Living quietly in the small village of King's Abbot, sleuth Hercule Poirot becomes involved in the murder of successful industrialist Roger Ackroyd. The number of potential killers is almost as great as the population of the village itself. As Poirot investigates he sees that there might be a connection to the suicide of a local woman, and the death the previous year of her husband. Written by
Ron Kerrigan <email@example.com>
In the scene where Ackroyd's butler, Parker, is drunk and staggering down the road, the car behind him stops. Visible for a brief instant is the car's license plate, COU 313. In the very next scene as the car begins its run, the license plate has changed to JHX 473. See more »
A man may labor and toil to attain a certain kind of leisure in retirement. And then find that, after all, he yearns for the old busy days, and the old occupations he had thought himself so glad to leave. I had already begun to miss the daily toil of my previous employment when, tout à coup, I was flung back into the midst of the most perversely fascinating work that there is in the world: the study of human nature. A journal came into my possession, in which a murderer had taken the trouble to...
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For those of you who have NOT read the novel by the same name by Agatha Christie, you may indeed think my criticism of this adaptation somewhat harsh. The Murder of Roger Ackroyd is easily one of the greatest mystery novels and particularly one of Christie's best ever written. It is a great novel and is definitely a hard one to truly bring to the screen(small screen in this case)entirely faithful. Allowances must be made, but the script from this adaptation meanders a good deal from much of the source material. I did not like the framing device used. Why not have the narrator in the novel narrate? How bout that hokey ending with its proverbial "shootout" to get the audience's attention? And what about Poirot cracking the case in question? These major departures from the book greatly diminished my favor with this film. It is done very stylishly. The acting is as always very good. David Suchet makes the best Poirot and certainly the most faithful to the books. But this mystery has been twisted and contorted too much so that I can only faintly see Christie. What a shame! I would have really liked to see how Suchet and company could tackle this innovative novel. I came, I saw, I sighed!
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