| Wayne Crawford | ... | David (as Scott Lawrence) | |
| Jennifer Stock | ... | Leslie (as Jennifer Gregory) | |
| Sam Moree | ... | Benny | |
| Daniel Schweitzer | ... | Ezra | |
| William Kerwin | ... | Monroe (as Thomas Wood) | |
| Suzanne Robinson | ... | Carol Rizzo (as Kayelynne) | |
| Robert Rosano | ... | Robert Rizzo | |
| Adrian Sherman | ... | Fruit Vendor | |
| Nancy Lawson | ... | David's Girlfriend | |
| Michael Shaw | ... | Leslie's Boyfriend | |
| Jerry James | ... | Foreman | |
| Raymond Diaz | ... | Bulldozer Operator | |
| Jack Nuber | ... | Construction Crewman | |
| Lane Chiles | ... | Construction Crewman | |
| Bruce Kronenberg | ... | Construction Crewman | |
| Jerry Shulman | ... | Construction Crewman (as Gerald Shulman) | |
| Carlos Sanchez | ... | Construction Crewman | |
| Freddie Dawson | ... | Rochelle | |
| Berry Sweeting | ... | Shug | |
| Thomas Ferguson | ... | Josh | |
| Anthony Lane | ... | Office Manager | |
| Lynn Kava | ... | Office Worker | |
| Gwenn Lane | ... | Office Worker | |
| Lori Robin Lane | ... | Office Worker (as Lori Lane) | |
| David Lipsick | ... | Office Worker | |
| Paul Goeld | ... | Office Worker | |
| Pat Hopwood | ... | Office Worker | |
| Judy Weinstein | ... | Office Worker | |
| B.M. Troop | ... | Office Worker | |
| April Hirsch | ... | Office Worker | |
| Michael Waldfogel | ... | Cowboy | |
| Rob Torokvei | ... | Cowboy | |
| Richmond Farren | ... | Cowboy | |
| Gary Glover | ... | Cowboy | |
| Fredrick Fryer | ... | Cowboy | |
| Claudette Baumgardner | ... | Girl in Diner | |
| Luis Antonio Ramos | ... | Diner Customer (as Luis Ramos) | |
| Charles Hines | ... | Joe | |
| Robert Hudson | ... | Husband | |
| Sheila Riley | ... | Wife |
Directed by | |||
| Harry Kerwin | (as Harry E. Kerwin) | ||
Writing credits | ||
| Wayne Crawford | (story) and | |
| Robert Woodburn | (story) | |
| Wayne Crawford | (screenplay) and | |
| Harry Kerwin | (screenplay) (as Harry E. Kerwin) | |
Produced by | |||
| Wayne Crawford | .... | producer | |
| Harry Kerwin | .... | associate producer (as Harry E. Kerwin) | |
| Andrew Lane | .... | producer | |
Original Music by | |||
| Michael Shaw | |||
Cinematography by | |||
| William Walsh | (director of photography) (as William J. Walsh) | ||
Film Editing by | |||
| Fred Berney | (as Fredric Berney) | ||
Makeup Department | |||
| The Dutchess | .... | makeup artist | |
Art Department | |||
| Cheryl Evans | .... | props | |
| Peter Johns | .... | set designer | |
| Michael Waldfogel | .... | set designer | |
Sound Department | |||
| Bernie Blynder | .... | sound (as Bernard Blynder) | |
| Jack Nuber | .... | boom man | |
Camera and Electrical Department | |||
| Lane Chiles | .... | photographer: second unit | |
| Steven Cohen | .... | assistant camera (as Steve Cohen) | |
| Steven Cohen | .... | photographer: second unit (as Steve Cohen) | |
| Edmund Gibson | .... | visual consultant | |
| Mike Goad | .... | grip | |
| William Randall | .... | photographer: second unit | |
| Gerald Rhodes | .... | gaffer (as Jerry Rhodes) | |
| William Walsh | .... | camera operator (as William J. Walsh) | |
| Mike White | .... | grip | |
Costume and Wardrobe Department | |||
| Cheryl Evans | .... | wardrobe | |
Other crew | |||
| Betty Kerwin | .... | script supervisor | |
| Paul Moore | .... | title designer | |
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| Jackson County Jail | Deadbeat | Act of Vengeance | Schoolgirls in Chains | Mean Dog Blues |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb USA section |
A trio of separatist hillbillies mobilize to halt the development of a campsite in their deep-woods homestead. What begins as a harmless scheme to scare people away quickly turns deadly.
There's little question that GOD'S BLOODY ACRE is a product of loose-change funding and a three-day-weekend shooting schedule. Despite the transparencies of an indifferently overseen production, however, there's good potential for shameful gratification in this frowzy little regional outgrowth. The first half hour is a razor-to-wrist bore, but if you can get past that, the story does eventually grease the wheels and keep a steady beat(putting forward one of the most drawn-out, strangely choreographed fight scenes I've ever witnessed).
This is a lazy concoction from folks who have done far better work(see: SOMETIMES AUNT MARTHA DOES DREADFUL THINGS), but it does have a certain something...just not a whole lot of it.
5/10