One of comedian Richard Pryor's live performances (at the Sunset Strip, obviously) caught on film. Pryor talks about most of his standard subjects, including rascism and the differences ... See full summary »
In this documentary, the show's emcee, Vince Vaughn, and four stand-up comedians hand-picked by Vaughn, travel the country and perform in 30 cities. This film documents the interactions on and off stage along the way.
Part live stand-up performance, part documentary, this film is one of comedian Richard Pryor's later stand-up performances. As foul-mouthed as ever, Pryor touches on most of the same topics as in his previous live shows.
February 26 and 27, 2000, the Original Kings of Comedy play Charlotte, NC. The themes are Blacks and Whites, men and women, old-school and hip-hop. Steve Harvey emcees, celebrates '70s music and lyrics of love, and pokes at folks in the front row. D.L. Hughley mines racial differences and talks about his marriage. Cedric the Entertainer riffs on a Black president and on being grown up. Bernie Mac, who says he expresses what's in the back of our minds, closes with reflections on being 42 (new aspects to his sex life and his attitude toward children). Spike Lee's camera takes us backstage and off-stage with the Kings and into the crowd where everyone's laughing. Written by
Cedric the Entertainer:
Never in history did you hear about 17 or 18 of us gettin' killed nowhere altoghether. 'Cuz we run. We run when somebody else runs. We don't ask no questions why we runnin', we just get our ass up and start damn running.
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Written by Theodore Dudley, Gregory Green, Albert Hudson, Glenda Hudson, Jonathan Meadows, Terry Morgan, and Dave Roberson Jr.
Performed by One Way.
Courtesy of MCA Records under license from Universal Music Enterprises. See more »
The success of this tour surprised many whom were not familiar with these comedians, mainly because they are superstars on the African-American, not mainstream, comedy circuit. These men are funny as hell! The TV shows they appear or have appeared on do not give them the freedom to turn loose like they do in this film. One of the best sequences was when Harvey complained about rap and urban contemporary music (he was so right!) and gave respect to old school R&B. This is absolutely the best comedy that was released all summer.
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