After being released from prison, Billy is set to visit his parents with his wife, who he does not actually have. This provokes Billy to act out, as he kidnaps a girl and forces her to act as his wife for the visit.
A talented young photographer, who enjoys snapping photos of his satirical, perverted Baltimore neighborhood and his wacky family, gets dragged into a world of pretentious artists from New York City and finds newfound fame.
After a blurred trauma over the summer, Melinda enters high school a selective mute. Struggling with school, friends, and family, she tells the dark tale of her experiences, and why she has chosen not to speak.
Elizabeth "Lizzie" Wurtzel is a teenager accepted into Harvard with a scholarship in journalism. She has been raised by her divorced mother Mrs. Wurtzel since she was two years old, but she misses her father and feels needy and depressive. When she joins the university, she lives with a roommate Ruby and has her sexual initiation with Noah. Her article for the local column in Crimson newspaper is awarded by Rolling Stone magazine. Lizzie becomes abusive in sex and drugs, and her existential crisis and depression increases and she hurts her friends and her mother that love her, while dating Rafe. Mrs. Wurtzel sends her to an expensive psychiatric treatment with Dr. Sterling, in spite of having difficulties paying for her medical bills and therapy sessions. After a long period of treatment under medication, and suicide attempt, Lizzie stabilizes and adjusts to the real world. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
When Lizzie's Dad takes a photo, camera is in horizontal position. When Lizzie finds the photo, it seems like it was taken by vertically-oriented camera. See more »
You don't understand. You don't understand, it was an accident.
An accident? You call that a fucking accident?
It was, uh, it was sort of, you know...
Come on, what?
An accidental blowjob?
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I think I should start by stating that I was hungry for this film, the book Prozac Nation, which chronicles Elizabeth Wurtzel's battle with depression, meant so much to me and each delay to the film (and there were many) only served to increase my desire to see it. Then I watched it . and from the opening scene my heart sank.
But lets get things straight first, it is a good film, probably would never win any awards but there are worse ways to kill a couple of hours. The performances, from a cast that includes Jessica Lange and Anne Heche, are solid (although somewhat unfairly Jason Biggs will always be the guy who humped the pie in my eyes) and in the case of Christina Ricci, who played Wurtzel herself, exceptional, the soundtrack's cool (well it does include The Pretenders, Lou Reed and Bruce Springsteen after all) and if you haven't read the book you'll probably like, maybe even love, it. However therein lies the problem, a film based on an international bestseller is surely aiming itself at a target audience of its readers and for this film that's the very people who are least likely to enjoy it. The film sucks out all the depth that made the book so brilliant and so important to millions, for example, instead of being a emotionally messed up young woman who fears abandonment and uses sex and anger as defence mechanisms, Wurtzel becomes a bitchy, whiny slut who is difficult to relate to or feel sympathy for. Furthermore the time constraints lead the film to focus solely on the Harvard years cutting out the important childhood/teen years and leading to a resolution which occurs far to early making depression seem like a problem which can be solved within a year. However I suppose the biggest problem the film has to overcome is the fact that reading Prozac Nation is a highly personal and private thing, meaning no film will be able to compare to the one the readers have already seen in their heads.
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