In the 1970s, a young trans woman, Patrick "Kitten" Braden, comes of age by leaving her Irish town for London, in part to look for her mother and in part because her gender identity is beyond the town's understanding.
A group of Irish college students are about to leave for the United States, where they've landed summer jobs on Long Island, New York. Working hard in the day and playing even harder at ... See full summary »
This drama is set in rural Ireland. Believing that "a man is measured by his enemies", Harry Maloney ('Colm Meany') sets out to ruin George O'Flaherty - the most powerful man in town, who ... See full summary »
Kate and Martin escape from personal tragedy to an Island Retreat. Cut off from the outside world, their attempts to recover are shattered when a Man is washed ashore, with news of airborne killer disease that is sweeping through Europe.
Pig and Runt - born on the same day, in the same hospital, moments apart. Twins, all but by blood. Inseparable from birth, they are almost telepathic. They are also partners in crime, with an appetite for recklessness, exploration and destruction. But days before their 17th birthday the perfect balance of their world begins to shift. Pig's sexual awakening and increasing jealousy begins to threaten the private universe they have spent their lives constructing. Unable to contemplate the loss of Runt, Pig's unpredictable nature spirals out of control in a trail of violence. The invisible thread between them is stretched to breaking point, the inseparable are about to separate, and which one will survive depends on which one can break free. Written by
The second song played during the credits called "So New" was written and performed by Cillian Murphy, who played Pig. See more »
During the flashback to Sinéad being spanked by her father Ger Canning can be heard commentating on a hurling game between Cork and Kilkenny, mentioning the names of DJ Carey, Henry Shefflin, Charlie Carter and Diarmuid O' Sullivan, who would only played with and against each other in 1999 at the earliest. The flashback was obviously intended to have been set long before then. See more »
Once upon a time, before there was any blue, I'd take a long long nap in a brand new home. This place, it's like I make up my mind to stay in this lovely warm pink room. The thumpity thump of the heart. My only true path. I tell the noisy world outside to fuck off with all your play-actin', for Runt. She go no where, for no one. That was a time when silence was some sort of friend.
But then my mom would heave and wake all inside. And Runt, she wakes up, cause a baby can't stay ...
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Its amazing how some of the comments here have completely missed the point of this film. If you haven't seen it yet, I should warn that these comments may give away some plot points.
The facile answers that one user suggest this film offers to the question of "what is love?" don't really deserve aknowledgement. But lets do so anyway.
It would be hard to find a more poignant and complex depiction of the strive for 'pure' love in the face of an ever intruding reality. Pig's love for Runt is the one thing that is whole and real in his life. Yet life, and the fact of their growing up, is slowly taking her away from him. Without her, he himself has no real existence. Therefore his love takes on a growing desperation as he feels her slip away from him.
A commenter questions why runt never "takes to" Pig. Why she is attracted to the bartender.
The point of the film is that she can live in and relate to an outer world beyond her relationship with Pig, while Pig cannot. This world is represented by the barman she dances with, by the roomate she slowly begins to open up to. It is this ability that enables her to survive whilst Pig is spiralling into an ever more violent self-destruction. She loves Pig but realises that the insulated world thay have cocooned themselves within must fall apart. She ultimately saves him from a world that he cannot live in and that she knows he must.
The real triumph of this film is how it completely trancends its stage bound roots. The action is opened out and incorporates a range of characters which, if never fully rounded, likewise are never mere cliches. There is in fact only one speech lifted directly from the play, where Pig expresses his growing frustration as sexuality begins to enter their relationship. The ending soliloquay which one commenter feels betrayed the stage origins was in fact completely new to the film, and indeed the ending itself is completely rewritten.
The direction of this film is lively and interesting. Veering between the hyper-kinetic disco scenes and the peaceful fairy tale world of Pig and Runt's fantasies without jarring. It manages to take Pig on a road trip without ever losing pace and leaves us with a truly heartwrenching scene of sacrifice and beauty.
This is the future of Irish cinema; fresh, exciting directors and a depiction of Ireland that manages to be both free from stereotypical depictions of Irishness whilst maintaining a distinct storytelling style. Go see it.
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