For years, the record industries have inserted subliminal messages into music so that they can turn teenagers into brain dead zombies who do nothing but buy, buy, buy. And whenever the musician or band finds out the truth, the record company silences them to keep the truth from coming out. When the hot boy band DuJour discovers this, their manager, Wyatt Frame, under his evil, corrupt boss, Fiona, has the plane they are flying in crashed and him looking for a new band to use for their evil schemes. Enter Josie, the ditsy Melody, and the tough Valerie, from Josie and the Pussycats, a small band who wants to make it to the big time. When they are discovered by Wyatt, they give in and become big rock stars. But will they find out that they are just pawns for the record industry or will fame take them over? Written by
Breckin Meyer, Alexander Martin, Donald Faison and Seth Green (the members of Du Jour) had all previously appeared in the film 'Can't Hardly Wait' (1998) with Meyer and Faison portraying band members at each other's throats. See more »
When Melody hits Carson with the Matt Damon cut-out, she drops the cut out as Carson falls off the set. In the next scene the cutout is once again in her hands. See more »
In the version of "Josie and the Pussycats" released outside North America, the Universal logo transforms into the tongue stud of a screaming fan. (Universal's logo comes before Metro-Goldwyn-Mayer's on the American prints; internationally it's the other way around.) See more »
Do not go to this movie expecting anything that's logical or realistic. It is a purely fun film with a rocking soundtrack.
Viewers who would most appreciate this would be the ones who have at least a vague memory of the television cartoon series because there are a lot of jokes and references that might go over one's head otherwise--not to say that kids wouldn't enjoy it as well, because they will.
There's a lot going on in this film. So much happens so fast, but that is intentional. It is highly visual, and the style almost seems like a cross between Steven Soderbergh and Tim Burton, of course with a lot more pink and glitter. The images literally pop out at you at times. And while the plot is somewhat contrived, you might not mind too much because it speaks so clearly to our current culture.
The parody of Boy Bands and Pop-Star Girls is dead-on and that's why this is such a guilty pleasure. You can appreciate how they are made fun of and enjoy the characterizations at the same time. And all the performances are first rate--from the cameo performances by Breckin Myer and Seth Green as members of the Boy Band "Dujour", to leads Rachel Leigh Cook and Tara Reid as Josie and Melody, to the supporting players, particularly Alan Cumming and Parker Posey as the record executives. Also look for cameos by Carson Daly and Ken "Babyface" Edmonds.
Rosario Dawson as Valerie makes quite an impression. Her strong but anxious portrayal helps set up the classic conflict of female friendship vs. "diva-like" fame--a conflict we've seen played out over and over again in many VH-1 "Behind the Music" episodes.
All in all, this is a film you'll enjoy upon first viewing and maybe even more with repeated viewings. If anything, you'll be dancing out of the aisles as you head home.
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