Lillian is a 21-year-old drifter engaged to a philandering loser and locked in her room with a strange man. She lives next to a failed violinist who won't stop playing his instrument. He ... See full summary »
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"All Over The Guy" is a contemporary romantic comedy about the quest to find the "one" when "the one" doesn't know he's the "one." It explores the unlikely pairing of two 20-somethings ... See full summary »
Elizabeth "Lizzie" Wurtzel is a teenager accepted into Harvard with a scholarship in journalism. She has been raised by her divorced mother Mrs. Wurtzel since she was two years old, but she misses her father and feels needy and depressive. When she joins the university, she lives with a roommate Ruby and has her sexual initiation with Noah. Her article for the local column in Crimson newspaper is awarded by Rolling Stone magazine. Lizzie becomes abusive in sex and drugs, and her existential crisis and depression increases and she hurts her friends and her mother that love her, while dating Rafe. Mrs. Wurtzel sends her to an expensive psychiatric treatment with Dr. Sterling, in spite of having difficulties paying for her medical bills and therapy sessions. After a long period of treatment under medication, and suicide attempt, Lizzie stabilizes and adjusts to the real world. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
When Elizabeth Wurtzel is writing the piece on Bruce Springsteen, a pack of Morleys, the fictional cigarette brand from the The X-Files (1993) and many other movies and TV shows can be seen on her desk. See more »
When Lizzie leaves the hotel lobby, they cut to a shot of flying commercial airliner to denote that she flew to Austin; however, the airliner they cut to an Airbus A340 that did not have its first flight until 1991 and was definitely not in service in the mid-80's. See more »
Back, back, back. How fucking far back do you go? My mom and dad were divorced before I was two, and from that on my father was almost uninvolved in my life, and my mother much too involved. She wanted to make up for all her mistakes through me.
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I think I should start by stating that I was hungry for this film, the book Prozac Nation, which chronicles Elizabeth Wurtzel's battle with depression, meant so much to me and each delay to the film (and there were many) only served to increase my desire to see it. Then I watched it . and from the opening scene my heart sank.
But lets get things straight first, it is a good film, probably would never win any awards but there are worse ways to kill a couple of hours. The performances, from a cast that includes Jessica Lange and Anne Heche, are solid (although somewhat unfairly Jason Biggs will always be the guy who humped the pie in my eyes) and in the case of Christina Ricci, who played Wurtzel herself, exceptional, the soundtrack's cool (well it does include The Pretenders, Lou Reed and Bruce Springsteen after all) and if you haven't read the book you'll probably like, maybe even love, it. However therein lies the problem, a film based on an international bestseller is surely aiming itself at a target audience of its readers and for this film that's the very people who are least likely to enjoy it. The film sucks out all the depth that made the book so brilliant and so important to millions, for example, instead of being a emotionally messed up young woman who fears abandonment and uses sex and anger as defence mechanisms, Wurtzel becomes a bitchy, whiny slut who is difficult to relate to or feel sympathy for. Furthermore the time constraints lead the film to focus solely on the Harvard years cutting out the important childhood/teen years and leading to a resolution which occurs far to early making depression seem like a problem which can be solved within a year. However I suppose the biggest problem the film has to overcome is the fact that reading Prozac Nation is a highly personal and private thing, meaning no film will be able to compare to the one the readers have already seen in their heads.
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