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"Agatha Christie: Poirot" The Murder of Roger Ackroyd (2000)


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Overview

User Rating:
6.9/10   321 votes
Director:
Andrew Grieve
Writers:
Clive Exton (dramatisation) and
Agatha Christie (novel)
Contact:
View company contact information for The Murder of Roger Ackroyd on IMDbPro.
Original Air Date:
2 January 2000 (Season 7, Episode 1)
Plot:
Living quietly in the small village of King's Abbot, sleuth Hercule Poirot becomes involved in the murder of successful industrialist Roger Ackroyd... more | add synopsis
User Comments:
The Murder of "The Murder of Roger Ackroyd" more

Cast

  (Episode Cast overview, first billed only)
David Suchet ... Hercule Poirot

Philip Jackson ... Chief Inspector James Japp
Oliver Ford Davies ... Dr. Sheppard
Malcolm Terris ... Roger Ackroyd
Selina Cadell ... Caroline Sheppard
Daisy Beaumont ... Ursula Bourne
Flora Montgomery ... Flora Ackroyd
Nigel Cooke ... Geoffrey Raymond

Jamie Bamber ... Ralph Paton
Roger Frost ... Parker
Vivien Heilbron ... Mrs. Ackroyd
Gregor Truter ... Inspector Davis
Rosalind Bailey ... Mrs. Ferrars
Liz Kettle ... Mrs. Folliott
Charles Simon ... Hammond
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Additional Details

Runtime:
103 min
Country:
UK
Language:
English
Color:
Color
Certification:
Australia:M

Fun Stuff

Goofs:
Anachronisms: At the airport a modern day Cessna can be seen taking off. more
Quotes:
Roger Ackroyd: There is evil in this village, Poirot. Downright evil. more
Movie Connections:
Version of Alibi (1931/I) more

FAQ

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8 out of 8 people found the following comment useful:-
The Murder of "The Murder of Roger Ackroyd", 29 January 2004
5/10
Author: Mark Lim (DrizztDoUrden) from Cambridge

I shan't talk about the plot, because that would ruin it.

Agatha Christie readers could not have possibly have imagined that the adaptation would be this poor. It takes one of Agatha Christie's best novels, and butchers the story, removes half the suspects. It then inserts periods of boring introspection by the detective as he visits his old flat in Whitehaven Mansions.

Moreover, in the novel, most of the characters had some redeeming qualities. All humanity seems to have been stripped out of them in this adaptation. As a result, viewers who have not read the book would probably care even less who the murderer turns out to be.

Fans always knew that this novel would be one of the hardest to adapt, because there is relatively more narrative, and there is less banter than in the Poirot-Hastings stories such as the ABC murders. However, the recent excellent adaptation of Sad Cypress showed that it is possible to convert the moodier, less conversational mysteries to the screen.

A film that is inadequate for first-time viewers and bookreaders alike.

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