IMDb > "Agatha Christie's Poirot" The Murder of Roger Ackroyd (2000)

"Agatha Christie's Poirot" The Murder of Roger Ackroyd (2000)

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Overview

User Rating:
7.3/10   778 votes »
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Director:
Writers:
Agatha Christie (novel)
Clive Exton (dramatized by)
Contact:
View company contact information for The Murder of Roger Ackroyd on IMDbPro.
Original Air Date:
2 January 2000 (Season 8, Episode 1)
Genre:
Plot:
Poirot comes out of retirement when his industrialist friend is brutally murdered a short while after a local widow who was suspected of killing her husband commits suicide. Full summary » | Add synopsis »
User Reviews:
The Murder of "The Murder of Roger Ackroyd" See more (16 total) »

Cast

 (Episode Cast) (in credits order)

David Suchet ... Hercule Poirot

Philip Jackson ... Chief Inspector Japp

Oliver Ford Davies ... Dr. Sheppard
Malcolm Terris ... Roger Ackroyd
Selina Cadell ... Caroline Sheppard
Daisy Beaumont ... Ursula Bourne

Flora Montgomery ... Flora Ackroyd
Nigel Cooke ... Geoffrey Raymond

Jamie Bamber ... Ralph Paton
Roger Frost ... Parker
Vivien Heilbron ... Mrs. Ackroyd

Gregor Truter ... Inspector Davis
Rosalind Bailey ... Mrs. Ferrars
Liz Kettle ... Mrs. Folliott
Charles Simon ... Hammond
Charles Early ... Constable Jones
Graham Chinn ... Landlord
Clive Brunt ... Naval Officer
Alice Hart ... Mary
Philip Wrigley ... Postman
Phil Atkinson ... Ted
rest of cast listed alphabetically:
Tony Red Richards ... Villager (uncredited)
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Episode Crew
Directed by
Andrew Grieve 
 
Writing credits
Agatha Christie (novel)

Clive Exton (dramatized by)

Produced by
Brian Eastman .... producer
Delia Fine .... executive producer: for A&E Television Networks
Peter Hider .... associate producer
Kris Slava .... supervising producer: for A&E Television Networks
 
Original Music by
Christopher Gunning 
 
Cinematography by
Chris O'Dell (director of photography)
 
Film Editing by
Frank Webb 
 
Casting by
Anne Henderson 
 
Production Design by
Rob Harris 
 
Art Direction by
Katie Driscoll  (as Katie Buckley)
 
Costume Design by
Charlotte Holdich 
 
Makeup Department
Sarah Grundy .... makeup artist
Kate Hodgson .... makeup artist
Pam Meager .... make-up
 
Production Management
Nick Girvan .... unit manager (uncredited)
 
Second Unit Director or Assistant Director
David MacDonald .... first assistant (as David Macdonald)
Marios Hamboulides .... assistant director (uncredited)
Chris Hider .... third assistant director (uncredited)
Nathaniel McCullagh .... daily assistant director (uncredited)
Nathaniel McCullagh .... third assistant director (uncredited)
Daniel Toland .... second assistant director (uncredited)
 
Art Department
Dave Channon .... construction
Tina Jones .... set dresser
Katie Lee .... buyer
Mickey Lennon .... property master (as Micky Lennon)
Garry Dawson .... stand by props (uncredited)
 
Sound Department
Sandy MacRae .... sound recordist
Sarah Morton .... sound editing
Mike Reardon .... boom operator
Ian Tapp .... dubbing mixer
Oliver Tarney .... sound editing
Ian Tapp .... sound re-recording mixer (uncredited)
 
Stunts
Joss Gower .... stunt double (uncredited)
Richard Hammatt .... stunts (uncredited)
Jason White .... stunt coordinator (uncredited)
 
Camera and Electrical Department
Vince Goddard .... gaffer
Ricky Hall .... grip
Jamie Harcourt .... camera operator
David Hedges .... focus puller (as Dave Hedges)
Martin Cox .... electrician (uncredited)
Martin Gooch .... camera trainee (uncredited)
Lorraine Luke .... camera loader (uncredited)
 
Costume and Wardrobe Department
Lezli Everitt .... wardrobe
Steven Kirkby .... wardrobe
 
Editorial Department
Bruce Everett .... post-production
Tony Tromp .... assistant editor
Cherry Brewer .... post-production coordinator (uncredited)
Justin Eely .... on-line editor (uncredited)
 
Other crew
Jeffrey Broom .... accounts
Joel Holmes .... locations
Suzanne McGeachan .... script supervisor (as Suzanne Clegg)
Dawn Mortimer .... co-ordinator
Michael Morton .... with the co-operation of the estate of
Jeffrey Bruce .... accountant (uncredited)
Pauline Hume .... title designer (uncredited)
Jen Lambert .... unit nurse (uncredited)
Tracey Nicholls .... secretary (uncredited)
 

Series Crew
These people are regular crew members. Were they in this episode?
Sound Department
Lionel Strutt .... adr mixer
 
Other crew
Mark Albela .... location manager
Daren Thomas .... location runner
 
Production CompaniesDistributors
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Additional Details

Runtime:
103 min | UK:100 min (14 episodes)
Country:
Language:
Color:
Certification:
Australia:M | UK:12 (video rating) (2000)

Did You Know?

Goofs:
Crew or equipment visible: During a slow right to left tracking shot of Poirot in a Blue Taxi, a very modern, black 2-way radio is lying on the running board of the car under the driver's left hand.See more »
Quotes:
Hercule Poirot:Now I give up on you. You shall torment me no longer. I will KILL you!
[throws vegetable marrow from the garden, and it lands near Dr. Sheppard's feet]
Hercule Poirot:Sacre - ! My dear doctor, I beg of you a thousand pardons, but these vegetable marrows, they have driven me to the edges of barbarity! Ah, please to forgive me. I am ashamed; I prostrate myself.
See more »
Movie Connections:
Version of Neudacha Puaro (2002) (TV)See more »

FAQ

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17 out of 22 people found the following review useful.
The Murder of "The Murder of Roger Ackroyd", 29 January 2004
Author: Mark Lim (DrizztDoUrden) from Cambridge

I shan't talk about the plot, because that would ruin it.

Agatha Christie readers could not have possibly have imagined that the adaptation would be this poor. It takes one of Agatha Christie's best novels, and butchers the story, removes half the suspects. It then inserts periods of boring introspection by the detective as he visits his old flat in Whitehaven Mansions.

Moreover, in the novel, most of the characters had some redeeming qualities. All humanity seems to have been stripped out of them in this adaptation. As a result, viewers who have not read the book would probably care even less who the murderer turns out to be.

Fans always knew that this novel would be one of the hardest to adapt, because there is relatively more narrative, and there is less banter than in the Poirot-Hastings stories such as the ABC murders. However, the recent excellent adaptation of Sad Cypress showed that it is possible to convert the moodier, less conversational mysteries to the screen.

A film that is inadequate for first-time viewers and bookreaders alike.

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