Sebastien is a small town boy who moves to Paris and begins to explore the gay night life there. When a friend from back home calls to announce he's coming to Paris, Sebastien confronts some unrequited feelings.
Felix is secretly in love with Ralph. This doesn't seem to be the biggest problem. But Felix is 15 and Ralph his 34 years old soccer coach. They meet every day in an ambush. One day Felix ... See full summary »
Having failed to break into professional opera in his native Germany (where, as an usher in West Berlin's Deutsche Oper, he would serenade the staff after the 'real' performances were over)... See full summary »
Khoi, a naive twenty-year-old, travels to Ho Chi Minh City from the countryside to begin a new life. It's his first time in the big city and he's looking for a place to live. He befriends ... See full summary »
Ngoc Dang Vu
Manh Hai Luong,
Vinh Khoa Ho,
Linh Son Nguyen
Karl Foyle and Paul Prentice were best mates at school in the Seventies. But when they meet again in present-day London things are definitely not the same. Karl is now Kim, a transsexual, ... See full summary »
Joaquin (Polo Ravales), an unassuming fisherman, is forced to confront his homosexuality when his sex-starved wife Cynthia (Althea Vega) returns from her overseas job eager to get pregnant.... See full summary »
Fernando, a.k.a. Fernanda, a 19-year-old Brazilian transvestite, travels to Milan and becomes a prostitute to finance sex-change surgery. Fernanda dreams of becoming a "real" woman, but in ... See full summary »
Ingrid de Souza,
Bo is a transexual prostitute in Brussels who left home after being abused by her father. She's now in an abusive relationship with a neighbor and suspected by the police in a series of ... See full summary »
A couple of gay men must break up due the impossibility of one of them to accept his homosexual condition. The farewell gets very difficult when the other one tries to convince him to accept himself and not to leave him.
By the 1920's, Berlin had become known as a homosexual eden, where gay men and lesbians lived relatively open lives amidst an exciting subculture of artists and intellectuals. With the coming to power of the Nazis, all this changed. Between 1933 and 1945 100,000 men were arrested for homosexuality under Paragraph 175, the sodomy provision of the German penal code dating back to 1871. Some were imprisoned, others were sent to concentration camps. Of the latter, only about 4,000 survived. Today, fewer than ten of these men are known to be living. Five of them have now come forward to tell their stories for the first time in this powerful new film. The Nazi persecution of homosexuals may be the last untold story of the Third Reich. Paragraph 175 fills a crucial gap in the historical record, and reveals the lasting consequences of this hidden chapter of 20th century history, as told through personal stories of men and women who lived through it: the half Jewish gay resistance fighter who ... Written by
The statute of Paragraph 175 was amended several times. The Nazis broadened the law in 1935 and increased its prosecutions by an order of magnitude; thousands died in concentration camps, regardless of guilt or innocence. East Germany reverted to the old version of the law in 1950, limited its scope to sex with youths under 18 in 1968, and abolished it entirely in 1988. West Germany retained the Nazi-era statute until 1969, when it was limited to "qualified cases"; it was further attenuated in 1973 and finally revoked entirely in 1994 after German reunification. See more »
This film is fantastic. What a powerful 80 minutes of film. It was so informative and emotional without shoving anything down your throat. The way the delicate and sensitive subject matters were handled was graceful and respectful. Kudos.
It made me feel angry, sad, and compassion for the people that are struggling to voice their stories without making a fiasco out of what happened to them.
Like so many other documentaries, this one did not try and play with my emotion with overly sappy music or editing. It was simple and precise. The music was haunting and had the perfect mood for the piece. The interviews were not overly edited for dramatic effect, but were simple and honest.
I watched it twice. Cried both times. And I feel more educated and compassionate for renting this great film.
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