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Gaudi Afternoon (2001)

R  |   |  Comedy, Drama, Mystery  |  31 May 2002 (Spain)
6.2
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Ratings: 6.2/10 from 991 users   Metascore: 44/100
Reviews: 34 user | 12 critic | 8 from Metacritic.com

Alone in a foreign city, Cassandra must solve a family's darkest, deepest secrets before she can confront her own past.

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Cast

Cast overview, first billed only:
...
Cassandra
...
Frankie
...
Ben
...
April
...
Delilah
María Barranco ...
Carmen (as Maria Barranco)
Christopher Bowen ...
Hamilton
Pep Molina ...
Paco
Víctor Álvaro ...
Juan (as Victor Alvaro)
Steve Itkin ...
Harry (voice)
Sergi Ruiz ...
Carmen's Older Son
Glòria Casas ...
Carmen's Daughter (as Gloria Casas)
Aitor Extravizz ...
Carmen's Son
Glòria Roig ...
Carmen's Mother (as Gloria Roig)
Alexandra Tugues ...
La Grande (as Alejandra Tugues)
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Storyline

Cassandra, a solitary writer in Barcelona (a US ex-pat) gets a call for help from a stranger - a stylish woman named Frankie - who wants Cassandra to find her husband, so he can sign some important papers. Nothing Frankie says is true: the husband turns out to be a woman, the issue isn't legal papers but a child's custody, and even Frankie's most obvious identity, in red cape and red pumps, is a false front. But Cassandra keeps at it, at first to earn her promised fee, and then to help Frankie, then Frankie's ex, then the child. Along the way, this solitary and somewhat disconnected and bewildered writer frees herself to finish a novel and re-establish a broken relationship. Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Genres:

Comedy | Drama | Mystery

Motion Picture Rating (MPAA)

Rated R for language and sexual content | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

31 May 2002 (Spain)  »

Also Known As:

As Tardes de Gaudi  »

Filming Locations:


Company Credits

Show detailed on  »

Technical Specs

Runtime:

|

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Quotes

Hamilton: [about his date] You know I never would have guessed it.
Cassandra Reilly: Guessed what?
Hamilton: That she was a transexual
[Cassandra chokes on her drink]
Hamilton: Not that I'm judgemental mind you, people are all different - I'm bisexual for instance.
[She chokes again]
Hamilton: Oh I'm sorry, being Irish you must not be used to talking about bisexuals, let alone transvestities.
See more »

Connections

References A Nightmare on Elm Street (1984) See more »

Soundtracks

Sway ¿Quién será?
Written by Luis Demetrio and Pablo Beltrán Ruiz (as Pablo Ruiz), English lyrics by Norman Gimbel
Performed by Dean Martin
See more »

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User Reviews

 
Unconventional cloak and dagger...with no cloaks or daggers
9 March 2005 | by (Suburbia) – See all my reviews

Don't look for this title at your local homogeneous family video chain. This sadly overlooked indy film by director Susan Seidelman is best found in an "alternative lifestyle" venue in the nearest large city.

Yes, there are (gasp!) lesbian and trans-gendered characters, but this film does not dwell on their minority status, nor does it minimize them into the caricatures we've come to associate with cinematic depictions of such persons. They're merely caught up in the mystery into which a lonely, embittered, female literary translator finds herself involved.

Revealing much more about the plot would be to water down the viewer's perspective of the unraveling mystery, but I can promise a very satisfying experience for fans of the genre. The only detriment might be toward the end, when things suddenly accelerate, as if the filmmakers realized they were running out of stock, the editors realized they were running overlong, or perhaps both.

And Susan Seidelman certainly does know how to get the best performance out of her locations. As "Desperately Seeking Susan" captures mid-80s lower Manhattan, and "Making Mr. Right" shows Miami at its best, so does "Gaudi Afternoon" display the intricacies of the Spanish city of Barcelona, and the Gaudi-designed apartment building from which it draws its title. Without Madonna sucking the life out of every scene she's in, and without the somewhat contrived plot that bothered science-conscious viewers of "Making Mr. Right," Seidelman finally succeeds in assembling a cast, plot and setting worthy of her talents.


5 of 6 people found this review helpful.  Was this review helpful to you?

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