Jerry Welbach is given two ultimatums. His mob boss wants him to travel to Mexico to get a priceless antique pistol called "The Mexican" or he will suffer the consequences. The other ultimatum comes from his girlfriend Samantha, who wants him to end his association with the mob. Jerry figures that being alive, although in trouble with his girlfriend is the better alternative so he heads south of the border. Finding the pistol is easy but getting it home is a whole other matter. The pistol supposedly carries a curse - a curse Jerry is given every reason to believe, especially when Samantha is held hostage by the gay hit man Leroy to ensure the safe return of the pistol. Written by
James Gandolfini reportedly lost 35 pounds for his role as Winston, all of which he had to gain back before shooting re-commenced on the upcoming season of The Sopranos (1999) because producer David Chase believed that "The Sopranos" audience would not like a "skinny" Tony (Soprano). See more »
When Jerry initially retrieves his revolver from his luggage before going into the bar to find Beck, he opens the cylinder and a couple of cartridges fall out. In the process of reloading, he spins the cylinder and several clicks are audible. An open cylinder on this type of firearm would spin freely and would not click. (The clicks might be heard as part of the lockup mechanism if the cylinder was spun while closed.) See more »
A chaotic, messy but brilliant commentary on relationships
I'm genuinely surprised at the number of people who disliked this movie. Perhaps because it was a bit disjointed, chaotic, uneven, unpredictable and even incoherent at times. And that's just why I loved it. It's life. Yes, it's the crazy, seedy, shady lives of these people (the main characters being Pitt's and Roberts' characters), but at least it's honest... and darned funny. I thought the self-deprecating jabs at how most Gringos view Mexico/Mexicans were priceless. Raul!! The grainy flashbacks had my sides splitting.
People, this is a classic melodrama told in today's yucky, dirty, gritty, ugly times. A beautiful (if you look closely) story that doesn't take it self seriously at all. This is anything but formula Hollywood hype. It is a genius inside-joke that sandbagged most of the people hoping to come out and see a Pitt/Roberts version of Sleeping in Seattle or some similar chick-flick dreck.
When is enough enough? Never.
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