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Lou Diamond Phillips,
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While staking out his next assignment--the innocent girlfriend of his notorious boss--contract killer Malik reflects on the dark path he's chosen but cannot escape. Torn between his sense of duty and his newfound sense of humanity, he finds that the only way out is a perilous showdown with men who are every bit as cold-blooded as he is. Written by
Sujit R. Varma
When I was ten, my father put a bullet in my mother's heart, rattled off some cryptic shit about the rent bein' due, and then he put a slug in his own head. With that level of Jackson-family-on-crack-type dysfunction, it's no wonder I turned out the way I did.
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Kantz and Ramsey also put together "The Big Hit", which I disliked so much, I demanded my money back from the video store. But I admit that there is something appealing about this one.
The film is an attempt to do comic noir, and is definitely of a flavor similar to that of Tarantino's films and of the British neo-noir.
The problem such films have is one of bad taste - it's difficult to know when killing and hurting people can be made amusing, and when it just hurts and laughing at it is stepping close to something profoundly unhealthy.
However, "Love and a Bullet" only crosses that line a couple of times; and I think much of the appeal of the film comes out of the performance of Treach, who is right on the money throughout. Some of the dialog is over much, and more could have been done with less - although I admit that for a film put together for half-a-million in 2002, this really looks well-made. But I really mean less in the story and in the dialog, which goes over the top once too often to suit me.
But on the whole, an entertaining Post-Modern crime comedy of the 'outre' variety.
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