealy | .... | effects technician: Panana | |
| Hiroko Ray Lay | .... | effects assistant: Panama | |
| Alan Poole | .... | special effects technician: Panama | |
| Pamela Poole | .... | effects coordinator: Panama | |
| Peter Skehan | .... | special effects technician: Panama | |
| Brendan Walsh | .... | special effects technician: Ireland (as Brendan Walshe) | |
Visual Effects by | |||
| Robin Aristorenas | .... | computer animator & modeler: Double Negative | |
| Richard Bain | .... | compositor: Double Negative | |
| Adrian Banton | .... | compositor: Double Negative | |
| Pete Bebb | .... | computer animator & modeler: Double Negative (as Peter Bebb) | |
| Jim Bowers | .... | computer animator & modeler: Double Negative | |
| Richard Briscoe | .... | compositor: Double Negative | |
| Peter Chiang | .... | visual effects supervisor | |
| Frazer Churchill | .... | digital supervisor: Double Negative | |
| Wayde Duncan-Smith | .... | computer animator & modeler: Double Negative | |
| Emily Edwards | .... | visual effects producer: Double Negative | |
| John Hardwick | .... | compositor: Double Negative | |
| Elie Jamaa | .... | computer animator & modeler: Double Negative | |
| Jody Johnson | .... | compositor: Double Negative | |
| Jesper Kjölsrud | .... | computer animator & modeler: Double Negative | |
| Rogan Macdonald | .... | visual effects artist | |
| Dolores McGinley | .... | digital artist | |
| John Moffatt | .... | compositor: Double Negative | |
| Charlie Noble | .... | compositor: Double Negative | |
| Paul Riddle | .... | compositor: Double Negative | |
| Simon Terry | .... | compositor: Double Negative | |
| Craig Chandler | .... | digital compositor (uncredited) | |
| Paul J. Franklin | .... | visual effects animator: Double Negative (uncredited) | |
| Pete Hanson | .... | studio manager: Double Negative (uncredited) | |
| Steve MacPherson | .... | technical operations manager: Double Negative (uncredited) | |
Stunts | |||
| Jonathan Fildes | .... | precision driver | |
| Ken Fildes | .... | precision driver | |
Camera and Electrical Department | |||
| Mark Byrne | .... | video assistant | |
| Xiomara Comrie | .... | clapper loader | |
| John Conroy | .... | focus puller | |
| Louis Conroy | .... | chief lighting technician | |
| Neil Crawford | .... | rigger | |
| Neil Cullen | .... | rigging gaffer | |
| Marcele de León | .... | video assistant | |
| Gerard Donnelly | .... | best boy (as Gerald Donnelly) | |
| Richie Egan | .... | second grip (as Richard Egan) | |
| Jimmy Hennessy | .... | head rigger (as James Hennessy) | |
| Jonathan Hession | .... | still photographer | |
| Roger Kenney | .... | camera trainee (as Roger Kenny) | |
| John Murphy | .... | key grip | |
| Philip Murphy | .... | second grip | |
| Michael J. Walsh | .... | electrician | |
| Des Whelan | .... | camera operator | |
| Stewart Whelan | .... | clapper loader (as Stewart A. Whelan) | |
| Vince McGahon | .... | Steadicam operator (uncredited) | |
| John Trapman | .... | aerial director of photography (uncredited) | |
Casting Department | |||
| Mary Gail Artz | .... | casting: USA | |
| Barbara Cohen | .... | casting: USA | |
| Jina Jay | .... | casting: U.K. | |
| Shaheen Baig | .... | casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Carol Graham | .... | wardrobe assistant | |
| Mark Holmes | .... | wardrobe master | |
| Susan O'Connor Cave | .... | wardrobe supervisor | |
Editorial Department | |||
| Sandra Campbell | .... | post-production coordinator | |
| Simon Davis | .... | assistant editor | |
| Bob Robinson | .... | assistant editor | |
| John Stanborough | .... | color timer | |
| Sylvia Wheeler | .... | negative cutter | |
Music Department | |||
| Sarah Burn | .... | copyist | |
| Shaun Davey | .... | orchestrator | |
| Noel Eccles | .... | musician: percussion soloist | |
| Víctor Heredia | .... | composer: song "Todavia Cantamos" | |
| Kieran Lynch | .... | assistant music engineer | |
| Brian Masterson | .... | music recording engineer | |
| Des Moore | .... | musician: guitar soloist | |
| Dino Nugent | .... | music consultant: Panama | |
| Nic Raine | .... | orchestrator | |
| Fiachra Trench | .... | conductor | |
Transportation Department | |||
| Stephen Carroll | .... | action vehicle coordinator | |
| Arthur Dunne | .... | transportation captain | |
| Matt Kelly | .... | transportation captain | |
| Vince Pecora | .... | transportation assistant (as Vincent Pecora) | |
Other crew | |||
| Adolfo Alvarez-Calderon | .... | location manager | |
| Orla Collins | .... | payroll accountant | |
| Con Cremins | .... | production accountant | |
| Susan d'Arcy | .... | unit publicist | |
| Raisa De Alba | .... | production assistant (as Raisa de Alba) | |
| Sandra L. Dixon | .... | second assistant accountant: Panama (as Sandra Dixon) | |
| Emer Egan | .... | second assistant accountant | |
| Mauri Freed | .... | assistant to production manager | |
| Sonya Gildea | .... | assistant to producer/director (as Sonya Supple) | |
| Jim Hanna | .... | catering | |
| Peter Marinker | .... | dialogue coach | |
| Stephen McGillen | .... | assistant accountant | |
| John McKenna | .... | chief armorer | |
| Oonagh McMorrow | .... | assistant production coordinator | |
| Niamh O'Dea | .... | production coordinator | |
| Rob Partridge | .... | armourer | |
| Laerke Sigfred Pedersen | .... | script supervisor | |
| Mary Sunshine | .... | production accountant | |
| Clodagh Tierney | .... | location scout | |
| Julian Valdes | .... | assistant location manager | |
| Jean Wainwright | .... | assistant production accountant | |
| Luca Ward | .... | voice dubbing: Pierce Brosnan | |
| Tommy G. Warren | .... | source: photos (uncredited) | |
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| The Best of Youth | Munich | All Good Things | My Own Private Idaho | Toto the Hero |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
Dumb. Stupid. Requires short attention span. I'm not talking about the movie, but rather the people who have critically lambasted this intelligent, stylish adaptation of John Le Carre's novel. Kudos to John Boorman, Pierce Bronsnan, Geoffrey Rush and a stellar cast. If you looking for an alternative to braindead blockbusters and regurgitated teenage comedies, then you've stumbled upon the right film. Imagine the complete antithesis of James Bond, a man who puts self before king and country, and loves them and leaves them with relish - enter Brosnan's Andy Osnard. Sit back and watch with sheer delight as this corrupt British spook pulls the strings that sets the U.S. on course for a second invasion of Panama. Misinformation is the game, and Osnard is planning to get rich on it. His pawn is the tailor of the title, Harry Pendel (brilliantly played by Geoffrey Rush). The film moves a snappy pace, the dialogue is witty and often times hilarious, and the cinematography, music and editing are all first rate. Who cares if two shots of a jet in the air scream bad CGI? That's not what this film is about. We're talking intelligent plotting, great writing, excellent acting, and another sexy, devilish turn for Brosnan that is slightly reminiscent of his Thomas Crown character. Brosnan, in my opinion, always fares best when he's playing against Bond type -- and here he excels. DO NOT listen to the naysayers on this one -- unless GODZILLA or ARMAGGEDON are your favorite movies. If you appreciate the dense, textured films of the late 60's-early 70's, then this one is for you. They sure don't make them like this anymore and you wouldn't know that they had with regard to Tailor, since Columbia's flying this one way under the radar. As always, they must be figuring that it'll play to the over 35 demo, so why even bother promoting it. Sad times these are, folks, when a first rate entertainment like this is ignored at the box office, and ignored by its own distributors. But there's always another Scream, American Pie and Halloween around the corner, so viva la cinema. Highest rating.